{"id":1420,"date":"2024-02-21T00:01:00","date_gmt":"2024-02-21T03:01:00","guid":{"rendered":"https:\/\/dj-byc.com\/WP\/?p=1420"},"modified":"2024-02-28T00:00:35","modified_gmt":"2024-02-28T03:00:35","slug":"diez-anos-1934-02-21-tango","status":"publish","type":"post","link":"https:\/\/dj-byc.com\/WP\/diez-anos-1934-02-21-tango\/","title":{"rendered":"Diez a\u00f1os 1934-02-21 (Tango) &#8211; Orquesta Francisco Canaro con Ernesto Fam\u00e1"},"content":{"rendered":"<div class='watch-action'><div class='watch-position align-left'><div class='action-like'><a class='lbg-style1 like-1420 jlk' href='javascript:void(0)' data-task='like' data-post_id='1420' data-nonce='e6e2317e6c' rel='nofollow'><img class='wti-pixel' src='https:\/\/dj-byc.com\/WP\/wp-content\/plugins\/wti-like-post\/images\/pixel.gif' title='comme' \/><span class='lc-1420 lc'>+2<\/span><\/a><\/div><\/div> <div class='status-1420 status align-left'><\/div><\/div><div class='wti-clear'><\/div>\n<h2 class=\"wp-block-heading\">Cayetano Puglisi; Pascual De Gregorio Letra: Manuel Enrique Ferrad\u00e1s Campos<\/h2>\n\n\n\n<p><em>Le 21&nbsp;f\u00e9vrier 1934, il y a 90&nbsp;ans, Francisco Canaro enregistrait <\/em><strong>Diez a\u00f1os<\/strong> <em>avec Ernesto Fam\u00e1, seulement 4&nbsp;jours apr\u00e8s l\u2019avoir enregistr\u00e9 avec <strong>Ada Falc\u00f3n<\/strong>. Je saisis cette occasion pour parler des chanteurs d\u2019estribillo et rappeler la diff\u00e9rence entre le tango chanson et le tango chant\u00e9.<\/em><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Les deux enregistrements de <strong><em>Diez a\u00f1os<\/em><\/strong> par Canaro<\/h2>\n\n\n\n<p>Tout d\u2019abord, nous n\u2019avons aujourd\u2019hui la trace sonore que des versions enregistr\u00e9es. Il ne faut pas oublier que les orchestres se produisaient plusieurs fois par semaine et que seuls leurs \u00ab\u2009tubes\u2009\u00bb avaient les honneurs de la gravure. Nous avons ainsi perdu la grande majorit\u00e9 du r\u00e9pertoire de l\u2019\u00e9poque. Ce n\u2019est pas l\u2019absence d\u2019enregistrement qui peut prouver que l\u2019orchestre ne jouait pas tel ou tel air.<br>Comme je l\u2019indiquais en introduction, Canaro a enregistr\u00e9 deux fois ce th\u00e8me en 1934. Le 17&nbsp;f\u00e9vrier avec sa \u00ab\u2009ch\u00e9rie\u2009\u00bb <strong><em>Ada Falc\u00f3n<\/em><\/strong>, et le 21&nbsp;f\u00e9vrier avec <strong><em>Ernesto Fam\u00e1<\/em><\/strong>.<br>On pourrait penser qu\u2019avec un si court intervalle, les enregistrements sont proches. Que nenni. Ils appartiennent en fait \u00e0 deux genres diff\u00e9rents. Le tango chanson et le tango chant\u00e9.<br>Mais avant d\u2019\u00e9couter les diff\u00e9rences, faisons le point.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Il y a tango et tango\u2026<\/h3>\n\n\n\n<p>Le tango fait partie d\u2019un ensemble culturel qui est tout autant litt\u00e9raire que musical, audiophile que danseur. Ces directions peuvent \u00eatre r\u00e9parties de fa\u00e7on diff\u00e9rente chez chacune des personnes qui entre en contact avec un tango.<br>S\u2019il est danseur, il va souhaiter une musique qui porte \u00e0 l\u2019improvisation, sans surprises <strong>ind\u00e9celables<\/strong> (variations de rythme arbitraires, par exemple) et avec un support rythmique suffisant pour que les deux partenaires du couple puissent se synchroniser.<br>S\u2019il est audiophile, il va se concentrer sur l\u2019orchestration, les r\u00e9ponses des instruments, la virtuosit\u00e9 de tel ou tel trait et ainsi de suite. Il pourra le faire en restant dans son fauteuil, sans que la musique l\u2019oblige \u00e0 se mouvoir. Il va comparer les versions, pinailler sur des diff\u00e9rences de tonalit\u00e9 d\u2019un enregistrement \u00e0 l\u2019autre, sur l\u2019accord du bandon\u00e9on et ainsi de suite.<br>S\u2019il est litt\u00e9raire, il va savourer les paroles. Cependant, comme en cuisine, tous les plats ne se valent pas et il lui faudra des mets d\u00e9licieux, \u00e9crits par de grands auteurs. Par chance, cela ne manque pas dans la culture tango.<\/p>\n\n\n\n<figure data-wp-context=\"{ &quot;core&quot;:\n\t\t\t\t{ &quot;image&quot;:\n\t\t\t\t\t{   &quot;imageLoaded&quot;: false,\n\t\t\t\t\t\t&quot;initialized&quot;: false,\n\t\t\t\t\t\t&quot;lightboxEnabled&quot;: false,\n\t\t\t\t\t\t&quot;hideAnimationEnabled&quot;: false,\n\t\t\t\t\t\t&quot;preloadInitialized&quot;: false,\n\t\t\t\t\t\t&quot;lightboxAnimation&quot;: &quot;zoom&quot;,\n\t\t\t\t\t\t&quot;imageUploadedSrc&quot;: &quot;https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Diez-anos-01.jpg&quot;,\n\t\t\t\t\t\t&quot;imageCurrentSrc&quot;: &quot;&quot;,\n\t\t\t\t\t\t&quot;targetWidth&quot;: &quot;1290&quot;,\n\t\t\t\t\t\t&quot;targetHeight&quot;: &quot;726&quot;,\n\t\t\t\t\t\t&quot;scaleAttr&quot;: &quot;&quot;,\n\t\t\t\t\t\t&quot;dialogLabel&quot;: &quot;Image agrandie&quot;\n\t\t\t\t\t}\n\t\t\t\t}\n\t\t\t}\" data-wp-interactive class=\"wp-block-image aligncenter size-medium wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" data-wp-effect--setStylesOnResize=\"effects.core.image.setStylesOnResize\" data-wp-effect=\"effects.core.image.setButtonStyles\" data-wp-init=\"effects.core.image.initOriginImage\" data-wp-on--click=\"actions.core.image.showLightbox\" data-wp-on--load=\"actions.core.image.handleLoad\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Diez-anos-01-300x169.jpg\" alt=\"\" class=\"wp-image-1453\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Diez-anos-01-300x169.jpg 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Diez-anos-01-624x351.jpg 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Diez-anos-01-768x432.jpg 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Diez-anos-01-1024x576.jpg 1024w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Diez-anos-01.jpg 1290w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Agrandir l\u2018image\"\n\t\t\tdata-wp-on--click=\"actions.core.image.showLightbox\"\n\t\t\tdata-wp-style--right=\"context.core.image.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"context.core.image.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Diez a\u00f1os transcurrieron desde entonces\ncuando temblando llegu\u00e9 hasta ti,<\/figcaption>        <div data-wp-body=\"\" class=\"wp-lightbox-overlay zoom\"\n            data-wp-bind--role=\"selectors.core.image.roleAttribute\"\n            data-wp-bind--aria-label=\"selectors.core.image.dialogLabel\"\n            data-wp-class--initialized=\"context.core.image.initialized\"\n            data-wp-class--active=\"context.core.image.lightboxEnabled\"\n            data-wp-class--hideAnimationEnabled=\"context.core.image.hideAnimationEnabled\"\n            data-wp-bind--aria-modal=\"selectors.core.image.ariaModal\"\n            data-wp-effect=\"effects.core.image.initLightbox\"\n            data-wp-on--keydown=\"actions.core.image.handleKeydown\"\n            data-wp-on--touchstart=\"actions.core.image.handleTouchStart\"\n            data-wp-on--touchmove=\"actions.core.image.handleTouchMove\"\n            data-wp-on--touchend=\"actions.core.image.handleTouchEnd\"\n            data-wp-on--click=\"actions.core.image.hideLightbox\"\n            tabindex=\"-1\"\n            >\n                <button type=\"button\" aria-label=\"Fermer\" style=\"fill: #000\" class=\"close-button\" data-wp-on--click=\"actions.core.image.hideLightbox\">\n                    <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" width=\"20\" height=\"20\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M13 11.8l6.1-6.3-1-1-6.1 6.2-6.1-6.2-1 1 6.1 6.3-6.5 6.7 1 1 6.5-6.6 6.5 6.6 1-1z\"><\/path><\/svg>\n                <\/button>\n                <div class=\"lightbox-image-container\">\n<figure class=\"wp-block-image aligncenter size-medium responsive-image\"><img decoding=\"async\" data-wp-bind--src=\"context.core.image.imageCurrentSrc\" data-wp-style--object-fit=\"selectors.core.image.lightboxObjectFit\" src=\"\" alt=\"\" class=\"wp-image-1453\"\/><figcaption class=\"wp-element-caption\">Diez a\u00f1os transcurrieron desde entonces\ncuando temblando llegu\u00e9 hasta ti,<\/figcaption><\/figure>\n<\/div>\n                <div class=\"lightbox-image-container\">\n<figure class=\"wp-block-image aligncenter size-medium enlarged-image\"><img decoding=\"async\" data-wp-bind--src=\"selectors.core.image.enlargedImgSrc\" data-wp-style--object-fit=\"selectors.core.image.lightboxObjectFit\" src=\"\" alt=\"\" class=\"wp-image-1453\"\/><figcaption class=\"wp-element-caption\">Diez a\u00f1os transcurrieron desde entonces\ncuando temblando llegu\u00e9 hasta ti,<\/figcaption><\/figure>\n<\/div>\n                <div class=\"scrim\" style=\"background-color: #fff\" aria-hidden=\"true\"><\/div>\n        <\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Le danseur de tango \u00ab\u2009id\u00e9al\u2009\u00bb<\/h3>\n\n\n\n<p>Le danseur, celui qui m\u2019int\u00e9resse, vu que je suis DJ peut et doit, avoir un peu des autres aspects pour mieux danser.<br>Un danseur qui ne danserait que le rythme, sans \u00e9couter les phrases musicales, les r\u00e9ponses d\u2019instruments et tous les d\u00e9veloppements qui font la richesse du tango serait bien \u00e0 plaindre. Ce manque de sensibilit\u00e9 lui permettrait de danser sur Gotan Project et autres orchestres r\u00e9p\u00e9titifs, mais ce sera au d\u00e9triment de l\u2019improvisation et de la richesse de la danse. Certains d\u00e9butants se contentent de reproduire des chor\u00e9graphies apprises en cours, sans chercher \u00e0 les ins\u00e9rer dans le flux musical, ou mieux, \u00e0 les d\u00e9construire pour n\u2019utiliser que les briques, au service de l\u2019interpr\u00e9tation dans\u00e9e de la musique.<br>Sur l\u2019aspect litt\u00e9raire, la chose est moins claire. En effet, d\u2019excellents DJ et d\u2019excellents danseurs disent pr\u00eater peu d\u2019attention aux paroles. Il est clair que pour un danseur qui improvise, les paroles sont de peu d\u2019utilit\u00e9. Il ne va pas se mettre \u00e0 pleurer, se mettre \u00e0 genoux ou autre fantaisie qui seraient dites dans le texte.<br>Cela \u00e9tait bien clair \u00e0 l\u2019\u00e2ge d\u2019or du tango. Les orchestres proposaient des musiques adapt\u00e9es \u00e0 la danse. Qu\u2019elles soient instrumentales ou avec chanteurs, mais il est temps de revenir \u00e0 la distinction entre tango chanson et tango chant\u00e9.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Tango chanson et tango chant\u00e9<\/h3>\n\n\n\n<p>Un tango chanson est un tango destin\u00e9 \u00e0 l\u2019\u00e9coute. Il est destin\u00e9 \u00e0 satisfaire les audiophiles et les litt\u00e9raires. C\u2019est un genre qui va se d\u00e9velopper plus rapidement \u00e0 partir des ann\u00e9es 50, \u00e0 cause de l\u2019arriv\u00e9e du microsillon (33 tours) et surtout du rock qui va remplacer le tango dans les activit\u00e9s des danseurs de l\u2019\u00e9poque. Les orchestres de tango se reconvertissent alors vers le concert, la t\u00e9l\u00e9vision et la radio pour pouvoir continuer \u00e0 jouer et vivre de leur art.<br>Mais il ne faut pas limiter le ph\u00e9nom\u00e8ne aux ann\u00e9es 50 et suivantes. En effet, m\u00eame \u00e0 l\u2019\u00e2ge d\u2019or, il y a les deux types de musique.<br>Pour faciliter le choix, les disques indiquent clairement si c\u2019est destin\u00e9 \u00e0 danser ou \u00e0 \u00e9couter.<br>Il suffit de regarder l\u2019\u00e9tiquette\u2026<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"71\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Falcon-acc-canaro-1024x71.png\" alt=\"\" class=\"wp-image-1426\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Falcon-acc-canaro-1024x71.png 1024w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Falcon-acc-canaro-1536x106.png 1536w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Falcon-acc-canaro-624x43.png 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Falcon-acc-canaro-300x21.png 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Falcon-acc-canaro-768x53.png 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Falcon-acc-canaro.png 1987w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Ada Falc\u00f3n, avec accompagnement de l\u2019orchestre Francisco Canaro<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"87\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Canaro-Fama-1024x87.png\" alt=\"\" class=\"wp-image-1427\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Canaro-Fama-1024x87.png 1024w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Canaro-Fama-1536x131.png 1536w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Canaro-Fama-624x53.png 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Canaro-Fama-300x26.png 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Canaro-Fama-768x65.png 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Canaro-Fama.png 1998w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Francisco Canaro et son orchestre typique (Estribillo par Ernesto Fam\u00e1)<\/figcaption><\/figure>\n\n\n\n<p>Vous avez compris. Si le chanteur est indiqu\u00e9 en premier, c\u2019est pour \u00e9couter. S\u2019il est indiqu\u00e9 en second, c\u2019est pour danser. C\u2019est plut\u00f4t simple, non\u2009?<br>On trouve aujourd\u2019hui des DJ et danseurs qui ne tiennent pas compte de cette diff\u00e9rence et qui consid\u00e8rent que l\u2019on peut tout danser.<br>Dans le cas d\u2019Ada Falc\u00f3n, c\u2019est plut\u00f4t envisageable. En g\u00e9n\u00e9ral, les voix de femmes, m\u00eame pour des chansons, laissent plus de place \u00e0 l\u2019orchestre, notamment dans le registre grave, l\u00e0 o\u00f9 se trouve la rythmique. Ainsi, elles ne la masquent pas et il est possible de continuer \u00e0 la suivre.<br>Pour les chanteurs, surtout pour ceux qui en font des tonnes, c\u2019est impossible. On pourrait mentionner la distinction que font certain entre cantor et cantante. Le premier chantant au service de la musique et le second se mettant en valeur, en jouant de tous les artifices possibles pour masquer l\u2019orchestre qui de fait n\u2019est qu\u2019un accompagnement.<br>Progressivement \u00e0 partir des ann\u00e9es 50, le cantante (avec une jolie voix de chanteur d\u2019op\u00e9ra) prend le dessus et on ne compte plus le nombre de chansons plus ou moins mi\u00e8vres et d\u00e9sesp\u00e9r\u00e9es qui en a r\u00e9sult\u00e9. Attention, je ne dis pas que ce n\u2019est pas bien, pas beau. Je dis juste que tr\u00e8s peu de danseurs vont \u00e0 la milonga pour se trancher les veines.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Comment distinguer les tangos chansons \u00e0 l\u2019\u00e9coute\u2009?<\/h3>\n\n\n\n<p>Ernesto Fam\u00e1 chante une petite partie des paroles \u00e9crites par Manuel Enrique Ferrad\u00e1s Campos. En gros, c\u2019est le refrain (estribillo).<br>C\u2019est une autre particularit\u00e9 qui divise les tangos de danse des tangos \u00e0 \u00e9couter. Lorsqu\u2019il s\u2019agit de chansons, le chanteur commence d\u00e8s le d\u00e9but. Quand c\u2019est pour danser, le danseur n\u2019intervient qu\u2019un court moment, le refrain, refrain qui a d\u00e9j\u00e0 \u00e9t\u00e9 pr\u00e9sent\u00e9 aux danseurs par l\u2019orchestre et que donc, ils vont pouvoir danser en confiance.<br>Lorsque le tango est instrumental, la premi\u00e8re fois que le refrain est propos\u00e9, il est en g\u00e9n\u00e9ral plus simple \u00e0 danser et lors de la reprise, il est jou\u00e9 par un instrument diff\u00e9rent, avec plus de richesse. Le chanteur est dans ce cas un instrument suppl\u00e9mentaire qui permet d\u2019\u00e9viter la monotonie en ne jouant pas deux fois la m\u00eame chose.<br>Dans les ann\u00e9es 50, sous l\u2019impulsion de chefs d\u2019orchestre comme Troilo, la partie chant\u00e9e va prendre de l\u2019ampleur, m\u00eame pour le tango de danse. Ainsi, le m\u00eame titre chant\u00e9 par Valdez avec l\u2019orchestre de Juan d\u2019Arienzo est pr\u00e9sent\u00e9 comme un tango de danse, mais Valdez chante plus que le seul refrain. Voir ci-dessous, le chapitre sur les paroles.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"120\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/DArienzo-Valdez-1024x120.jpg\" alt=\"\" class=\"wp-image-1429\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/DArienzo-Valdez-1024x120.jpg 1024w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/DArienzo-Valdez-1536x181.jpg 1536w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/DArienzo-Valdez-624x73.jpg 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/DArienzo-Valdez-300x35.jpg 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/DArienzo-Valdez-768x90.jpg 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/DArienzo-Valdez.jpg 1615w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">M\u00eame si Valdez chante plus que les chanteurs de la g\u00e9n\u00e9ration pr\u00e9c\u00e9dente, il est encore pr\u00e9sent\u00e9 comme chanteur d\u2019estribillo.<\/figcaption><\/figure>\n\n\n\n<p>C\u2019est une autre particularit\u00e9 qui divise les tangos de danse des tangos \u00e0 \u00e9couter. Lorsqu\u2019il s\u2019agit de chansons, le chanteur commence d\u00e8s le d\u00e9but. Quand c\u2019est pour danser, le danseur n\u2019intervient qu\u2019un court moment, le refrain, refrain qui a d\u00e9j\u00e0 \u00e9t\u00e9 pr\u00e9sent\u00e9 aux danseurs par l\u2019orchestre et que donc, ils vont pouvoir danser en confiance.<br>Lorsque le tango est instrumental, la premi\u00e8re fois que le refrain est propos\u00e9, il est en g\u00e9n\u00e9ral plus simple \u00e0 danser et lors de la reprise, il est jou\u00e9 par un instrument diff\u00e9rent, avec plus de richesse. Le chanteur est pareillement un instrument suppl\u00e9mentaire qui permet d\u2019\u00e9viter la monotonie en ne jouant pas deux fois la m\u00eame chose.<br>Je termine -l\u00e0 ce sujet. Comme DJ, je mets du tango de danse, sauf si on me demande gentiment de mettre une tanda chanson. Apr\u00e8s tout, il faut bien que le bar fasse son chiffre d\u2019affaires.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Les paroles<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Le refrain (estribillo)<\/h3>\n\n\n\n<p>Ernesto Fam\u00e1 chante une petite partie des paroles \u00e9crites par Manuel Enrique Ferrad\u00e1s Campos, le refrain (estribillo).<\/p>\n\n\n\n<cite translate=\"no\">\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>Diez a\u00f1os transcurrieron desde entonces<br>cuando temblando llegu\u00e9 hasta ti,<br>diez a\u00f1os que sirvieron para hundirme<br>y quitarme hasta las ganas de vivir\u2026<br>Entonces, buenamente yo so\u00f1aba<br>un mundo nuevo, para los dos.<br>Y Dios, all\u00e1 en el cielo solo sabe,<br>hasta d\u00f3nde yo he llegado por tu amor.<\/p>\n<cite>Estribillo (refrain) Manuel Enrique Ferrad\u00e1s Campos. C\u2019est la seule partie que chante Fama<\/cite><\/blockquote>\n\n\n\n<cite translate=\"yes\">\n\n\n\n<h3 class=\"wp-block-heading\">Les diff\u00e9rentes parties chant\u00e9es, selon les versions<\/h3>\n\n\n\n<p>Seule Ada Falc\u00f3n chante tout. Elle termine en reprenant le refrain (Cu\u00e1ntas veces en mi pecho [\u2026] por tu cruel ingratitud.)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"486\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/1-1024x486.png\" alt=\"\" class=\"wp-image-1433\" style=\"width:655px;height:auto\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/1-1024x486.png 1024w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/1-1536x729.png 1536w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/1-624x296.png 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/1-300x142.png 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/1-768x364.png 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/1.png 1728w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Ernesto Fam\u00e1 ne chante que l\u2019<strong><em>estribillo<\/em><\/strong>, <mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff0000\" class=\"has-inline-color\">ce qui est en rouge<\/mark>.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"486\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/2-1024x486.png\" alt=\"\" class=\"wp-image-1434\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/2-1024x486.png 1024w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/2-1536x729.png 1536w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/2-624x296.png 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/2-300x142.png 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/2-768x364.png 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/2.png 1728w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Jorge Valdez chante le premier couplet, le refrain et reprend la fin du refrain (<mark style=\"background-color:rgba(0, 0, 0, 0);color:#00a434\" class=\"has-inline-color\">Otra boca [\u2026] por tu cruel ingratitud.<\/mark>)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"436\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/3a-1024x436.png\" alt=\"\" class=\"wp-image-1436\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/3a-1024x436.png 1024w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/3a-1536x653.png 1536w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/3a-624x265.png 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/3a-300x128.png 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/3a-768x327.png 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/3a.png 1728w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Le dernier couplet, chant\u00e9 uniquement par Ada Falcon<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"436\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/3b-1024x436.png\" alt=\"\" class=\"wp-image-1437\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/3b-1024x436.png 1024w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/3b-1536x653.png 1536w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/3b-624x265.png 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/3b-300x128.png 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/3b-768x327.png 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/3b.png 1728w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#b87802\" class=\"has-inline-color\">Ici, une version pour homme du dernier couplet. <\/mark>Elle n&#8217;est pas utilis\u00e9e dans les trois enregistrements pr\u00e9sent\u00e9s. <\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Autres enregistrements de Diez a\u00f1os<\/h2>\n\n\n\n<p>Je vous propose trois enregistrements de ce titre. Les deux avec Canaro et une version de 1958 par Juan d\u2019Arienzo avec Jorge Valdez au chant.<br>Vous avez vu les \u00e9tiquettes, deux sont pour la danse (Fama et Valdez) et un pour l\u2019\u00e9coute (Falcon).<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Diez-anos-1934-02-17-Ada-Falcon-con-acomp.-de-Francisco-Canaro.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Diez a\u00f1os 1934-02-17 Ada Falc\u00f3n con acomp. de Francisco Canaro<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Diez-anos-1934-02-21-Francisco-Canaro-C-Ernesto-Fama.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Diez a\u00f1os 1934-02-21 &#8211; Francisco Canaro C Ernesto Fam\u00e1<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Diez-anos-1958-12-17-Orquesta-Juan-DArienzo-con-Jorge-Valdez.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Diez a\u00f1os 1958-12-17 &#8211; Orquesta Juan D&#8217;Arienzo con Jorge Valdez<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Autres titres enregistr\u00e9s un 21&nbsp;f\u00e9vrier<\/h2>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Union-Civica-1933-02-21-Juan-Maglio-Pacho-y-su-orquesta-de-la-guardia-vieja.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Uni\u00f3n Civica 1933-02-21 &#8211; Juan Maglio (Pacho) y su orquesta de la guardia vieja<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Te-quiero-mucho-mas-1934-02-21-Francisco-Canaro-C-Ernesto-Fama.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Te quiero mucho m\u00e1s 1934-02-21\u2009\u2013\u2009Francisco Canaro C Ernesto Fam\u00e1 (Antonio Sureda Letra: Ger\u00f3nimo Sureda). <strong>Il a \u00e9t\u00e9 enregistr\u00e9 le m\u00eame jour que Diez a\u00f1os<\/strong>.  <\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Murio-la-vecinita-1935-02-21-Tipica-Victor-C-Alberto-Gomez-Dir-Adolfo-Carabelli.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Muri\u00f3 la vecinita 1935-02-21 \u2014 T\u00edpica Victor C Alberto G\u00f3mez Dir Adolfo Carabelli (Guillermo Rivero; Juan Carlos Ghio Letra: Nolo L\u00f3pez)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Jalisco-nunca-pierde-1938-02-21-Marcha-Enrique-Rodriguez-C-El-Chato-Roberto-Flores.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Jalisco nunca pierde 1938-02-21 (Marcha) &#8211; Enrique Rodr\u00edguez C El \u00ab\u2009Chato\u2009\u00bb Roberto Flores (Lorenzo Barcelata\u2009; T. Guizar). C\u2019est une marche en l\u2019honneur du territoire de Jalisco, au Mexique (le film Jalisco nunca pierde est sorti en 1937). Le fait que ce soit une marche rappelle qu\u2019\u00e0 l\u2019\u00e9poque, les bals n\u2019\u00e9taient pas que tango, mais toutes danses, avec en g\u00e9n\u00e9ral deux orchestres.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Mi-noche-triste-1949-02-21-Francisco-Rotundo-C-Floreal-Ruiz.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Mi noche triste 1949-02-21 &#8211; Francisco Rotundo C Floreal Ru\u00edz<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"568\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Diez-anos-03-A-1024x568.jpg\" alt=\"\" class=\"wp-image-1454\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Diez-anos-03-A-1024x568.jpg 1024w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Diez-anos-03-A-624x346.jpg 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Diez-anos-03-A-300x167.jpg 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Diez-anos-03-A-768x426.jpg 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Diez-anos-03-A.jpg 1290w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Diez a\u00f1os que sirvieron para hundirme\ny quitarme hasta las ganas de vivir\u2026<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Le 21 f\u00e9vrier 1934, il y a 90 ans, Francisco Canaro enregistrait Diez a\u00f1os avec Ernesto Fam\u00e1, seulement 4 jours apr\u00e8s l\u2019avoir enregistr\u00e9 avec Ada Falc\u00f3n. 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