{"id":1050,"date":"2024-02-13T21:20:30","date_gmt":"2024-02-14T00:20:30","guid":{"rendered":"https:\/\/dj-byc.com\/WP\/?p=1050"},"modified":"2024-02-13T21:20:31","modified_gmt":"2024-02-14T00:20:31","slug":"le-tangometre-editorial-de-tango-y-cultura-popular-n110","status":"publish","type":"post","link":"https:\/\/dj-byc.com\/WP\/le-tangometre-editorial-de-tango-y-cultura-popular-n110\/","title":{"rendered":"Le Tangom\u00e8tre (\u00e9ditorial de Tango y Cultura Popular n\u00b0110)"},"content":{"rendered":"<div class='watch-action'><div class='watch-position align-left'><div class='action-like'><a class='lbg-style1 like-1050 jlk' href='javascript:void(0)' data-task='like' data-post_id='1050' data-nonce='e6e2317e6c' rel='nofollow'><img class='wti-pixel' src='https:\/\/dj-byc.com\/WP\/wp-content\/plugins\/wti-like-post\/images\/pixel.gif' title='comme' \/><span class='lc-1050 lc'>0<\/span><\/a><\/div><\/div> <div class='status-1050 status align-left'><\/div><\/div><div class='wti-clear'><\/div>\n<p><em>Cet \u00e9ditorial a \u00e9t\u00e9 publi\u00e9 le <strong>13 d\u00e9cembre 2009<\/strong>, dans le <strong>num\u00e9ro 110<\/strong> de la revue rosarina, <strong>Tango y Cultura Popular<\/strong>. <\/em><br><em>J&#8217;ai choisi de le reproduire ici, car en ce moment circulent des textes qui ne reprennent pas les sources et je pense utile de rendre \u00e0 C\u00e9sar ce qui lui appartient (m\u00eame si dans le cas pr\u00e9sent il s&#8217;appelle <strong>Ricardo Schoua<\/strong>). <\/em><br><em>Ce sera le premier d&#8217;une s\u00e9rie de textes pol\u00e9miques sur le tango et son \u00e9volution.<\/em><br><em>Bonne lecture.<\/em><\/p>\n\n\n\n<p class=\"has-text-align-right has-small-font-size\"><em>Vous trouverez le texte original, en espagnol, en fin d&#8217;article<\/em><\/p>\n\n\n\n<p><strong>Le Tangom\u00e8tre (\u00e9ditorial)<\/strong><strong><\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"579\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Logo.png\" alt=\"\" class=\"wp-image-1060\" style=\"width:100px\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Logo.png 800w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Logo-624x452.png 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Logo-300x217.png 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Logo-768x556.png 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Logo de Tango y Cultura Popular, la revue de tango de Rosario (Argentine)<\/figcaption><\/figure><\/div>\n\n\n<p>L\u2019inscription au patrimoine mondial, la multiplication des festivals, l\u2019ouverture de nouvelles milongas, le fait que de nombreux jeunes musiciens soient enclins \u00e0 ce genre indiquent un essor du tango. Mais, comme toute manifestation de la culture populaire, cet essor contient beaucoup d\u2019impuret\u00e9s et s\u2019inscrit dans une lutte permanente contre les conceptions qui tendent \u00e0 la limiter ou \u00e0 la vider de son contenu.<\/p>\n\n\n\n<p>La question est de savoir dans quelle mesure nous comprenons ce que signifie la culture populaire. Ce n\u2019est pas un sujet facile \u00e0 comprendre, c\u2019est pourquoi beaucoup se r\u00e9fugient dans des conceptions dogmatiques. Je pense que c\u2019est une t\u00e2che quotidienne d\u2019apprendre, avec un esprit ouvert, de quoi il s\u2019agit. Et c\u2019est un processus d\u2019apprentissage sans fin.<\/p>\n\n\n\n<p>Je vais essayer d\u2019\u00e9num\u00e9rer les \u00e9l\u00e9ments qui, \u00e0 mon avis, sont, en ce moment, un obstacle \u00e0 un d\u00e9veloppement authentique du tango en tant qu\u2019expression populaire.<\/p>\n\n\n\n<p>1.\u2014 Les opinionologues qui n\u2019admettent pas de changements au-del\u00e0 de ce que furent les ann\u00e9es&nbsp;40, oubliant que cette \u00e9poque se distingue pr\u00e9cis\u00e9ment par le boom de l\u2019innovation et du renouveau. Souvent, cette posture de \u00ab\u2009d\u00e9fenseurs \u00e0 tout prix\u2009\u00bb du tango cache la m\u00e9diocrit\u00e9 consciente de ceux qui l\u2019adoptent comme \u00e9tendard. L\u2019attitude est comparable \u00e0 celle d\u2019un patron, dans n\u2019importe quel travail, qui s\u2019entoure de gens m\u00e9diocres pour s\u2019assurer qu\u2019ils ne \u00ab\u2009bougent pas le sol\u2009\u00bb, parce qu\u2019il sait qu\u2019il est lui-m\u00eame m\u00e9diocre.<\/p>\n\n\n\n<p>La r\u00e9sistance au changement est exploit\u00e9e, et ce n\u2019est pas nouveau. Horacio Ferrer raconte dans son livre <em>El gran Troilo<\/em> que, lorsque Pichuco a cr\u00e9\u00e9 <em>Responso<\/em> \u00e0 Montevideo, l\u2019un des spectateurs lui a cri\u00e9&nbsp;: \u00ab\u2009Gordo, arr\u00eate de jouer des pasodobles\u2009!\u2009\u00bb<\/p>\n\n\n\n<p>2.\u2014 Ceux qui, au nom d\u2019un suppos\u00e9 \u00ab\u2009nouveau tango\u2009\u00bb, se placent \u00e0 l\u2019extr\u00eame oppos\u00e9 des pr\u00e9c\u00e9dents, c\u2019est-\u00e0-dire qu\u2019ils nient les ant\u00e9c\u00e9dents. Parmi eux, ceux qui ont l\u2019intention de fusionner le tango (qui est le produit d\u2019une fusion naturelle et \u00e9volutive) avec d\u2019autres genres, en particulier le jazz. Pugliese a d\u00e9fini&nbsp;: \u00ab\u2009Le tango est un m\u00e9lange de la campagne avec l\u2019expression populaire de la ville. Beaucoup de choses peuvent \u00eatre soulev\u00e9es, dans diff\u00e9rentes directions. Vous pouvez venir de Gardel, Bardi, Cobi\u00e1n, Maffia, Laurenz, mais vous ne pouvez jamais arr\u00eater les \u00e9tapes ni perdre de vue les sources. Ceux qui veulent s\u2019exprimer dans le tango doivent se r\u00e9f\u00e9rer \u00e0 la continuit\u00e9, sans s\u2019en d\u00e9tacher. Le reste n\u2019est pas du tango. C\u2019est de la musique, d\u2019autres musiques.<\/p>\n\n\n\n<p>Et Atahualpa Yupanqui a dit&nbsp;: \u00ab\u2009Pour que les enfants vivent, il n\u2019est pas n\u00e9cessaire de tuer leurs parents.\u2009\u00bb<\/p>\n\n\n\n<p>Des musiciens qui \u00e9crivent pour des musiciens, qui semblent croire que plus la partition a de notes, mieux c\u2019est. Ils ont pour corr\u00e9lat les danseurs \u00ab\u2009de sc\u00e8ne\u2009\u00bb, pour qui l\u2019important semble \u00eatre le nombre de figures par seconde et non la danse elle-m\u00eame.<\/p>\n\n\n\n<p>Encore une fois, je cite Yupanqui&nbsp;: \u00ab\u2009Il y a des gens qui \u00e9blouissent et d\u2019autres qui illuminent, je pr\u00e9f\u00e8re illuminer.\u2009\u00bb<\/p>\n\n\n\n<p>4.\u2014 Le soi-disant \u00ab\u2009tango \u00e9lectronique\u2009\u00bb, un produit d\u00e9riv\u00e9 d\u2019une \u00e9tude de march\u00e9, l\u2019une des nombreuses pierres que la contre-culture m\u00e9diatique met sur le chemin.<\/p>\n\n\n\n<p>5.\u2014 Les m\u00e9thodes de danse \u00e9galement qualifi\u00e9es de \u00ab\u2009neo tango\u2009\u00bb qui, au nom de la technique et de la propret\u00e9 suppos\u00e9e, d\u00e9connectent totalement le danseur de la musique et de l\u2019\u00e9motion.<\/p>\n\n\n\n<p>6.\u2014 L\u2019arrogance avec laquelle beaucoup de ceux qui d\u00e9fendent l\u2019une ou l\u2019autre des positions d\u00e9crites sont trait\u00e9s.<\/p>\n\n\n\n<p>Eh bien, avec cela, j\u2019ai d\u00e9j\u00e0 gagn\u00e9 la haine de tout le monde. Si j\u2019en ai manqu\u00e9, faites-le-moi savoir\u2026<\/p>\n\n\n\n<p>S\u00e9rieusement, m\u00eame si nous n\u2019aimons pas les r\u00e9sultats, <strong>toute poursuite sinc\u00e8re est saine et devrait \u00eatre encourag\u00e9e et critiqu\u00e9e en m\u00eame temps.<\/strong><\/p>\n\n\n\n<p>Les go\u00fbts de chacun sont respectables, mais ce n\u2019est pas une question de go\u00fbt ici.<\/p>\n\n\n\n<p><strong>Et il n\u2019existe pas de \u00ab<\/strong><strong>\u2009<\/strong><strong>tangom\u00e8tre<\/strong><strong>\u2009<\/strong><strong>\u00bb,<\/strong> bien que si un lecteur veut en concevoir un pour nous, nous le ferons volontiers savoir.<\/p>\n\n\n\n<p>La pire chose qui puisse nous arriver, c\u2019est que notre cerveau s\u2019atrophie. De nouvelles propositions contribuent \u00e0 la p\u00e9rennit\u00e9. [\u2026]<\/p>\n\n\n\n<p><strong><em>Le Directeur (Ricardo Schoua)<\/em><\/strong><\/p>\n\n\n\n<div data-wp-interactive=\"\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!selectors.core.file.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Editorial-2009-Tango-y-Cultura-Popular-N\u00b0-110-El-tangometro.pdf\" type=\"application\/pdf\" style=\"width:100%;height:945px\" aria-label=\"Contenu embarqu\u00e9 Editorial-2009-Tango-y-Cultura-Popular-N\u00b0-110-El-tangometro.\"><\/object><a id=\"wp-block-file--media-e12916a3-6ea3-4749-8216-e9251988876d\" href=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Editorial-2009-Tango-y-Cultura-Popular-N\u00b0-110-El-tangometro.pdf\">Editorial-2009-Tango-y-Cultura-Popular-N\u00b0-110-El-tangometro<\/a><a href=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Editorial-2009-Tango-y-Cultura-Popular-N\u00b0-110-El-tangometro.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-e12916a3-6ea3-4749-8216-e9251988876d\">T\u00e9l\u00e9charger<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>L\u2019inscription au patrimoine mondial, la multiplication des festivals, l\u2019ouverture de nouvelles milongas, le fait que de nombreux jeunes musiciens soient enclins \u00e0 ce genre indiquent un essor du tango. Mais, comme toute manifestation de la culture populaire, cet essor contient beaucoup d\u2019impuret\u00e9s et s\u2019inscrit dans une lutte permanente contre les conceptions qui tendent \u00e0 la limiter ou \u00e0 la vider de son contenu.<\/p>\n<div class='heateor_sss_sharing_container heateor_sss_vertical_sharing heateor_sss_bottom_sharing' style='width:28px;left: -10px;top: 100px;-webkit-box-shadow:none;box-shadow:none;' data-heateor-sss-href='https:\/\/dj-byc.com\/WP\/wp-json\/wp\/v2\/posts\/1050?simply_static_page=316927'><div class=\"heateor_sss_sharing_ul\"><a style=\"font-size:32px!important;box-shadow: none;display: inline-block!important;font-size: 16px;padding: 0 4px;vertical-align: middle;display:inline;\" class=\"heateorSssSharingRound\"><span class=\"heateor_sss_square_count\">&nbsp;<\/span><div style=\"width:24px;height:24px;border-radius:999px;margin-bottom:9px !important;\" title=\"Total Shares\" class=\"heateorSssSharing heateorSssTCBackground\"><\/div><\/a><a 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