{"id":1456,"date":"2024-02-22T00:01:00","date_gmt":"2024-02-22T03:01:00","guid":{"rendered":"https:\/\/dj-byc.com\/WP\/?p=1456"},"modified":"2024-02-27T14:25:10","modified_gmt":"2024-02-27T17:25:10","slug":"sollozos-1937-02-22-tango","status":"publish","type":"post","link":"https:\/\/dj-byc.com\/WP\/sollozos-1937-02-22-tango\/","title":{"rendered":"Sollozos 1937-02-22 (Tango) &#8211; Orquesta Osvaldo Fresedo con Roberto Ray"},"content":{"rendered":"<div class='watch-action'><div class='watch-position align-left'><div class='action-like'><a class='lbg-style1 like-1456 jlk' href='javascript:void(0)' data-task='like' data-post_id='1456' data-nonce='e6e2317e6c' rel='nofollow'><img class='wti-pixel' src='https:\/\/dj-byc.com\/WP\/wp-content\/plugins\/wti-like-post\/images\/pixel.gif' title='comme' \/><span class='lc-1456 lc'>+1<\/span><\/a><\/div><\/div> <div class='status-1456 status align-left'><\/div><\/div><div class='wti-clear'><\/div>\n<h2 class=\"wp-block-heading\">Osvaldo Fresedo (Osvaldo Nicol\u00e1s Fresedo)&nbsp; Letra&nbsp;: Emilio Augusto Oscar Fresedo<\/h2>\n\n\n\n<p><em>Le 22&nbsp;f\u00e9vrier 1937, <strong>Osvaldo Fresedo<\/strong> enregistre <strong>Sollozos<\/strong> (soupirs) avec <strong>Roberto Ray<\/strong> et le m\u00eame jour<\/em> <strong><em>Siempre es carnaval<\/em><\/strong><em>. <strong>Fresedo<\/strong> en a compos\u00e9 la musique et son fr\u00e8re <strong>Emilio<\/strong>, les paroles. Le premier enregistrement par <strong>Fresedo<\/strong> date de <strong>1922<\/strong>, ann\u00e9e de l\u2019\u00e9criture de ce titre qui fut rapidement un succ\u00e8s et f\u00fbt repris par divers orchestre. <strong>Fresedo<\/strong> le r\u00e9enregistrera en <strong>1937<\/strong>, la version qui nous occupe aujourd\u2019hui, puis en <strong>1952<\/strong> et <strong>1957<\/strong>.<\/em><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">SOS femme triste<\/h2>\n\n\n\n<p>Sollozos = sanglots. Les sanglots d\u2019une jeune femme triste, qui se cache au milieu d\u2019une foule de gens qui font la f\u00eate. Un homme (ou une femme) vient s\u00e9cher ses pleurs provoqu\u00e9s par l\u2019homme qui l\u2019a tromp\u00e9e.<br>Pour la consoler, il (elle) lui dit&nbsp;: \u00ab\u2009Olvide su pasado, olvide todo lo de ayer. No llore si \u00e9l no ha llorado, ni pens\u00f3 que sufre una mujer\u2009\u00bb (Oublie votre pass\u00e9, oublie tout ce qui est d\u2019hier. Ne pleure pas s\u2019il n\u2019a pas pleur\u00e9 ni pens\u00e9 qu\u2019une femme souffre).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Extrait musical<\/h2>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Sollozos-1937-02-22-Orquesta-Osvaldo-Fresedo-con-Roberto-Ray.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Sollozos 1937-02-22 \u2014 Orquesta Osvaldo Fresedo con Roberto Ray<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Les paroles<\/h2>\n\n\n\n<p>Osvaldo Fresedo a donc enregistr\u00e9 quatre fois ce titre, dont trois versions chant\u00e9es. Les trois n\u2019utilisent que la moiti\u00e9 des paroles \u00e9crites par son fr\u00e8re, Emilio.<br>En revanche, en 1923, Rosita Quiroga chante l\u2019int\u00e9gralit\u00e9 des paroles. C\u2019est bien s\u00fbr un tango \u00e0 \u00e9couter, dans cette version.<br>On apprend dans les paroles int\u00e9grales, celles chant\u00e9es par Rosita Quiroga, que l\u2019infid\u00e8le est pr\u00e9sent, car elle porte son portrait dans un m\u00e9daillon.<br>Le fait qu\u2019un femme chante la chanson ne g\u00eane pas, car consoler peut aussi bien \u00eatre le fait d\u2019un homme que d\u2019une femme. Pour l\u2019image en fin d\u2019article, j\u2019ai repr\u00e9sent\u00e9 un homme consolateur, car la version de Fresedo et Ray m\u2019a toujours fait penser \u00e0 un homme. J&#8217;imagine que je me voyais en consolateur&#8230;<\/p>\n\n\n\n<p class=\"has-text-align-right\"><em>Vous trouverez tous les enregistrements \u00e0 \u00e9couter, en fin d\u2019article.<\/em><\/p>\n\n\n\n<cite translate=\"no\">\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff0000\" class=\"has-inline-color\">En un mundo de alegr\u00edas,<br>entre el humo y copas de champagne,<br>hay una almita afligida<br>que se esconde por llorar.<br>Atra\u00eddo por su pena<br>mi pa\u00f1uelo l\u00e1grimas sec\u00f3,<br>mientras dij\u00f3: \u201cEstoy enferma,<br>sufro y lloro por mi amor\u201d.<br>&nbsp;<br>Volvi\u00f3 su cara hacia mi lado,<br>acariciando su dolor.<br>O\u00ed sollozos y cortados,<br>bajo habl\u00f3: \u201cUn hombre me enga\u00f1\u00f3\u201d.<br>Le dije&nbsp;: \u00ab\u2009Olvide su pasado,<br>olvide todo lo de ayer.<br>No llore si \u00e9l no ha llorado,<br>ni pens\u00f3 que sufre una mujer\u2009\u00bb.<\/mark><\/strong><\/td><td><strong>Algo habr\u00eda en su mirada<br>que no fue preciso adivinar,<br>ilusiones apagadas,<br>odio y ganas de vengar.<br>Dijo entonces que su vida<br>de pasi\u00f3n en pena se torn\u00f3.<br>Record\u00f3 felices d\u00edas<br>a su vieja y su honor.<br>&nbsp;<br>Pobre, su quebranto mi alma hiri\u00f3,<br>que sin fuerzas me sent\u00ed,<br>cuando vi su relicario<br>y ense\u00f1\u00f3 que el falso estaba all\u00ed.<br>Pobre, con cuanta tristeza vio<br>que por ella yo sufr\u00ed.<br>El pintar de sus labios,<br>la sonrisa para m\u00ed.<\/strong><\/td><\/tr><\/tbody><\/table><figcaption class=\"wp-element-caption\"><em>Osvaldo Fresedo\u2009\u2013\u2009Osvaldo Nicol\u00e1s Fresedo Letra: Emilio Augusto Oscar Fresedo<\/em><\/figcaption><\/figure>\n\n\n\n<cite translate=\"yes\">\n\n\n\n<h2 class=\"wp-block-heading\">Les enregistrements de Sollozos<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Les quatre enregistrements de Fresedo<\/h3>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Sollozos-1922-08-28-Orquesta-Osvaldo-Fresedo.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Sollozos 1922-08-28 &#8211; Orquesta Osvaldo Fresedo. Cet enregistrement acoustique est d\u2019une qualit\u00e9 musicale incroyable. Tout Fresedo est d\u00e9j\u00e0 dans cette musique. Un des rares titres ant\u00e9rieurs \u00e0 1926 que je pourrais, un jour de folie, passer en milonga.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Sollozos-1937-02-22-Orquesta-Osvaldo-Fresedo-con-Roberto-Ray-1.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Sollozos 1937-02-22 &#8211; Orquesta Osvaldo Fresedo con Roberto Ray. C\u2019est celui dont on parle aujourd\u2019hui.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Sollozos-1952-09-18-Orquesta-Osvaldo-Fresedo-con-Hector-Pacheco.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Sollozos 1952-09-18 &#8211; Orquesta Osvaldo Fresedo con H\u00e9ctor Pacheco. Cette version est clairement moins dansante, mais est jolie.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Sollozos-1957-09-10-Orquesta-Osvaldo-Fresedo-con-Carlos-Barrios.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Sollozos 1957-09-10 &#8211; Orquesta Osvaldo Fresedo con Carlos Barrios. Fresedo a clairement abandonn\u00e9 les danseurs dans cette version. Je la trouve trop mani\u00e9r\u00e9e. \u00c0 vouloir la rendre plus expressive, Fresedo et Barrios sont, pour moi aller un peu trop loin. Si la partie instrumentale peut \u00e0 la limite passer en milonga, la partie chant\u00e9e fait que ce titre devrait \u00eatre r\u00e9serv\u00e9 \u00e0 l\u2019\u00e9coute.<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Autres enregistrements de Sollozos<\/h3>\n\n\n<div class=\"wp-block-image\">\n<figure data-wp-context=\"{ &quot;core&quot;:\n\t\t\t\t{ &quot;image&quot;:\n\t\t\t\t\t{   &quot;imageLoaded&quot;: false,\n\t\t\t\t\t\t&quot;initialized&quot;: false,\n\t\t\t\t\t\t&quot;lightboxEnabled&quot;: false,\n\t\t\t\t\t\t&quot;hideAnimationEnabled&quot;: false,\n\t\t\t\t\t\t&quot;preloadInitialized&quot;: false,\n\t\t\t\t\t\t&quot;lightboxAnimation&quot;: &quot;zoom&quot;,\n\t\t\t\t\t\t&quot;imageUploadedSrc&quot;: &quot;https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Harmoniumfrisia.jpg&quot;,\n\t\t\t\t\t\t&quot;imageCurrentSrc&quot;: &quot;&quot;,\n\t\t\t\t\t\t&quot;targetWidth&quot;: &quot;405&quot;,\n\t\t\t\t\t\t&quot;targetHeight&quot;: &quot;433&quot;,\n\t\t\t\t\t\t&quot;scaleAttr&quot;: &quot;&quot;,\n\t\t\t\t\t\t&quot;dialogLabel&quot;: &quot;Image agrandie&quot;\n\t\t\t\t\t}\n\t\t\t\t}\n\t\t\t}\" data-wp-interactive class=\"alignright size-medium wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"281\" height=\"300\" data-wp-effect--setStylesOnResize=\"effects.core.image.setStylesOnResize\" data-wp-effect=\"effects.core.image.setButtonStyles\" data-wp-init=\"effects.core.image.initOriginImage\" data-wp-on--click=\"actions.core.image.showLightbox\" data-wp-on--load=\"actions.core.image.handleLoad\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Harmoniumfrisia-281x300.jpg\" alt=\"\" class=\"wp-image-1477\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Harmoniumfrisia-281x300.jpg 281w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Harmoniumfrisia.jpg 405w\" sizes=\"(max-width: 281px) 100vw, 281px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Agrandir l\u2018image\"\n\t\t\tdata-wp-on--click=\"actions.core.image.showLightbox\"\n\t\t\tdata-wp-style--right=\"context.core.image.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"context.core.image.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Harmonium Frisia fabriqu\u00e9 par G.A. Goldschmeding (Hollande) vers 1930. Un clavier, 10 jeux, soufflerie \u00e0 p\u00e9dale. <\/figcaption>        <div data-wp-body=\"\" class=\"wp-lightbox-overlay zoom\"\n            data-wp-bind--role=\"selectors.core.image.roleAttribute\"\n            data-wp-bind--aria-label=\"selectors.core.image.dialogLabel\"\n            data-wp-class--initialized=\"context.core.image.initialized\"\n            data-wp-class--active=\"context.core.image.lightboxEnabled\"\n            data-wp-class--hideAnimationEnabled=\"context.core.image.hideAnimationEnabled\"\n            data-wp-bind--aria-modal=\"selectors.core.image.ariaModal\"\n            data-wp-effect=\"effects.core.image.initLightbox\"\n            data-wp-on--keydown=\"actions.core.image.handleKeydown\"\n            data-wp-on--touchstart=\"actions.core.image.handleTouchStart\"\n            data-wp-on--touchmove=\"actions.core.image.handleTouchMove\"\n            data-wp-on--touchend=\"actions.core.image.handleTouchEnd\"\n            data-wp-on--click=\"actions.core.image.hideLightbox\"\n            tabindex=\"-1\"\n            >\n                <button type=\"button\" aria-label=\"Fermer\" style=\"fill: #000\" class=\"close-button\" data-wp-on--click=\"actions.core.image.hideLightbox\">\n                    <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" width=\"20\" height=\"20\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M13 11.8l6.1-6.3-1-1-6.1 6.2-6.1-6.2-1 1 6.1 6.3-6.5 6.7 1 1 6.5-6.6 6.5 6.6 1-1z\"><\/path><\/svg>\n                <\/button>\n                <div class=\"lightbox-image-container\"><div class=\"wp-block-image\">\n<figure class=\"alignright size-medium responsive-image\"><img decoding=\"async\" data-wp-bind--src=\"context.core.image.imageCurrentSrc\" data-wp-style--object-fit=\"selectors.core.image.lightboxObjectFit\" src=\"\" alt=\"\" class=\"wp-image-1477\"\/><figcaption class=\"wp-element-caption\">Harmonium Frisia fabriqu\u00e9 par G.A. Goldschmeding (Hollande) vers 1930. Un clavier, 10 jeux, soufflerie \u00e0 p\u00e9dale. <\/figcaption><\/figure><\/div><\/div>\n                <div class=\"lightbox-image-container\"><div class=\"wp-block-image\">\n<figure class=\"alignright size-medium enlarged-image\"><img decoding=\"async\" data-wp-bind--src=\"selectors.core.image.enlargedImgSrc\" data-wp-style--object-fit=\"selectors.core.image.lightboxObjectFit\" src=\"\" alt=\"\" class=\"wp-image-1477\"\/><figcaption class=\"wp-element-caption\">Harmonium Frisia fabriqu\u00e9 par G.A. Goldschmeding (Hollande) vers 1930. Un clavier, 10 jeux, soufflerie \u00e0 p\u00e9dale. <\/figcaption><\/figure><\/div><\/div>\n                <div class=\"scrim\" style=\"background-color: #fff\" aria-hidden=\"true\"><\/div>\n        <\/div><\/figure><\/div>\n\n\n<p>Je commence par la premi\u00e8re version enregistr\u00e9e avec les paroles compl\u00e8tes d\u2019Emilio Fresedo, celle de Rosita Quiroga accompagn\u00e9e par une guitare et un harmonium [armonio]. La pr\u00e9sence d\u2019un harmonium n\u2019est pas si \u00e9tonnante que cela pour l\u2019\u00e9poque qui a vu de nombreux instruments plus ou moins h\u00e9t\u00e9roclites rejoindre les orchestres de tango, comme la scie musicale ou les Ondes Martenot [assez proches comme sonorit\u00e9 et parfois indiqu\u00e9 l\u2019un pour l\u2019autre dans les ann\u00e9es&nbsp;30]. Il faudrait plusieurs articles pour traiter de l\u2019\u00e9volution des instruments de musique, de la guitare et la fl\u00fbte aux instruments du tango actuels. Ce sera pour une autre fois\u2009; \u2014)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Sollozos-1923-Rosita-Quiroga-acompto-de-guitarra-y-armonia.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Sollozos 1923 \u2014 Rosita Quiroga accompagn\u00e9e par une guitare et un harmonium (armonio). Elle chante les paroles en entier.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Sollozos-1928-04-30-Orquesta-Julio-De-Caro.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Sollozos 1928-04-30 \u2014 Orquesta Julio De Caro. De Caro a choisi de personnaliser son interpr\u00e9tation avec des changements de rythmes un peu surprenants qui confirment qu\u2019il ne travaille pas pour les danseurs.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Sollozos-1944-03-16-Orquesta-Ricardo-Malerba.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Sollozos 1944-03-16 \u2014 Orquesta Ricardo Malerba. Cette versi\u00f3n instrumentale est dans l\u2019esprit de Fresedo. Le rythme est plus marqu\u00e9, ce qui pourrait en faire un bon titre de danse, si la version de Fresedo n\u2019avait pas tant de pr\u00e9sence. Certains danseurs pourraient reprocher le choix au DJ de les priver de la version de 1937 par Fresedo et Ray.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Sollozos-1967-08-21-Orquesta-Juan-DArienzo.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Sollozos 1967-08-21 \u2014 Orquesta Juan D\u2019Arienzo. D\u2019Arienzo, fid\u00e8le \u00e0 lui-m\u00eame propose une version \u00e9nergique avec des \u00e9l\u00e9ments d\u2019orchestration originales, rappelant un peu la version de De Caro. Pour moi, c\u2019est plus du domaine du concert que de la danse, mais si un DJ le passe en milonga, il ne se fera sans doute pas \u00e9charper.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Autres titres enregistr\u00e9s un 22 f\u00e9vrier<\/h2>\n\n\n\n<p>Il y avait beaucoup de choix. Parmi les titres qui auraient pu \u00eatre les tangos du jour, voici quelques exemples&nbsp;:<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Si-supieras-1927-02-22-Orquesta-Osvaldo-Fresedo.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Si supieras 1927-02-22 \u2014 Orquesta Osvaldo Fresedo. On retrouve Fresedo et un titre associ\u00e9 \u00e0 la Cumparsita. En effet, des paroles ont \u00e9t\u00e9 accol\u00e9es \u00e0 l\u2019air le plus c\u00e9l\u00e8bre du tango \u00ab\u2009Si supieras, que a\u00fan dentro de mi alma, conservo aquel cari\u00f1o que tuve para ti&#8230;\u2009\u00bb (Si tu savais que m\u00eame au creux de mon \u00e2me, je conserve cette affection que j\u2019avais pour toi\u2026\u2009\u00bb. Cet enregistrement \u00e9tant instrumental, difficile de dire s\u2019il y a un lien, cet air compos\u00e9 par Jos\u00e9 Mar\u00eda Rizzuti n\u2019a pas d\u2019enregistrement avec paroles.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Recuerdo-malevo-1933-02-22-Carlos-Gardel-con-acomp.-de-Guillermo-Barbieri-Domingo-Riverol-Domingo-Julio-Vivas.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Recuerdo malevo 1933-02-22 \u2014 Carlos Gardel accompagn\u00e9 par Guillermo Barbieri, Domingo Riverol et Domingo Julio Vivas. Pas de danse, mais l\u2019inoubliable Gardel dans un de ses grands succ\u00e8s. En attendant un tango du jour sur un de ses titres, vous pouvez toujours consulter \u00ab\u2009<a href=\"https:\/\/dj-byc.com\/WP\/carlos-gardel-enfant-de-france\/\" target=\"_blank\" rel=\"noopener\" title=\"Carlos Gardel, enfant de France\">Gardel enfant de France<\/a>\u2009\u00bb.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Siempre-es-carnaval-1937-02-22-Orquesta-Osvaldo-Fresedo-con-Roberto-Ray.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Siempre es carnaval 1937-02-22 \u2014 Orquesta Osvaldo Fresedo con Roberto Ray, l\u2019autre titre enregistr\u00e9 le m\u00eame jour par Fresedo et Ray.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Senda-Florida-1945-02-22-Orquesta-Domingo-Federico-con-Carlos-Vidal.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Senda Florida 1945-02-22 \u2014 Orquesta Domingo Federico con Carlos Vidal. C\u2019est un tango de danse, malgr\u00e9 son introduction chant\u00e9e. Toutefois, ce n\u2019est pas ce qui est le plus agr\u00e9able \u00e0 danser. Disons que c\u2019est un tango qui h\u00e9site entre la danse et l\u2019\u00e9coute.<\/figcaption><\/figure>\n\n\n\n<p>On voit que ces quelques titres pourraient donner lieu \u00e0 d\u2019autres articles. Peut-\u00eatre qu\u2019ils auront leur chance un autre 22&nbsp;f\u00e9vrier.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Un-homme-avec-un-mouchoir-qui-console-une-femme-annees-1930-01-BYC.jpg\" alt=\"\" class=\"wp-image-1482\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Un-homme-avec-un-mouchoir-qui-console-une-femme-annees-1930-01-BYC.jpg 1024w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Un-homme-avec-un-mouchoir-qui-console-une-femme-annees-1930-01-BYC-624x624.jpg 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Un-homme-avec-un-mouchoir-qui-console-une-femme-annees-1930-01-BYC-150x150.jpg 150w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Un-homme-avec-un-mouchoir-qui-console-une-femme-annees-1930-01-BYC-300x300.jpg 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Un-homme-avec-un-mouchoir-qui-console-une-femme-annees-1930-01-BYC-768x768.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Atra\u00eddo por su pena mi pa\u00f1uelo l\u00e1grimas sec\u00f3, mientras dij\u00f3: \u201cEstoy enferma, sufro y lloro por mi amor\u201d.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Le 22\u00a0f\u00e9vrier 1937, Osvaldo Fresedo enregistre Sollozos (soupirs) avec Roberto Ray et le m\u00eame jour Siempre es carnaval. Fresedo en a compos\u00e9 la musique et son fr\u00e8re Emilio, les paroles. Le premier enregistrement par Fresedo date de 1922, ann\u00e9e de l\u2019\u00e9criture de ce titre qui fut rapidement un succ\u00e8s et f\u00fbt repris par divers orchestre. Fresedo le r\u00e9enregistrera en 1937, la version qui nous occupe aujourd\u2019hui, puis en 1952 et 1957.<\/p>\n<div class='heateor_sss_sharing_container heateor_sss_vertical_sharing heateor_sss_bottom_sharing' style='width:28px;left: -10px;top: 100px;-webkit-box-shadow:none;box-shadow:none;' data-heateor-sss-href='https:\/\/dj-byc.com\/WP\/wp-json\/wp\/v2\/posts\/1456?simply_static_page=316902'><div class=\"heateor_sss_sharing_ul\"><a style=\"font-size:32px!important;box-shadow: none;display: inline-block!important;font-size: 16px;padding: 0 4px;vertical-align: middle;display:inline;\" class=\"heateorSssSharingRound\"><span class=\"heateor_sss_square_count\">&nbsp;<\/span><div style=\"width:24px;height:24px;border-radius:999px;margin-bottom:9px !important;\" title=\"Total Shares\" class=\"heateorSssSharing heateorSssTCBackground\"><\/div><\/a><a aria-label=\"Facebook\" class=\"heateor_sss_facebook\" 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