{"id":2297,"date":"2024-03-21T20:15:00","date_gmt":"2024-03-21T23:15:00","guid":{"rendered":"https:\/\/dj-byc.com\/WP\/?p=2297"},"modified":"2024-03-21T20:15:03","modified_gmt":"2024-03-21T23:15:03","slug":"zorro-gris-1946-03-22-orquesta-enrique-rodriguez","status":"publish","type":"post","link":"https:\/\/dj-byc.com\/WP\/zorro-gris-1946-03-22-orquesta-enrique-rodriguez\/","title":{"rendered":"Zorro gris 1946-03-22 \u2014 Orquesta Enrique Rodr\u00edguez"},"content":{"rendered":"<div class='watch-action'><div class='watch-position align-left'><div class='action-like'><a class='lbg-style1 like-2297 jlk' href='javascript:void(0)' data-task='like' data-post_id='2297' data-nonce='e6e2317e6c' rel='nofollow'><img class='wti-pixel' src='https:\/\/dj-byc.com\/WP\/wp-content\/plugins\/wti-like-post\/images\/pixel.gif' title='comme' \/><span class='lc-2297 lc'>+2<\/span><\/a><\/div><\/div> <div class='status-2297 status align-left'><\/div><\/div><div class='wti-clear'><\/div>\n<h2 class=\"wp-block-heading\">Rafael Tuegols Letra Francisco Garc\u00eda Jim\u00e9nez<\/h2>\n\n\n\n<p><em>Cette version de Zorro gris a \u00e9t\u00e9 enregistr\u00e9e le 22\u00a0mars 1946 par Enrique Rodriguez, il y a exactement 78\u00a0ans. Sa musique attrayante cache une histoire qui comporte deux trag\u00e9dies. Menons l\u2019enqu\u00eate.<\/em><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Zorro en espagnol, c\u2019est le renard.<\/h2>\n\n\n\n<p>Zorro gris, c\u2019est donc le renard gris. Le tango enregistr\u00e9 par Rodriguez est une version instrumentale. La musique est plut\u00f4t all\u00e8gre, il est donc facile d\u2019imaginer un petit renard qui gambade. La musique explore des directions oppos\u00e9es. Les instruments qui se r\u00e9pondent permettent d\u2019imaginer un renard furetant, d\u2019un c\u00f4t\u00e9 \u00e0 l\u2019autre.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">En lunfardo, un renard&#8230;<\/h2>\n\n\n\n<p>En lunfardo, le renard peut d\u00e9signer les mani\u00e8res de certains, mais ce sont aussi les agents de la circulation, d\u00e9nomm\u00e9s ainsi \u00e0 cause de la couleur grise de leur tenue.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure data-wp-context=\"{ &quot;core&quot;:\n\t\t\t\t{ &quot;image&quot;:\n\t\t\t\t\t{   &quot;imageLoaded&quot;: false,\n\t\t\t\t\t\t&quot;initialized&quot;: false,\n\t\t\t\t\t\t&quot;lightboxEnabled&quot;: false,\n\t\t\t\t\t\t&quot;hideAnimationEnabled&quot;: false,\n\t\t\t\t\t\t&quot;preloadInitialized&quot;: false,\n\t\t\t\t\t\t&quot;lightboxAnimation&quot;: &quot;zoom&quot;,\n\t\t\t\t\t\t&quot;imageUploadedSrc&quot;: &quot;https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-gris.jpg&quot;,\n\t\t\t\t\t\t&quot;imageCurrentSrc&quot;: &quot;&quot;,\n\t\t\t\t\t\t&quot;targetWidth&quot;: &quot;708&quot;,\n\t\t\t\t\t\t&quot;targetHeight&quot;: &quot;917&quot;,\n\t\t\t\t\t\t&quot;scaleAttr&quot;: &quot;&quot;,\n\t\t\t\t\t\t&quot;dialogLabel&quot;: &quot;Image agrandie&quot;\n\t\t\t\t\t}\n\t\t\t\t}\n\t\t\t}\" data-wp-interactive class=\"aligncenter size-medium is-resized wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"232\" height=\"300\" data-wp-effect--setStylesOnResize=\"effects.core.image.setStylesOnResize\" data-wp-effect=\"effects.core.image.setButtonStyles\" data-wp-init=\"effects.core.image.initOriginImage\" data-wp-on--click=\"actions.core.image.showLightbox\" data-wp-on--load=\"actions.core.image.handleLoad\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-gris-232x300.jpg\" alt=\"\" class=\"wp-image-2302\" style=\"width:146px;height:auto\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-gris-232x300.jpg 232w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-gris-624x808.jpg 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-gris.jpg 708w\" sizes=\"(max-width: 232px) 100vw, 232px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Agrandir l\u2018image\"\n\t\t\tdata-wp-on--click=\"actions.core.image.showLightbox\"\n\t\t\tdata-wp-style--right=\"context.core.image.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"context.core.image.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">La tenue grise des agents de la circulation leur a donn\u00e9 leur surnom de Zorro gris<\/figcaption>        <div data-wp-body=\"\" class=\"wp-lightbox-overlay zoom\"\n            data-wp-bind--role=\"selectors.core.image.roleAttribute\"\n            data-wp-bind--aria-label=\"selectors.core.image.dialogLabel\"\n            data-wp-class--initialized=\"context.core.image.initialized\"\n            data-wp-class--active=\"context.core.image.lightboxEnabled\"\n            data-wp-class--hideAnimationEnabled=\"context.core.image.hideAnimationEnabled\"\n            data-wp-bind--aria-modal=\"selectors.core.image.ariaModal\"\n            data-wp-effect=\"effects.core.image.initLightbox\"\n            data-wp-on--keydown=\"actions.core.image.handleKeydown\"\n            data-wp-on--touchstart=\"actions.core.image.handleTouchStart\"\n            data-wp-on--touchmove=\"actions.core.image.handleTouchMove\"\n            data-wp-on--touchend=\"actions.core.image.handleTouchEnd\"\n            data-wp-on--click=\"actions.core.image.hideLightbox\"\n            tabindex=\"-1\"\n            >\n                <button type=\"button\" aria-label=\"Fermer\" style=\"fill: #000\" class=\"close-button\" data-wp-on--click=\"actions.core.image.hideLightbox\">\n                    <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" width=\"20\" height=\"20\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M13 11.8l6.1-6.3-1-1-6.1 6.2-6.1-6.2-1 1 6.1 6.3-6.5 6.7 1 1 6.5-6.6 6.5 6.6 1-1z\"><\/path><\/svg>\n                <\/button>\n                <div class=\"lightbox-image-container\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium is-resized responsive-image\"><img decoding=\"async\" data-wp-bind--src=\"context.core.image.imageCurrentSrc\" data-wp-style--object-fit=\"selectors.core.image.lightboxObjectFit\" src=\"\" alt=\"\" class=\"wp-image-2302\" style=\"width:146px;height:auto\"\/><figcaption class=\"wp-element-caption\">La tenue grise des agents de la circulation leur a donn\u00e9 leur surnom de Zorro gris<\/figcaption><\/figure><\/div><\/div>\n                <div class=\"lightbox-image-container\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium is-resized enlarged-image\"><img decoding=\"async\" data-wp-bind--src=\"selectors.core.image.enlargedImgSrc\" data-wp-style--object-fit=\"selectors.core.image.lightboxObjectFit\" src=\"\" alt=\"\" class=\"wp-image-2302\" style=\"width:146px;height:auto\"\/><figcaption class=\"wp-element-caption\">La tenue grise des agents de la circulation leur a donn\u00e9 leur surnom de Zorro gris<\/figcaption><\/figure><\/div><\/div>\n                <div class=\"scrim\" style=\"background-color: #fff\" aria-hidden=\"true\"><\/div>\n        <\/div><\/figure><\/div>\n\n\n<h2 class=\"wp-block-heading\">Extrait musical<\/h2>\n\n\n\n<p>Voyons si l\u2019\u00e9coute du tango du jour nous aide \u00e0 en savoir plus.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-gris-1946-03-22-Orquesta-Enrique-Rodriguez.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Zorro gris 1946-03-22 \u2014 Orquesta Enrique Rodr\u00edguez. C\u2019est notre tango du jour. <\/figcaption><\/figure>\n\n\n\n<p>Rodriguez fait une version \u00e9quilibr\u00e9e d\u00e9barrass\u00e9e de la pesanteur du canyengue, m\u00eame si la version est relativement lente, les diff\u00e9rents instruments s\u2019entrem\u00ealent sans nuire \u00e0 la ligne m\u00e9lodique, c\u2019est \u00e0 mon avis une des versions les plus int\u00e9ressantes, bien qu\u2019elle soit rarement propos\u00e9e en milonga par les coll\u00e8gues.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Les paroles<\/h2>\n\n\n\n<p>Avec les paroles, tout s\u2019\u00e9claire et probablement que vos hypoth\u00e8ses vont \u00eatre contredites.<br>Cependant, la musique a \u00e9t\u00e9 \u00e9crite avant 1920 et les paroles en 1921, il se peut donc qu\u2019une fois de plus, elles aient \u00e9t\u00e9 plaqu\u00e9es sans v\u00e9ritable coh\u00e9rence. <strong><em>Francisco Garc\u00eda Jim\u00e9nez<\/em><\/strong> n\u2019a \u00e9crit les paroles que de trois des compositions de Rafael Tuegols, <strong><em>Zorro gris<\/em><\/strong> (1920-21), <strong><em>Lo que fuiste<\/em><\/strong> (1923) et <strong><em>Pr\u00edncipe<\/em><\/strong> (1924). Ce n\u2019est donc pas une association r\u00e9guli\u00e8re, <strong><em>Rafael Tuegols<\/em><\/strong> ayant compos\u00e9 au moins 55\u00a0tangos dont on dispose d\u2019un enregistrement (sans doute beaucoup plus).<\/p>\n\n\n\n<cite translate=\"no\">\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p><strong><em>Cuantas noches fat\u00eddicas de vicio<br>tus ilusiones dulces de mujer,<br>como las rosas de una loca org\u00eda<br>les deshojaste en el cabaret.<br>Y tras la farsa del amor mentido<br>al alejarte del Armenonville,<br>era el intenso fr\u00edo de tu alma<br>lo que abrigabas con tu zorro gris.<br><\/em><\/strong><em><br>Al fingir carcajadas de gozo<br>ante el oro fugaz del champ\u00e1n,<br>reprim\u00edas adentro del pecho<br>un deseo tenaz de llorar.<br>Y al pensar, entre un beso y un tango,<br>en tu humilde pasado feliz,<br>ocultabas las l\u00e1grimas santas<br>en los pliegues de tu zorro gris.<br><br>Por eso toda tu angustiosa historia<br>en esa prenda gravitando est\u00e1.<br>Ella guard\u00f3 tus l\u00e1grimas sagradas,<br>ella abrig\u00f3 tu fr\u00edo espiritual.<br>Y cuando llegue en un cercano d\u00eda<br>a tus dolores el ansiado fin,<br>todo el secreto de tu vida triste<br>se quedar\u00e1 dentro del zorro gris.<\/em><\/p>\n<cite>Rafael Tuegols Letra\u00a0: Francisco Garc\u00eda Jim\u00e9nez<\/cite><\/blockquote>\n\n\n\n<cite translate=\"yes\">\n\n\n\n<p>Gardel change deux fois, au d\u00e9but et \u00e0 la fin, <strong>le couplet en gras<\/strong>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Traduction libre et explications<\/h2>\n\n\n\n<p><em>Combien de nuits fatidiques de vices, tes douces illusions de femme, comme les roses d\u2019une folle orgie, les as-tu effeuill\u00e9es au cabaret.<\/em><\/p>\n\n\n\n<p><em>Et apr\u00e8s la farce de l\u2019amour menteur en t\u2019\u00e9loignant de l\u2019Armenonville, c\u2019\u00e9tait le froid intense de ton \u00e2me que tu abritais avec ton renard gris.<\/em><\/p>\n\n\n\n<p><em>En feignant des \u00e9clats de rire de joie devant l\u2019or fugitif du champagne, tu as r\u00e9prim\u00e9 dans ta poitrine un d\u00e9sir tenace de pleurer. Et quand tu pensais, entre un baiser et un tango, \u00e0 ton humble pass\u00e9 heureux, tu cachais les saintes larmes dans les replis de ton renard gris.<\/em><\/p>\n\n\n\n<p><em>C\u2019est pourquoi toute ton histoire angoissante gravite autour de ce v\u00eatement. Il a gard\u00e9 tes larmes sacr\u00e9es, il a abrit\u00e9 ton froid spirituel. Et quand viendra, un jour prochain, la fin d\u00e9sir\u00e9e de tes douleurs, tout le secret de ta triste vie restera au c\u0153ur du renard gris.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"523\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-y-Abrigo-1024x523.jpg\" alt=\"\" class=\"wp-image-2303\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-y-Abrigo-1024x523.jpg 1024w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-y-Abrigo-624x318.jpg 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-y-Abrigo-300x153.jpg 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-y-Abrigo-768x392.jpg 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-y-Abrigo.jpg 1207w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Le Renard gris d\u2019Argentine (Lycalopex griseus) est un petit canid\u00e9 d\u2019Am\u00e9rique du Sud. Le voici en manteau et quand ce n\u2019est pas un manteau.<\/figcaption><\/figure>\n\n\n\n<p>Je vous avais annonc\u00e9 deux trag\u00e9dies dans ce tango, la premi\u00e8re est pour les renards gris qui terminent en manteaux, mais il en reste une seconde, que je vais pr\u00e9ciser au sujet de l\u2019Armenonville qui est cit\u00e9 dans les paroles.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">L\u2019Armenonville<\/h2>\n\n\n\n<p>Si on regarde Wikip\u00e9dia et la plupart des sites de tango, l\u2019Armenonville est d\u00e9crit comme un restaurant chic. La r\u00e9alit\u00e9 \u00e9tait un peu diff\u00e9rente, d\u2019autant plus que beaucoup d\u2019auteurs confondent les deux Armenonville qui se sont succ\u00e9d\u00e9s. J\u2019en parlerai sans doute plus en d\u00e9tail le 6\u00a0d\u00e9cembre, \u00e0 l\u2019occasion de l\u2019anniversaire de l\u2019enregistrement du tango <strong><em>Armenonville<\/em><\/strong> par son auteur, Juan F\u00e9lix Maglio \u00ab\u2009Pacho\u2009\u00bb avec des paroles de Jos\u00e9 Fern\u00e1ndez.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"249\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Armenonville-1.jpg\" alt=\"\" class=\"wp-image-2299\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Armenonville-1.jpg 1000w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Armenonville-1-624x155.jpg 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Armenonville-1-300x75.jpg 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Armenonville-1-768x191.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">L\u2019Armenonville 1, celui qui fut d\u00e9truit en 1925 et qui \u00e9tait donc celui \u00e9voqu\u00e9 dans Zorro gris et dans le tango du m\u00eame nom dont la couverture de la partition repr\u00e9sente l\u2019entr\u00e9e de l\u2019\u00e9tablissement qui avait un parc<\/figcaption><\/figure>\n\n\n\n<p>\u00c0 l\u2019\u00e9poque s\u00e9vissaient la traite des blanches, de fa\u00e7on un peu artisanale comme le racontent certains tangos comme <strong><em><a href=\"https:\/\/dj-byc.com\/WP\/madame-ivonne-1942-03-18\/\" target=\"_blank\" rel=\"noopener\" title=\"Madame Ivonne (Madame Yvonne) 1942-03-18\u2009\u2013\u2009Orquesta Ricardo Tanturi con Alberto Castillo\">Madame Ivonne<\/a><\/em><\/strong>, mais aussi de fa\u00e7on plus organis\u00e9e, notamment avec deux grandes fili\u00e8res, la Varsovia (qui fut nomm\u00e9e par la suite Zwi Migdal) et le r\u00e9seau marseillais. La population de Buenos Aires et de ses environs \u00e9tait alors relativement \u00e9quilibr\u00e9e pour les autochtones, mais d\u00e9s\u00e9quilibr\u00e9e pour les \u00e9trangers fra\u00eechement immigr\u00e9s. Jusqu\u2019\u00e0 la fin des ann\u00e9es\u00a01930 o\u00f9 l\u2019\u00e9quilibre s\u2019est \u00e0 peu pr\u00e8s fait, il y a eu jusqu\u2019\u00e0 quatre fois plus d\u2019hommes que de femmes. Je reviendrai sans doute plus en d\u00e9tail sur cette question, car ce d\u00e9s\u00e9quilibre est une des sources du tango.<br>Pour revenir \u00e0 l\u2019Armenonville, son nom et sa structure sont inspir\u00e9s du b\u00e2timent du m\u00eame nom situ\u00e9 dans le Bois de Boulogne \u00e0 Paris, bien qu\u2019on le d\u00e9crive parfois comme un chalet de style anglais. Il sera d\u00e9truit en 1925 et un autre \u00e9tablissement du m\u00eame nom (qui changera de nom pour Les Ambassadeurs, autre r\u00e9f\u00e9rence \u00e0 la France) s\u2019ouvrira avec des proportions bien plus grandes, nous en reparlerons au sujet du tango qui l\u2019a pris pour titre.<br>Pour ceux qui pourraient s\u2019\u00e9tonner qu\u2019un \u00e9tablissement de Buenos Aires prenne un nom fran\u00e7ais, je rappellerai que la France \u00e0 la fin du XIXe\u00a0si\u00e8cle \u00e9tait le troisi\u00e8me pays en nombre d\u2019immigr\u00e9s, un peu derri\u00e8re l\u2019Espagne et l\u2019Italie. Ce n\u2019est que vers 1914 que l\u2019immigration fran\u00e7aise a cess\u00e9 d\u2019\u00eatre importante, m\u00eame si son influence est rest\u00e9e notable jusqu\u2019en 1939 et bien au-del\u00e0 dans le domaine du tango.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Le zorro gris, la seconde trag\u00e9die promise<\/h2>\n\n\n\n<p>L\u2019Armenonville \u00e9tait un \u00e9tablissement de luxe, mais il avait des activit\u00e9s secondaires pour cette client\u00e8le hupp\u00e9e. La possesseuse du manteau en Renard gris masquait sa tristesse dans les plis de son v\u00eatement. Sa d\u00e9tresse s\u2019exprimait lorsqu\u2019elle quittait l\u2019\u00e9tablissement. Si elle avait \u00e9t\u00e9 une cliente fortun\u00e9e allant danser et boire du champagne, on n\u2019en aurait sans doute pas fait un tango. Elle \u00e9tait donc honteuse de ce qu\u2019elle devait faire, c\u2019est la seconde trag\u00e9die que partage avec elle son manteau de renard.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Autres versions<\/h2>\n\n\n\n<p>Zorro gris a donn\u00e9 lieu \u00e0 d\u2019innombrables versions. Je vous en propose ici quelques-unes.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-gris-1920-Orquesta-Roberto-Firpo.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Zorro gris 1920 \u2014 Orquesta Roberto Firpo. <\/figcaption><\/figure>\n\n\n\n<p>Un enregistrement acoustique et de faible qualit\u00e9 sonore, mais le t\u00e9moignage le plus ancien de ce tango.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-gris-1921-Carlos-Gardel-con-acomp.-de-Guillermo-Barbieri-Jose-Ricardo-guitarras.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Zorro gris 1921 \u2014 Carlos Gardel accompagn\u00e9 \u00e0 la guitare par Guillermo Barbieri et Jos\u00e9 Ricardo. <\/figcaption><\/figure>\n\n\n\n<p>L\u00e0 encore la prestation souffre de la pi\u00e8tre qualit\u00e9 de l\u2019enregistrement acoustique, mais c\u2019est le plus ancien enregistrement avec les paroles de Jim\u00e9nez. Gardel chante deux fois le premier couplet (en gras dans les paroles ci-dessus).<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-gris-1927-07-16-Orquesta-Francisco-Lomuto.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Zorro gris 1927-07-16 \u2014 Orquesta Francisco Lomuto. <\/figcaption><\/figure>\n\n\n\n<p>Un enregistrement agr\u00e9able, avec les appuis du canyengue att\u00e9nu\u00e9s par une orchestration plus douce et des fioritures. Il y a \u00e9galement des nuances et les r\u00e9ponses entre instruments sont contrast\u00e9es.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-gris-1938-04-21-Quinteto-Don-Pancho-dirige-par-Francisco-Canaro.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Zorro gris 1938-04-21 \u2014 Quinteto Don Pancho dirig\u00e9 par Francisco Canaro. <\/figcaption><\/figure>\n\n\n\n<p>Version tonique, sans doute un peu r\u00e9p\u00e9titive, mais rien d\u2019excessif pour un titre de la Vieja Guardia. Son esprit est tr\u00e8s diff\u00e9rent de la version de 1927. \u00c0 mon avis, ce n\u2019est pas la version la plus agr\u00e9able \u00e0 danser, trop anecdotique, m\u00eame si elle reste passable elle ne sera pas mon premier choix si je dois passer ce titre.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-gris-1941-07-28-Orquesta-Francisco-Lomuto.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Zorro gris 1941-07-28 \u2014 Orquesta Francisco Lomuto. <\/figcaption><\/figure>\n\n\n\n<p>Une version enjou\u00e9e avec un tempo tr\u00e8s rapide, sans doute un peu trop rapide, car cela brouille le dialogue entre les instruments qui est un des \u00e9l\u00e9ments int\u00e9ressants de la structure de ce tango, mieux mis en valeur dans la version de 1927. Certains passages sont m\u00eame franchement pr\u00e9cipit\u00e9s.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-gris-1946-03-22-Orquesta-Enrique-Rodriguez.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Zorro gris 1946-03-22 \u2014 Orquesta Enrique Rodr\u00edguez. <\/figcaption><\/figure>\n\n\n\n<p>C\u2019est notre tango du jour. Rodriguez fait une version \u00e9quilibr\u00e9e d\u00e9barrass\u00e9e de la pesanteur du canyengue, m\u00eame si la version est relativement lente, les diff\u00e9rents instruments s\u2019entrem\u00ealent sans nuire \u00e0 la ligne m\u00e9lodique, c\u2019est \u00e0 mon avis une des versions les plus int\u00e9ressantes, bien qu\u2019elle soit rarement propos\u00e9e en milonga par les coll\u00e8gues.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-gris-1952-07-01-Orquesta-Alfredo-De-Angelis-con-Oscar-Larroca.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Zorro gris 1952-07-01 \u2014 Orquesta Alfredo De Angelis con Oscar Larroca..<\/figcaption><\/figure>\n\n\n\n<p> J\u2019adore la voix de Larroca, mais le rythme un peu rapide me semble moins agr\u00e9able que d\u2019autres interpr\u00e9tations de ce chanteur.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-gris-1954-04-28-Orquesta-Donato-Racciatti-con-Carlos-Roldan.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Zorro gris 1954-04-28 \u2014 Orquesta Donato Racciatti con Carlos Rold\u00e1n.<\/figcaption><\/figure>\n\n\n\n<p> Ce titre a eu aussi son succ\u00e8s en Uruguay (Canaro est origine d\u2019Uruguay), mais avec Racciatti, on est encore plus au c\u0153ur de l\u2019Uruguay. Rold\u00e1n propose ici une des rares versions chant\u00e9es et elle est relativement int\u00e9ressante et rarement jou\u00e9e.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-gris-1957-01-31-Quinteto-Pirincho-dir.-Francisco-Canaro.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Zorro gris 1957-01-31 \u2014 Quinteto Pirincho dir. Francisco Canaro. <\/figcaption><\/figure>\n\n\n\n<p>Une version bien dans l\u2019esprit de ce quintette avec Luis Riccardi (\u00e0 moins que ce soit Mariano Mores), le pianiste en forme et un solo de fl\u00fbte de Juvencio F\u00edsica tr\u00e8s sympathique.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-gris-1973-12-14-Orquesta-Juan-DArienzo.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Zorro gris 1973-12-14 \u2014 Orquesta Juan D\u2019Arienzo. <\/figcaption><\/figure>\n\n\n\n<p>Un des derniers enregistrements de D\u2019Arienzo, comme la plupart de ceux de cette \u00e9poque, tr\u00e8s flatteur pour le concert, mais sans doute un peu trop grandiloquent et anarchique pour la danse de qualit\u00e9. Cependant, cet enregistrement pourra avoir son succ\u00e8s dans certaines milongas.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-gris-1985-Miguel-Villasboas-y-su-Orquesta-Tipica.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Zorro gris 1985 \u2014 Miguel Villasboas y su Orquesta T\u00edpica. <\/figcaption><\/figure>\n\n\n\n<p>Encore un enregistrement uruguayen dans le style bien reconnaissable de Villasboas, mais sans l\u2019accentuation du style canyengue qui est souvent sa marque. Cet enregistrement nous propose un tango assez joueur, m\u00eame si on peut le trouver un peu r\u00e9p\u00e9titif.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-gris-2009-La-Tuba-Tango.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Zorro gris 2009 \u2014 La Tuba Tango. <\/figcaption><\/figure>\n\n\n\n<p>On revient canyengue du d\u00e9but, mais de fa\u00e7on l\u00e9g\u00e8re et en retrouvant les fantaisies qui avaient fait le charme de la version de 1927 par Lomuto. Cette version fait compl\u00e8tement les trag\u00e9dies de ce tango et peut donc \u00eatre la source de pens\u00e9es joyeuses qui se dansent.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"563\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-gris-BYC-5.jpg\" alt=\"\" class=\"wp-image-2301\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-gris-BYC-5.jpg 1000w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-gris-BYC-5-624x351.jpg 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-gris-BYC-5-300x169.jpg 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Zorro-gris-BYC-5-768x432.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Zorro gris.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Cette version de Zorro gris a \u00e9t\u00e9 enregistr\u00e9e le 22\u00a0mars 1946 par Enrique Rodriguez, il y a exactement 78\u00a0ans. Sa musique attrayante cache une histoire qui comporte deux trag\u00e9dies. 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