{"id":1073,"date":"2024-02-14T22:07:35","date_gmt":"2024-02-15T01:07:35","guid":{"rendered":"https:\/\/dj-byc.com\/WP\/?p=1073"},"modified":"2024-02-16T06:10:53","modified_gmt":"2024-02-16T09:10:53","slug":"le-no-tango","status":"publish","type":"post","link":"https:\/\/dj-byc.com\/WP\/le-no-tango\/","title":{"rendered":"Le \u00ab\u2009No-Tango\u2009\u00bb"},"content":{"rendered":"<div class='watch-action'><div class='watch-position align-left'><div class='action-like'><a class='lbg-style1 like-1073 jlk' href='javascript:void(0)' data-task='like' data-post_id='1073' data-nonce='e6e2317e6c' rel='nofollow'><img class='wti-pixel' src='https:\/\/dj-byc.com\/WP\/wp-content\/plugins\/wti-like-post\/images\/pixel.gif' title='comme' \/><span class='lc-1073 lc'>0<\/span><\/a><\/div><\/div> <div class='status-1073 status align-left'><\/div><\/div><div class='wti-clear'><\/div>\n<p><em>J\u2019ai reproduit dans le post le \u00ab\u2009Tangom\u00e8tre\u2009\u00bb, un \u00e9ditorial de Ricardo Schoua de d\u00e9cembre 2009. Ce nouvel \u00e9ditorial du m\u00eame auteur date de mars 2012, reprend le fil. Il l\u2019a nomm\u00e9 No-Tango. Il me restera un texte \u00e0 reproduire, lui aussi de 2012, texte qui circule beaucoup en ce d\u00e9but de 2024, mais chut, revenons \u00e0 mars 2012, dans le num\u00e9ro\u00a0134 de la revue Tango y Culture Popular<\/em>. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"724\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Tango-y-Cultura-Popular-134-Editorial-No-Tango-1024x724.jpg\" alt=\"\" class=\"wp-image-1074\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Tango-y-Cultura-Popular-134-Editorial-No-Tango-1024x724.jpg 1024w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Tango-y-Cultura-Popular-134-Editorial-No-Tango-624x441.jpg 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Tango-y-Cultura-Popular-134-Editorial-No-Tango-300x212.jpg 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Tango-y-Cultura-Popular-134-Editorial-No-Tango-768x543.jpg 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Tango-y-Cultura-Popular-134-Editorial-No-Tango.jpg 1135w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">L&#8217;\u00e9ditorial du n\u00b0134 de Tango y Cultura Popular, intitul\u00e9 <strong><em>Le &#8220;No-Tango&#8221;<\/em><\/strong><\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">\u00c9ditorial : Le &#8220;No-tango&#8221; par Ricardo Schoua<\/h2>\n\n\n\n<p>J\u2019avais d\u00e9j\u00e0 fait remarquer, dans des notes pr\u00e9c\u00e9dentes, qu\u2019en ce qui concerne le tango et son d\u00e9veloppement, il y a autant d\u2019opinions que de personnes. Je vais me r\u00e9f\u00e9rer \u00e0 certaines de ces opinions d\u2019une mani\u00e8re g\u00e9n\u00e9rale, sans identifier les exp\u00e9diteurs, car ce qui m\u2019int\u00e9resse, c\u2019est de pol\u00e9miquer avec des id\u00e9es, pas avec des personnes.<br>Dans un \u00e9ditorial pr\u00e9c\u00e9dent (*), j\u2019ai soulign\u00e9 quels \u00e9taient, \u00e0 mon avis, les aspects n\u00e9gatifs qui surgissent dans l\u2019activit\u00e9, et qui entravent son d\u00e9veloppement. Je ne vais pas les r\u00e9p\u00e9ter ici, mais j\u2019aimerais d\u00e9velopper certains concepts.<br>Au sein de la nouvelle g\u00e9n\u00e9ration d\u2019auteurs, de compositeurs et de musiciens, il y a ceux qui affirment que le tango est mort. La premi\u00e8re chose qui me vient \u00e0 l\u2019esprit est \u00ab\u2009alors que font-ils ici, pourquoi continuent-ils \u00e0 apporter des contributions au genre\u2009?\u2009\u00bb \u00c0 tout le moins, on s\u2019attend \u00e0 un peu de coh\u00e9rence, une vertu qui semble \u00e9galement d\u00e9pass\u00e9e.<\/p>\n\n\n\n<p>J\u2019aime le tango, mais je ne consid\u00e8re pas une certaine p\u00e9riode comme limitative. Il y a des tangos que je trouve tr\u00e8s ennuyeux parmi les anciens et aussi parmi les actuels. Les classiques le sont par leur propre m\u00e9rite, et non parce qu\u2019ils appartiennent \u00e0 une certaine \u00e9poque. Dans un rapport que nous avons reproduit, le tango Uno a \u00e9t\u00e9 interrog\u00e9 parce que \u00ab\u2009c\u2019\u00e9tait d\u00e9j\u00e0 le cas\u2009\u00bb. Sur quelle base disent-ils \u00ab\u2009c\u2019est d\u00e9j\u00e0 le cas\u2009\u00bb\u2009? Les paroles ont-elles perdu de leur pertinence\u2009?<br>Aujourd\u2019hui, l\u2019adage selon lequel \u00ab\u2009la lutte est cruelle et il y en a beaucoup\u2009\u00bb est tout \u00e0 fait valable\u2026 Ou, l\u2019est-il vraiment\u2009?<br>Si le renouveau du tango va se baser sur l\u2019interdiction de l\u2019ex\u00e9cution des classiques, nous allons tr\u00e8s mal, avec une orientation d\u00e9sastreuse, qui semble cacher l\u2019id\u00e9e que ceux qui le promeuvent ne se sentent pas capables de surpasser les r\u00e9alisations de ceux qui les ont pr\u00e9c\u00e9d\u00e9s.<br>Et il faut regarder les attitudes de ceux qu\u2019ils pr\u00e9tendent admirer (admiration qui n\u2019est pas coh\u00e9rente non plus). Ou, peut-on imaginer une position similaire chez Osvaldo Pugliese\u2009?<br>Ou Piazzolla a-t-il reni\u00e9 Troilo, Pugliese, Salg\u00e1n, Di Sarli\u2009\u2026?<br>Il y a aussi ceux qui postulent que la m\u00e9lodie et l\u2019accompagnement ne sont \u00ab\u2009plus\u2009\u00bb. Dans quel manuel l\u2019avez-vous lu\u2009? Tout le monde a le droit d\u2019exp\u00e9rimenter, mais pas de disqualifier gratuitement. Et de ne pas se f\u00e2cher si le r\u00e9sultat de leur exp\u00e9rience ne les m\u00e8ne pas au sommet de la gloire.<br>J\u2019ai \u00e9cout\u00e9 de \u00ab\u2009nouveaux tangos\u2009\u00bb qui, musicalement, peuvent faire preuve d\u2019un haut niveau de virtuosit\u00e9, mais, comme je ne trouve pas la m\u00e9lodie, je ne peux pas les fredonner ou les siffler et, par cons\u00e9quent, je ne peux pas m\u2019en souvenir. La musique populaire, pas seulement le tango, est simple et s\u2019adresse \u00e0 tout le monde, pas seulement aux musiciens professionnels. Il n\u2019est pas facile d\u2019atteindre cette simplicit\u00e9 et cette acceptation.<br>George Martin, surnomm\u00e9 \u00ab\u2009le cinqui\u00e8me Beatles\u2009\u00bb, disait que la musique doit danser pour vous, ce qui ne veut pas dire qu\u2019elle est dansable, mais qu\u2019elle fait bouger quelque chose en nous, qui nous transporte. Ce n\u2019est pas que je ne comprenne pas certaines \u00ab\u2009querelles\u2009\u00bb de ceux qui tentent de renouveler le genre. Constituer un r\u00e9pertoire d\u2019une vingtaine de num\u00e9ros connus, toujours les m\u00eames, sans en incorporer de nouveaux, c\u2019est aussi une fa\u00e7on de combattre le tango de l\u2019int\u00e9rieur, quand on dit qu\u2019il le d\u00e9fend. Cela contribue \u00e0 la m\u00eame chose de ne pas chercher \u00e0 modifier les formats de diffusion et de programmation. Et l\u2019attitude de certains DJ qui n\u2019osent pas proposer quelque chose de diff\u00e9rent, de peur de \u00ab\u2009perdre la client\u00e8le\u2009\u00bb.<br>Maintenant, cette chose de d\u00e9crire le tango comme mort ou p\u00e9ri et d\u2019essayer de le transformer en quoi que ce soit m\u2019am\u00e8ne \u00e0 sugg\u00e9rer que, pour \u00eatre coh\u00e9rent, au lieu d\u2019ajouter des qualificatifs tels que \u00ab\u2009de ruptura\u2009\u00bb ou \u00ab\u2009alternativo\u2009\u00bb, ils encadrent leurs cr\u00e9ations dans un nouveau genre : le <strong>No-Tango<\/strong>.<\/p>\n\n\n\n<p class=\"has-text-align-left\">Merci beaucoup,<\/p>\n\n\n\n<p class=\"has-text-align-center\">Ricardo Schoua<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">\u00c9ditorial de la revue Tango y Cultural Popular n\u00b0134<\/h2>\n\n\n\n<div data-wp-interactive=\"\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!selectors.core.file.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Tango-y-Cultura-Popular-n\u00b0134-EXTRAIT-Copie.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Contenu embarqu\u00e9 Tango-y-Cultura-Popular-n\u00b0134-EXTRAIT-Copie.\"><\/object><a id=\"wp-block-file--media-b37a612a-670f-406b-9427-4994eb443364\" href=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Tango-y-Cultura-Popular-n\u00b0134-EXTRAIT-Copie.pdf\">Tango-y-Cultura-Popular-n\u00b0134-EXTRAIT-Copie<\/a><a href=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Tango-y-Cultura-Popular-n\u00b0134-EXTRAIT-Copie.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-b37a612a-670f-406b-9427-4994eb443364\">T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n<p class=\"has-medium-font-size\"><a href=\"https:\/\/www.calameo.com\/read\/00042996074485d6b0bb6\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\"><strong><em>Lire la revue en entier&#8230;<\/em><\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>J\u2019ai reproduit dans le post le \u00ab\u2009Tangom\u00e8tre\u2009\u00bb, un \u00e9ditorial de Ricardo Schoua de d\u00e9cembre 2009. Ce nouvel \u00e9ditorial du m\u00eame auteur date de mars 2012, reprend le fil. Il l\u2019a nomm\u00e9 No-Tango. Il me restera un texte \u00e0 reproduire, lui aussi de 2012, texte qui circule beaucoup en ce d\u00e9but de 2024, mais chut, revenons \u00e0 mars 2012, dans le num\u00e9ro\u00a0134 de la revue Tango y Culture Popular. <\/p>\n<div class='heateor_sss_sharing_container heateor_sss_vertical_sharing heateor_sss_bottom_sharing' style='width:28px;left: -10px;top: 100px;-webkit-box-shadow:none;box-shadow:none;' data-heateor-sss-href='https:\/\/dj-byc.com\/WP\/wp-json\/wp\/v2\/posts\/1073?simply_static_page=316923'><div class=\"heateor_sss_sharing_ul\"><a style=\"font-size:32px!important;box-shadow: none;display: inline-block!important;font-size: 16px;padding: 0 4px;vertical-align: middle;display:inline;\" class=\"heateorSssSharingRound\"><span class=\"heateor_sss_square_count\">&nbsp;<\/span><div style=\"width:24px;height:24px;border-radius:999px;margin-bottom:9px !important;\" title=\"Total Shares\" class=\"heateorSssSharing heateorSssTCBackground\"><\/div><\/a><a aria-label=\"Facebook\" 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