{"id":2044,"date":"2024-03-11T00:01:00","date_gmt":"2024-03-11T03:01:00","guid":{"rendered":"https:\/\/dj-byc.com\/WP\/?p=2044"},"modified":"2024-03-14T21:28:10","modified_gmt":"2024-03-15T00:28:10","slug":"felicia-1966-03-11-orquesta-florindo-sassone","status":"publish","type":"post","link":"https:\/\/dj-byc.com\/WP\/felicia-1966-03-11-orquesta-florindo-sassone\/","title":{"rendered":"Felicia 1966-03-11\u2009\u2013\u2009Orquesta Florindo Sassone"},"content":{"rendered":"<div class='watch-action'><div class='watch-position align-left'><div class='action-like'><a class='lbg-style1 like-2044 jlk' href='javascript:void(0)' data-task='like' data-post_id='2044' data-nonce='e6e2317e6c' rel='nofollow'><img class='wti-pixel' src='https:\/\/dj-byc.com\/WP\/wp-content\/plugins\/wti-like-post\/images\/pixel.gif' title='comme' \/><span class='lc-2044 lc'>+3<\/span><\/a><\/div><\/div> <div class='status-2044 status align-left'><\/div><\/div><div class='wti-clear'><\/div>\n<h2 class=\"wp-block-heading\">Enrique Saborido Letra Carlos Mauricio Pacheco<\/h2>\n\n\n\n<p><em>Felicia est un tango abondamment enregistr\u00e9. La version d\u2019aujourd\u2019hui est un peu plus rare en milonga, car la sonorit\u00e9 particuli\u00e8re de Sassone n\u2019est pas recherch\u00e9e par tous les danseurs. Il a r\u00e9alis\u00e9 cet enregistrement le 11&nbsp;mars 1966, il y a 58&nbsp;ans.<\/em><\/p>\n\n\n\n<p>Florindo Sassone (12&nbsp;janvier 1912 &#8211; 31&nbsp;janvier 1982) \u00e9tait violoniste. Il a commenc\u00e9 \u00e0 monter son orchestre dans les ann\u00e9es&nbsp;1930.<br>Le succ\u00e8s a \u00e9t\u00e9 particuli\u00e8rement long \u00e0 venir, mais il a progressivement cr\u00e9\u00e9 son propre style en s\u2019inspirant de Fresedo et Di&nbsp;Sarli. D\u2019ailleurs, comme nous l\u2019avons vu avant-hier avec Pimienta de Fresedo, les correspondances musicales sont nettes au point que l\u2019on peut confondre dans certains passages Fresedo et Sassone dans les ann\u00e9es&nbsp;60. \u00c0 Di Sarli, il a emprunt\u00e9 des \u00e9l\u00e9ments de sa la ligne m\u00e9lodique et du dialogue entre le piano et le chant des violons.<br>Il g\u00e8re son orchestre par bloc, sans mettre en valeur un instrument particulier avec des solos.<br>Pourtant, il a des musiciens de grand talent dans son orchestre&nbsp;:<\/p>\n\n\n\n<ul>\n<li>Piano&nbsp;: Osvaldo Requena (puis Norberto Ramos)<\/li>\n\n\n\n<li>Bandon\u00e9ons&nbsp;: <strong>Pastor Cores<\/strong>, Carlos Pazo, Jes\u00fas M\u00e9ndez et Daniel Lomuto (puis Orlando Calautti et Oscar Carbone avec le premier bandon\u00e9on Pasto Cores)<\/li>\n\n\n\n<li>Violons&nbsp;: Roberto Guisado, <strong>Claudio Gonz\u00e1lez<\/strong>, <strong>Carlos Arnaiz<\/strong>, <strong>Domingo Mancuso<\/strong>, Juan Scafino et Jos\u00e9 Amatriali (Eduardo Matarucco, Enrique Mario Francini, Jos\u00e9 Amatriain, Jos\u00e9 Votti, Mario Abramovich et Romano Di&nbsp;Paola autour de Carlos Arnaiz, Claudio Gonz\u00e1lez et Domingo Mancuso).<\/li>\n\n\n\n<li>Contrebasse&nbsp;: Enrique Marcheto (puis Mario Monteleone et Victor Osvaldo Monteleone)<\/li>\n<\/ul>\n\n\n\n<p>Autre \u00e9l\u00e9ment de son originalit\u00e9, ses ponctuations qui terminent une bonne part de ses phrases musicales et des instruments plus rares en tango comme&nbsp;:<\/p>\n\n\n\n<ul>\n<li>La harpe&nbsp;: Etelvina Cinicci<\/li>\n\n\n\n<li>Le vibraphone et les percussions&nbsp;: Salvador Mol\u00e9<\/li>\n<\/ul>\n\n\n\n<p>\u00c9coutez le style tr\u00e8s particulier de Sassone avec ce tr\u00e8s court extrait de <strong><em>La canci\u00f3n de los pescadores de perlas<\/em><\/strong> (version de 1974).<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Dix-premieres-secondes-de-la-cancion-de-los-pescadores-de-perlas-1974.-Remarquez-la-harpe-et-le-vibraphone.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Les dix premi\u00e8res secondes de la canci\u00f3n de los pescadores de perlas 1974. Remarquez la harpe et le vibraphone.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Extrait musical<\/h2>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Felicia-1966-03-11-Orquesta-Florindo-Sassone.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Felicia 1966-03-11 \u2014 Orquesta Florindo Sassone.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Les paroles<\/h2>\n\n\n\n<p>Il s\u2019agit ici d\u2019un tango instrumental. Felicia peut \u00eatre un pr\u00e9nom qui fait penser \u00e0 la joie (feliz en espagnol, f\u00e9licit\u00e9 en fran\u00e7ais). Cependant, Carlos Mauricio Pacheco a cr\u00e9\u00e9 des paroles pour ce tango et elles sont loin de respirer l\u2019all\u00e9gresse. Il exprime la nostalgie pour sa terre natale (l\u2019Uruguay) en regardant la mer. Il peut s\u2019agir du Rio de la Plata qui est tellement large qu\u2019il est difficile de ne pas le prendre pour une mer quand on le voit depuis Buenos Aires.<\/p>\n\n\n\n<cite translate=\"no\">\n\n\n<div class=\"wp-block-image\">\n<figure data-wp-context=\"{ &quot;core&quot;:\n\t\t\t\t{ &quot;image&quot;:\n\t\t\t\t\t{   &quot;imageLoaded&quot;: false,\n\t\t\t\t\t\t&quot;initialized&quot;: false,\n\t\t\t\t\t\t&quot;lightboxEnabled&quot;: false,\n\t\t\t\t\t\t&quot;hideAnimationEnabled&quot;: false,\n\t\t\t\t\t\t&quot;preloadInitialized&quot;: false,\n\t\t\t\t\t\t&quot;lightboxAnimation&quot;: &quot;zoom&quot;,\n\t\t\t\t\t\t&quot;imageUploadedSrc&quot;: &quot;https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Felicia-BYC.jpg&quot;,\n\t\t\t\t\t\t&quot;imageCurrentSrc&quot;: &quot;&quot;,\n\t\t\t\t\t\t&quot;targetWidth&quot;: &quot;1000&quot;,\n\t\t\t\t\t\t&quot;targetHeight&quot;: &quot;571&quot;,\n\t\t\t\t\t\t&quot;scaleAttr&quot;: &quot;&quot;,\n\t\t\t\t\t\t&quot;dialogLabel&quot;: &quot;Image agrandie&quot;\n\t\t\t\t\t}\n\t\t\t\t}\n\t\t\t}\" data-wp-interactive class=\"alignright size-medium is-resized wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"171\" data-wp-effect--setStylesOnResize=\"effects.core.image.setStylesOnResize\" data-wp-effect=\"effects.core.image.setButtonStyles\" data-wp-init=\"effects.core.image.initOriginImage\" data-wp-on--click=\"actions.core.image.showLightbox\" data-wp-on--load=\"actions.core.image.handleLoad\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Felicia-BYC-300x171.jpg\" alt=\"\" class=\"wp-image-2054\" style=\"width:221px;height:auto\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Felicia-BYC-300x171.jpg 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Felicia-BYC-624x356.jpg 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Felicia-BYC-768x439.jpg 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Felicia-BYC.jpg 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Agrandir l\u2018image\"\n\t\t\tdata-wp-on--click=\"actions.core.image.showLightbox\"\n\t\t\tdata-wp-style--right=\"context.core.image.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"context.core.image.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">J\u2019ai imagin\u00e9 qu\u2019elle pourrait \u00eatre F\u00e9licia avec ses yeux couleur de mer, la mer qui \u00e9voque les paroles \u00e9crites par Pacheco, m\u00eame si on n\u2019a pas d\u2019enregistrement d\u2019une version chant\u00e9e. <\/figcaption>        <div data-wp-body=\"\" class=\"wp-lightbox-overlay zoom\"\n            data-wp-bind--role=\"selectors.core.image.roleAttribute\"\n            data-wp-bind--aria-label=\"selectors.core.image.dialogLabel\"\n            data-wp-class--initialized=\"context.core.image.initialized\"\n            data-wp-class--active=\"context.core.image.lightboxEnabled\"\n            data-wp-class--hideAnimationEnabled=\"context.core.image.hideAnimationEnabled\"\n            data-wp-bind--aria-modal=\"selectors.core.image.ariaModal\"\n            data-wp-effect=\"effects.core.image.initLightbox\"\n            data-wp-on--keydown=\"actions.core.image.handleKeydown\"\n            data-wp-on--touchstart=\"actions.core.image.handleTouchStart\"\n            data-wp-on--touchmove=\"actions.core.image.handleTouchMove\"\n            data-wp-on--touchend=\"actions.core.image.handleTouchEnd\"\n            data-wp-on--click=\"actions.core.image.hideLightbox\"\n            tabindex=\"-1\"\n            >\n                <button type=\"button\" aria-label=\"Fermer\" style=\"fill: #000\" class=\"close-button\" data-wp-on--click=\"actions.core.image.hideLightbox\">\n                    <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" width=\"20\" height=\"20\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M13 11.8l6.1-6.3-1-1-6.1 6.2-6.1-6.2-1 1 6.1 6.3-6.5 6.7 1 1 6.5-6.6 6.5 6.6 1-1z\"><\/path><\/svg>\n                <\/button>\n                <div class=\"lightbox-image-container\"><div class=\"wp-block-image\">\n<figure class=\"alignright size-medium is-resized responsive-image\"><img decoding=\"async\" data-wp-bind--src=\"context.core.image.imageCurrentSrc\" data-wp-style--object-fit=\"selectors.core.image.lightboxObjectFit\" src=\"\" alt=\"\" class=\"wp-image-2054\" style=\"width:221px;height:auto\"\/><figcaption class=\"wp-element-caption\">J\u2019ai imagin\u00e9 qu\u2019elle pourrait \u00eatre F\u00e9licia avec ses yeux couleur de mer, la mer qui \u00e9voque les paroles \u00e9crites par Pacheco, m\u00eame si on n\u2019a pas d\u2019enregistrement d\u2019une version chant\u00e9e. <\/figcaption><\/figure><\/div><\/div>\n                <div class=\"lightbox-image-container\"><div class=\"wp-block-image\">\n<figure class=\"alignright size-medium is-resized enlarged-image\"><img decoding=\"async\" data-wp-bind--src=\"selectors.core.image.enlargedImgSrc\" data-wp-style--object-fit=\"selectors.core.image.lightboxObjectFit\" src=\"\" alt=\"\" class=\"wp-image-2054\" style=\"width:221px;height:auto\"\/><figcaption class=\"wp-element-caption\">J\u2019ai imagin\u00e9 qu\u2019elle pourrait \u00eatre F\u00e9licia avec ses yeux couleur de mer, la mer qui \u00e9voque les paroles \u00e9crites par Pacheco, m\u00eame si on n\u2019a pas d\u2019enregistrement d\u2019une version chant\u00e9e. <\/figcaption><\/figure><\/div><\/div>\n                <div class=\"scrim\" style=\"background-color: #fff\" aria-hidden=\"true\"><\/div>\n        <\/div><\/figure><\/div>\n\n\n<blockquote class=\"wp-block-quote\">\n<p><em>All\u00e1 en la casta apartada<br>donde cantan las espumas<br>el misterio de las brumas<br>y los secretos del mar,<br>yo miraba los caprichos<br>ondulantes de las olas<br>llorando mi pena a solas:<br>mi consuelo era el mirar.<br><br>Desde entonces en mi frente<br>como un insondable enigma<br>llevo patente el estigma<br>de este infinito pesar.<br>Desde entonces en mis ojos<br>est\u00e1 la sombra grabada<br>de mi tarde desolada:<br>en mis ojos est\u00e1 el mar.<br><br>Ya no tendr\u00e9 nunca aquellos<br>tintes suaves de mi aurora<br>aunque quiz\u00e1s se atesora<br>toda su luz en mis ojos.<br>Ya nunca ver\u00e9 mis playas<br>ni aspirar\u00e9 de las lomas<br>los voluptuosos aromas<br>de mis flores uruguayas.<\/em><\/p>\n<cite><em>Enrique Saborido Letra Carlos Mauricio Pacheco<\/em><\/cite><\/blockquote>\n\n\n\n<cite translate=\"yes\">\n\n\n\n<p>J\u2019ai 65&nbsp;versions diff\u00e9rentes de ce titre et pas une n\u2019est chant\u00e9e. On se demande donc pourquoi il y a des paroles. C\u2019est sans doute qu\u2019elles ont \u00e9t\u00e9 jug\u00e9es un peu trop tristes et nostalgiques et pas en ad\u00e9quation avec la musique qui est plut\u00f4t entra\u00eenante dans la plupart des versions.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Le vibraphone et la harpe dans le tango<\/h2>\n\n\n\n<p>Sassone a utilis\u00e9 assez syst\u00e9matiquement la harpe et le vibraphone dans ses enregistrements des ann\u00e9es post\u00e9rieures \u00e0 1960. C\u2019est un peu sa signature, mais il n\u2019est pas le seul. Je vous invite \u00e0 identifier ces instruments dans les titres suivants. Amis danseurs, imaginez comment mettre en valeur ces \u00ab\u2009dings\u2009\u00bb et \u00ab\u2009bloings\u2009\u00bb.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Vida-mia-1934-07-11-Tito-Schipa-con-Orquesta-Osvaldo-Fresedo.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Vida m\u00eda 1934-07-11 \u2014 Tito Schipa con Orquesta Osvaldo Fresedo (Osvaldo Fresedo Letra: Emilio Augusto Oscar Fresedo). <\/figcaption><\/figure>\n\n\n\n<p>Il peut s\u2019agir d\u2019un autre orchestre, mais on entend clairement le vibraphone dans ce titre et pas dans la version de danse chant\u00e9e par Roberto Ray enregistr\u00e9e moins d\u2019un an avant, le 13 septembre 1939. Je pr\u00e9sente cette version pour illustrer mon propos, mais la voix cri\u00e9e de Schipa n\u2019est pas des plus agr\u00e9ables, contrairement \u00e0 la version formidable de Ray.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"276\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Fresedo-Vibraphone-et-Harpe.jpg\" alt=\"\" class=\"wp-image-2057\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Fresedo-Vibraphone-et-Harpe.jpg 1000w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Fresedo-Vibraphone-et-Harpe-624x172.jpg 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Fresedo-Vibraphone-et-Harpe-300x83.jpg 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Fresedo-Vibraphone-et-Harpe-768x212.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Orquesta Osvaldo Fresedo. \u00c0 gauche, on voit bien le vibraphone. \u00c0 droite, on voit bien la harpe. Le vibraphone est cach\u00e9 \u00e0 l&#8217;arri\u00e8re.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/El-vals-sonador-1942-04-29-Orquesta-Miguel-Calo-con-Raul-Beron.mp3\"><\/audio><figcaption class=\"wp-element-caption\">El vals so\u00f1ador 1942-04-29 \u2014 Orquesta Miguel Cal\u00f3 con Ra\u00fal Ber\u00f3n (Armando Pontier Letra Oscar Rubens). On entend par exemple le vibraphone \u00e0 6 et 22 secondes.<\/figcaption><\/figure>\n\n\n\n<p>Nina&nbsp;1955 \u2014 Florindo Sassone (compositeur Abraham).<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Nina Florindo Sassone 1955\" width=\"625\" height=\"352\" src=\"https:\/\/www.youtube.com\/embed\/lEXWJSV-7IY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Le vibraphone puis la harpe d\u00e9butent ce th\u00e8me (Nina&nbsp;1955 Florindo Sassone.<a href=\"https:\/\/youtu.be\/Be9MzXVHrHc?t=737\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\"> Extrait de \u00ab\u2009100 a\u00f1os de vibr\u00e1fono y su desarrollo en el Tango\u2009\u00bb de Gerardo Verdun<\/a> (vibraphoniste que je vous recommande si vous vous int\u00e9ressez \u00e0 cet instrument). <\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Nina-1971-Florindo-Sassone.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Nina 1971 \u2014 Florindo Sassone (compositeur Abraham), le m\u00eame th\u00e8me enregistr\u00e9 en 1971.<\/figcaption><\/figure>\n\n\n\n<p>Pour en savoir plus sur les instruments de musique du tango, vous pouvez consulter l\u2019excellent site&nbsp;: <a href=\"https:\/\/milongaophelia.wordpress.com\/category\/musique\/du-choix-raisonne-des-instruments-de-musique-en-tango-argentin\/\">Milongaophelia<\/a>. Il manque quelques instruments comme la scie musicale, l\u2019orgue Hammond, les ondes Martenot et \u00e9ventuellement l\u2019accord\u00e9on, mais leur panorama est d\u00e9j\u00e0 assez complet.<br>Comme danseur, vous pouvez vous entra\u00eener \u00e0 les reconna\u00eetre et les choisir pour dynamiser votre improvisation en passant d\u2019un instrument \u00e0 l\u2019autre au fur et \u00e0 mesure de leurs jeux de r\u00e9ponse.<br>Voici Florindo Sassone en repr\u00e9sentation au Teatro Col\u00f3n \u00e0 Buenos Aires, le 21&nbsp;juillet 1972. Vous pourrez entendre (difficilement, car le son n\u2019est pas g\u00e9nial)&nbsp;:<\/p>\n\n\n\n<ul>\n<li>(00:00) Organito de la Tarde (Castillo C\u00e1tulo (Ovidio C\u00e1tulo Castillo Gonz\u00e1lez) Letra&nbsp;: Jos\u00e9 Gonz\u00e1lez Castillo (Juan de Le\u00f3n). On retrouve l\u2019inspiration de Di Sarli dans cette interpr\u00e9tation.<\/li>\n\n\n\n<li>(02:26) Champagne tango (Manuel Ar\u00f3ztegui Letra: Pascual Contursi)<\/li>\n\n\n\n<li>(05:45) La cumparsita (Gerardo Matos Rodr\u00edguez Letra: Pascual Contursi)<\/li>\n\n\n\n<li>(08:53) Re Fa si (Enrique Delfino). On y entend bien la harpe et le vibraphone.<\/li>\n<\/ul>\n\n\n\n<p>Sur la vid\u00e9o on peut remarquer la harpe, le vibraphone, mais aussi les timbales, pas si courantes dans un orchestre de tango.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Florindo Sassone en repr\u00e9sentation au Teatro Col\u00f3n \u00e0 Buenos Aires, le 21 juillet 1972\" width=\"625\" height=\"469\" src=\"https:\/\/www.youtube.com\/embed\/yNNPFmO2xrE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Et pour en terminer avec le tango du jour, un tango assez original, car il s\u2019agit en fait d\u2019un morceau de musique classique fran\u00e7aise, de Georges Bizet (Les p\u00eacheurs de perles) qui a donn\u00e9 lieu \u00e0 diff\u00e9rentes versions par Sassone, donc celle que je vous offre ici, enregistr\u00e9e en 1974. Vous y entendrez la harpe et le vibraphone, nos h\u00e9ros du jour.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/La-cancion-de-los-pescadores-de-perlas-1974-Orquesta-Florindo-Sassone.mp3\"><\/audio><figcaption class=\"wp-element-caption\">La canci\u00f3n de los pescadores de perlas 1974 \u2014 Orquesta Florindo Sassone. <\/figcaption><\/figure>\n\n\n\n<p>Nous sommes \u00e0 pr\u00e9sent au bord de la mer, partageant les pens\u00e9es de Carlos Mauricio Pacheco, songeant \u00e0 son pays natal.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"562\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Carlos_Mauricio_Pacheco-2.jpg\" alt=\"\" class=\"wp-image-2053\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Carlos_Mauricio_Pacheco-2.jpg 1000w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Carlos_Mauricio_Pacheco-2-624x351.jpg 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Carlos_Mauricio_Pacheco-2-300x169.jpg 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/03\/Carlos_Mauricio_Pacheco-2-768x432.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Carlos Mauricio Pacheco, pensant \u00e0 son Uruguay natal en regardant les vagues. <\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Sondage<\/h2>\n\n\n\n<p>Ce titre peut \u00eatre consid\u00e9r\u00e9 comme un particulier \u00e0 danser. Vous pouvez donner votre avis en r\u00e9pondant \u00e0 ce sondage.<\/p>\n\n\n<div class=\"align crowdsignal-poll-wrapper\" data-crowdsignal-poll=\"{&quot;pollId&quot;:&quot;4116fcc0-bb2e-45e7-bfb8-63f8f73355f6&quot;,&quot;question&quot;:&quot;Trouvez-vous cette musique dansable ?&quot;,&quot;answers&quot;:[{&quot;text&quot;:&quot;Oui, je trouve que c'est un titre agr\\u00e9able \\u00e0 danser&quot;,&quot;answerId&quot;:&quot;568544de-5c74-4317-99a7-df107c9186ca&quot;},{&quot;text&quot;:&quot;Oui, mais ce n'est pas un titre g\\u00e9nial \\u00e0 danser&quot;,&quot;answerId&quot;:&quot;c8ed1e64-0110-435e-b4e5-86318b5f84e1&quot;},{&quot;text&quot;:&quot;Non, je pr\\u00e9f\\u00e8re ne pas danser ce titre&quot;,&quot;answerId&quot;:&quot;5f995cdb-8689-4ab8-b114-f2c7db7ede9b&quot;}],&quot;className&quot;:&quot;is-style-buttons&quot;,&quot;isMultipleChoice&quot;:false,&quot;note&quot;:&quot;&quot;,&quot;submitButtonLabel&quot;:&quot;Envoyer&quot;,&quot;confirmMessageType&quot;:&quot;results&quot;,&quot;borderWidth&quot;:2,&quot;borderRadius&quot;:0,&quot;hasBoxShadow&quot;:false,&quot;hasOneResponsePerComputer&quot;:false,&quot;randomizeAnswers&quot;:false,&quot;width&quot;:100,&quot;pollStatus&quot;:&quot;open&quot;,&quot;closedPollState&quot;:&quot;show-results&quot;,&quot;hideBranding&quot;:true,&quot;buttonAlignment&quot;:&quot;list&quot;,&quot;apiPollData&quot;:{&quot;id&quot;:13479932,&quot;question&quot;:&quot;Trouvez-vous cette musique dansable ?&quot;,&quot;note&quot;:&quot;&quot;,&quot;settings&quot;:{&quot;title&quot;:&quot;Trouvez-vous cette musique dansable ?&quot;,&quot;after_vote&quot;:&quot;results&quot;,&quot;after_message&quot;:&quot;&quot;,&quot;randomize_answers&quot;:false,&quot;restrict_vote_repeat&quot;:false,&quot;captcha&quot;:false,&quot;multiple_choice&quot;:false,&quot;redirect_url&quot;:&quot;&quot;,&quot;close_status&quot;:&quot;open&quot;,&quot;close_after&quot;:11587770646},&quot;answers&quot;:[{&quot;answer_text&quot;:&quot;Oui, je trouve que c'est un titre agr\\u00e9able \\u00e0 danser&quot;,&quot;id&quot;:60291191,&quot;client_id&quot;:&quot;568544de-5c74-4317-99a7-df107c9186ca&quot;},{&quot;answer_text&quot;:&quot;Oui, mais ce n'est pas un titre g\\u00e9nial \\u00e0 danser&quot;,&quot;id&quot;:60291192,&quot;client_id&quot;:&quot;c8ed1e64-0110-435e-b4e5-86318b5f84e1&quot;},{&quot;answer_text&quot;:&quot;Non, je pr\\u00e9f\\u00e8re ne pas danser ce titre&quot;,&quot;id&quot;:60291193,&quot;client_id&quot;:&quot;5f995cdb-8689-4ab8-b114-f2c7db7ede9b&quot;}],&quot;source_link&quot;:&quot;https:\\\/\\\/dj-byc.com\\\/WP&quot;,&quot;client_id&quot;:&quot;4116fcc0-bb2e-45e7-bfb8-63f8f73355f6&quot;}}\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Felicia est un tango abondamment enregistr\u00e9. La version d\u2019aujourd\u2019hui est un peu plus rare en milonga, car la sonorit\u00e9 particuli\u00e8re de Sassone n\u2019est pas recherch\u00e9e par tous les danseurs. Il a r\u00e9alis\u00e9 cet enregistrement le 11\u00a0mars 1966, il y a 58\u00a0ans.<\/p>\n<div class='heateor_sss_sharing_container heateor_sss_vertical_sharing heateor_sss_bottom_sharing' style='width:28px;left: -10px;top: 100px;-webkit-box-shadow:none;box-shadow:none;' data-heateor-sss-href='https:\/\/dj-byc.com\/WP\/wp-json\/wp\/v2\/posts\/2044?simply_static_page=316133'><div class=\"heateor_sss_sharing_ul\"><a style=\"font-size:32px!important;box-shadow: none;display: inline-block!important;font-size: 16px;padding: 0 4px;vertical-align: middle;display:inline;\" class=\"heateorSssSharingRound\"><span class=\"heateor_sss_square_count\">&nbsp;<\/span><div style=\"width:24px;height:24px;border-radius:999px;margin-bottom:9px !important;\" title=\"Total Shares\" class=\"heateorSssSharing heateorSssTCBackground\"><\/div><\/a><a aria-label=\"Facebook\" class=\"heateor_sss_facebook\" 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