{"id":1298,"date":"2024-02-19T00:01:00","date_gmt":"2024-02-19T03:01:00","guid":{"rendered":"https:\/\/dj-byc.com\/WP\/?p=1298"},"modified":"2024-03-15T18:04:50","modified_gmt":"2024-03-15T21:04:50","slug":"mozo-guapo-1941-02-19-milonga","status":"publish","type":"post","link":"https:\/\/dj-byc.com\/WP\/mozo-guapo-1941-02-19-milonga\/","title":{"rendered":"Mozo guapo 1941-02-19 (Milonga) &#8211; Orquesta Ricardo Tanturi con Alberto Castillo"},"content":{"rendered":"<div class='watch-action'><div class='watch-position align-left'><div class='action-like'><a class='lbg-style1 like-1298 jlk' href='javascript:void(0)' data-task='like' data-post_id='1298' data-nonce='e6e2317e6c' rel='nofollow'><img class='wti-pixel' src='https:\/\/dj-byc.com\/WP\/wp-content\/plugins\/wti-like-post\/images\/pixel.gif' title='comme' \/><span class='lc-1298 lc'>0<\/span><\/a><\/div><\/div> <div class='status-1298 status align-left'><\/div><\/div><div class='wti-clear'><\/div>\n<h2 class=\"wp-block-heading\">Ricardo Tanturi Letra : Eusebio Francisco L\u00f3pez &#8211; RCA Victor &nbsp;39228B, matrice 39813-1<\/h2>\n\n\n\n<p class=\"has-text-align-left\"><em>Le tango du jour est une milonga, Mozo guapo, que l\u2019on pourrait traduire par beau gosse, mais ce serait enlever la note de frime et de matuvu du compadrito, querelleur et arm\u00e9 de son couteau qu\u2019il est prompt \u00e0 sortir lorsque l\u2019honneur est en jeu. Aujourd\u2019hui, nous allons donc parler lunfardo, l\u2019argot des faubourgs de Buenos Aires.<\/em><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"424\" height=\"596\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Gardel-en-Melodia-de-arrabal.jpg\" alt=\"\" class=\"wp-image-1333\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Gardel-en-Melodia-de-arrabal.jpg 424w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Gardel-en-Melodia-de-arrabal-213x300.jpg 213w\" sizes=\"(max-width: 424px) 100vw, 424px\" \/><figcaption class=\"wp-element-caption\">M\u00eame s&#8217;il n&#8217;a pas les cheveux en bataille et sales, Gardel, dans Melod\u00eda de arrabal (film du r\u00e9alisateur Fran\u00e7ais Louis J. Gasnier, sorti le 4 avril 1933) est repr\u00e9sentatif des mozos guapos<\/figcaption><\/figure><\/div>\n\n\n<p>Les habitu\u00e9s de Buenos Aires savent qu\u2019on y appelle les serveurs \u00ab\u2009mozo\u2009\u00bb, de la m\u00eame fa\u00e7on que se dit \u00ab\u2009gar\u00e7on\u2009\u00bb en France. Il ne faut cependant pas penser que cette milonga chante les m\u00e9rites d\u2019un serveur de bar ou de restaurant\u2026<\/p>\n\n\n\n<p>En lunfardo (argot de Buenos Aires), mozo peut aussi signifier l\u2019amant ou celui qui fait le beau, et guapo, le beau, le vaillant, le querelleur, mais avec un bon fond. Le c\u00e9l\u00e8bre tango \u00ab\u2009Don Juan\u2009\u00bb est parfois sous-titr\u00e9 \u00ab\u2009Don Juan (Mozos guapos)\u2009\u00bb, ce qui confirme que notre h\u00e9ros du jour en est un.<br>Voici dress\u00e9 le tableau de notre mozo et si une mina vous dit&nbsp;: \u00ab\u2009s<em>os buen mozo, que churro que sos\u2009\u00bb, c\u2019est probablement que vous avez une touche.<\/em><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Extrait musical<\/h2>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/02-Mozo-guapo-1941-02-19-Tanturi-Castillo.mp3\"><\/audio><figcaption class=\"wp-element-caption\"><strong>Mozo guapo 1941-02-19<\/strong> \u2014 Ricardo Tanturi con Alberto Castillo<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Paroles<\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-medium is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"159\" height=\"300\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/compadre-con-su-mina-color-159x300.jpg\" alt=\"\" class=\"wp-image-1324\" style=\"width:136px;height:auto\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/compadre-con-su-mina-color-159x300.jpg 159w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/compadre-con-su-mina-color-543x1024.jpg 543w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/compadre-con-su-mina-color.jpg 622w\" sizes=\"(max-width: 159px) 100vw, 159px\" \/><figcaption class=\"wp-element-caption\">Un compadrito, con su mina. Un Don Juan avec sa poule.<\/figcaption><\/figure><\/div>\n\n\n<p>Le lunfardo peut provoquer de nombreuses erreurs d\u2019interpr\u00e9tation. Je vous propose donc, non pas une traduction, mais plut\u00f4t une explication des termes employ\u00e9s par Eusebio Francisco L\u00f3pez. Ne regardez pas la qualit\u00e9 litt\u00e9raire de la colonne de droite, ce ne sont pas des paroles en fran\u00e7ais\u2009; pour cela il faudrait un po\u00e8te, que je ne suis pas.<\/p>\n\n\n\n<p>Beaucoup de termes de lunfardo sont sibyllins. C\u2019est une caract\u00e9ristique de tous les argots, dont le but est de parler de fa\u00e7on discr\u00e8te pour ne pas \u00eatre entendus des caves et des flics. J\u2019ai donc fait des choix qui me semblaient correspondre aux termes de la chanson, mais il aurait \u00e9t\u00e9 possible de prendre des voies l\u00e9g\u00e8rement diff\u00e9rentes, pour noircir plus le personnage, ou le rendre romantique. Je vous laisse vous cr\u00e9er votre image.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"338\" height=\"290\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/let-03-2.png\" alt=\"\" class=\"wp-image-1335\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/let-03-2.png 338w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/let-03-2-300x257.png 300w\" sizes=\"(max-width: 338px) 100vw, 338px\" \/><\/figure><\/div>\n\n\n<p>Avec une cibiche (cigarette) arrogante<br>caressant ses l\u00e8vres,<br>le feutre taup\u00e9 aux bords lev\u00e9s (chapeau mou, type Gardel)<br>Avec une d\u00e9marche tr\u00e8s port\u00e8gne\u2009;<br>Le regard suffisant,<br>La crini\u00e8re noire et \u00e9bouriff\u00e9e,<br>beau gosse des faubourgs<br>avec sa touche (son allure), sans pareille.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"338\" height=\"289\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/let-02.png\" alt=\"\" class=\"wp-image-1329\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/let-02.png 338w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/let-02-300x257.png 300w\" sizes=\"(max-width: 338px) 100vw, 338px\" \/><\/figure><\/div>\n\n\n<p>Champion entour\u00e9 de filles<br>pour son verbe tant fleuri,<br>terreur parmi les mauvais gar\u00e7ons<br>pour son couteau vibrant\u2009; (il doit le tenir de mani\u00e8re f\u00e9brile pour intimider)<br>homme du pav\u00e9<br>connu des balcons<br>Droit dans ses bottes (sans discussion, n\u2019acceptant pas le compromis)<br>avec une \u00e2me de payador (chanteur improvisateur)<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full\"><img decoding=\"async\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/let-03-1.png\" alt=\"\" class=\"wp-image-1332\"\/><\/figure><\/div>\n\n\n<p>Quand la nuit enrobe (entoure)<br>les ruelles du quartier<br>passe l\u2019estampe du bell\u00e2tre,<br>pareil \u00e0 un roi de la banlieue\u2009;<br>bient\u00f4t une ombre s\u2019approche,<br>il y a un fr\u00e9missement des l\u00e8vres<br>et un baiser vibre dans l\u2019\u00e2me<br>du Don Juan (guapo) du lieu.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">La vie est courte<\/h2>\n\n\n\n<p>Le m\u00eame jour, Castillo et Tanturi ont enregistr\u00e9 un tango, <a href=\"https:\/\/dj-byc.com\/WP\/la-vida-es-corta-1941-02-19\" target=\"_blank\" rel=\"noopener\" title=\"\">La vida es corta 1941-02-19<\/a>. C\u2019est \u00e9galement Ricardo Tanturi qui en a compos\u00e9 la musique, mais les paroles sont de Francisco Gorrindo.<br>Malgr\u00e9 cette petite diff\u00e9rence, les deux titres vont bien ensemble (pas dans une tanda, bien s\u00fbr), mais car le tango pourrait \u00eatre le dit du Mozo, du Don Juan, du Taita, ce Shusheta (El arist\u00f3crata de Di Sarli). Il d\u00e9voile \u00e0 ses confr\u00e8res de fiesta, sa philosophie de la vie, philosophie que de nombreux tangueros dans le monde ont adopt\u00e9e\u2026<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/1-15-La-vida-es-corta-1941-02-19-1.mp3\"><\/audio><figcaption class=\"wp-element-caption\">La vida es corta 1941-02-19 &#8211; Ricardo Tanturi con Alberto Castillo<\/figcaption><\/figure>\n\n\n\n<cite translate=\"no\">\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>A ver muchachos, quiero alegr\u00eda,<br>quiero aturdirme, para no pensar.<br>La vida es corta y hay que vivirla,<br>dejando a un lado la realidad.<br>Hay que olvidarse del sacrificio,<br>que tanto cuesta ser, tener el pan.<br>Y en estas noches de farra y risa,<br>ponerle al alma nuevo disfraz.<\/p>\n\n\n\n<p>La vida es corta y hay que vivirla,<br>en el ma\u00f1ana no hay que confiar.<br>Si hoy la mentira se llama sue\u00f1o,<br>tal vez ma\u00f1ana sea la verdad.<br>La vida es corta y hay que vivirla,<br>feliz al lado de una mujer,<br>que, aunque nos mienta, frente a sus ojos,<br>raz\u00f3n de sobra hay para querer.<\/p>\n<cite>Ricardo Tanturi Letra : Francisco Gorrindo<\/cite><\/blockquote>\n\n\n\n<cite translate=\"yes\">\n\n\n\n<h2 class=\"wp-block-heading\">Traduction libre<\/h2>\n\n\n\n<p>Voyez les gars, je veux de la joie,<br>je veux \u00eatre \u00e9tourdi pour ne pas penser.<br>La vie est courte et il faut la vivre,<br>en laissant la r\u00e9alit\u00e9 de c\u00f4t\u00e9.<br>Il faut oublier le sacrifice,<br>Que c\u2019est si dur d\u2019avoir du pain.<br>Et dans ces nuits de r\u00e9jouissance (danse, musique) et de rires,<br>se d\u00e9guiser l\u2019\u00e2me.<\/p>\n\n\n\n<p>La vie est courte et il faut la vivre,<br>il ne faut pas faire confiance \u00e0 demain.<br>Si aujourd\u2019hui le mensonge s\u2019appelle r\u00eave,<br>peut-\u00eatre que demain ce sera la v\u00e9rit\u00e9.<br>La vie est courte et il faut la vivre,<br>heureux aux c\u00f4t\u00e9s d\u2019une femme,<br>qui m\u00eame si elle nous ment \u00e0 la face (sous les yeux),<br>il y a plein de raisons d\u2019aimer.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Autres enregistrements<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Le 19 f\u00e9vrier, une date f\u00e9tiche pour Tanturi\u2009?<\/h3>\n\n\n\n<p>\u00c0 la m\u00eame date, une milonga et un tango, ce que nous venons de voir, mais l\u2019ann\u00e9e suivante, peut-\u00eatre \u00e0 la m\u00eame date (19&nbsp;f\u00e9vrier 1942) ou le 20&nbsp;juillet 1942 (la documentation varie sur la date de cette session), deux autres titres enregistr\u00e9s par Tanturi et Castillo<\/p>\n\n\n\n<p>Tango (Voz de tango) 1942-02-19 ou 1942-07-20 avec Castillo<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/1-19-Tango-Voz-de-tango-1942-02-19-1.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Tango (Voz de tango) 1942-02-19 ou 1942-07-20 &#8211; Orquesta Ricardo Tanturi con Alberto Castillo<\/figcaption><\/figure>\n\n\n\n<p>La copa del olvido 1942-02-19 ou 1942-07-20 avec Castillo)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/1-14-La-copa-del-olvido-1942-07-20.mp3\"><\/audio><figcaption class=\"wp-element-caption\">La copa del olvido 1942-02-19- -Orquesta Ricardo Tanturi con Alberto Castillo<\/figcaption><\/figure>\n\n\n\n<p>Pour renforcer cette id\u00e9e de date f\u00e9tiche, il a encore enregistr\u00e9 un 19&nbsp;f\u00e9vrier, mais cette fois en 1945 et avec le chanteur Enrique Campos&nbsp;:<\/p>\n\n\n\n<p>Me bes\u00f3 y se fue 1945-02-19 (valse), avec Enrique Campos&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/89-Me-beso-y-se-fue-1945-02-19-1-CAMPOS.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Me bes\u00f3 y se fu\u00e9 1945-02-19 &#8211; Ricardo Tanturi con Enrique Campos<\/figcaption><\/figure>\n\n\n\n<p>Qu\u00e9 ser\u00e1 de ti 1945-02-19 avec Enrique Campos<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Que-sera-de-ti-1945-02-19.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Qu\u00e9 ser\u00e1 de ti 1945-02-19 &#8211; Ricardo Tanturi con Enrique Campos<\/figcaption><\/figure>\n\n\n\n<p>Pour ce qui est de <strong><em>mozo guapo<\/em><\/strong>, on en trouve une version plus lente, dans le <em>style limite canyengue-milonga<\/em> de Villasoboas.<br>En effet, Miguel Villasboas a enregistr\u00e9 en 1959 ce titre dans son style si particulier. J\u2019aime l\u2019interpr\u00e9tation au piano par Villasboas, pleine de petites surprises.<br>Cette version est int\u00e9ressante, car elle pr\u00e9sente le dialogue des deux faces du mozo d\u00e9crite dans les paroles, le romantique (violons) et le compadrito (piano), utilisation de l\u2019alternance de milonga lisa et traspie pour servir l\u2019histoire.<\/p>\n\n\n\n<p>La voici, pour terminer mon service. Soy tu mozo (serviteur). No te olvides de la propina (n\u2019oublie pas le pourboire, un commentaire fera l\u2019affaire).<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/01-Mozo-guapo-1959-Villasboas.mp3\"><\/audio><figcaption class=\"wp-element-caption\"><strong>Mozo guapo 1959<\/strong> \u2014 Miguel Villasboas<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"711\" height=\"400\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Los-Compadritos-Xilografia-de-Juan-Antonio-Spotorno.jpg\" alt=\"\" class=\"wp-image-1323\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Los-Compadritos-Xilografia-de-Juan-Antonio-Spotorno.jpg 711w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Los-Compadritos-Xilografia-de-Juan-Antonio-Spotorno-624x351.jpg 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Los-Compadritos-Xilografia-de-Juan-Antonio-Spotorno-300x169.jpg 300w\" sizes=\"(max-width: 711px) 100vw, 711px\" \/><figcaption class=\"wp-element-caption\">DJ BYC, d&#8217;apr\u00e8s la gravure sur bois, Los Compadritos de Juan Antonio Spotorno<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Le tango du jour est une milonga, Mozo guapo, que l\u2019on pourrait traduire par beau gosse, mais ce serait enlever la note de frime et de matuvu du compadrito, querelleur et arm\u00e9 de son couteau qu\u2019il est prompt \u00e0 sortir lorsque l\u2019honneur est en jeu. Aujourd\u2019hui, nous allons donc parler lunfardo, l\u2019argot des faubourgs de Buenos Aires.<\/p>\n<div class='heateor_sss_sharing_container heateor_sss_vertical_sharing heateor_sss_bottom_sharing' style='width:28px;left: -10px;top: 100px;-webkit-box-shadow:none;box-shadow:none;' data-heateor-sss-href='https:\/\/dj-byc.com\/WP\/wp-json\/wp\/v2\/posts\/1298?simply_static_page=316909'><div class=\"heateor_sss_sharing_ul\"><a style=\"font-size:32px!important;box-shadow: none;display: inline-block!important;font-size: 16px;padding: 0 4px;vertical-align: middle;display:inline;\" class=\"heateorSssSharingRound\"><span class=\"heateor_sss_square_count\">&nbsp;<\/span><div style=\"width:24px;height:24px;border-radius:999px;margin-bottom:9px !important;\" title=\"Total Shares\" class=\"heateorSssSharing heateorSssTCBackground\"><\/div><\/a><a aria-label=\"Facebook\" class=\"heateor_sss_facebook\" 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