{"id":2547,"date":"2024-04-02T00:01:00","date_gmt":"2024-04-02T03:01:00","guid":{"rendered":"https:\/\/dj-byc.com\/WP\/?p=2547"},"modified":"2024-04-01T19:18:09","modified_gmt":"2024-04-01T22:18:09","slug":"el-adios-1938-04-02","status":"publish","type":"post","link":"https:\/\/dj-byc.com\/WP\/el-adios-1938-04-02\/","title":{"rendered":"El adi\u00f3s 1938-04-02\u2009\u2013\u2009Orquesta Edgardo Donato con Horacio Lagos"},"content":{"rendered":"<div class='watch-action'><div class='watch-position align-left'><div class='action-like'><a class='lbg-style1 like-2547 jlk' href='javascript:void(0)' data-task='like' data-post_id='2547' data-nonce='e6e2317e6c' rel='nofollow'><img class='wti-pixel' src='https:\/\/dj-byc.com\/WP\/wp-content\/plugins\/wti-like-post\/images\/pixel.gif' title='comme' \/><span class='lc-2547 lc'>+3<\/span><\/a><\/div><\/div> <div class='status-2547 status align-left'><\/div><\/div><div class='wti-clear'><\/div>\n<h2 class=\"wp-block-heading\">Maruja Pacheco Huergo (Mar\u00eda Esther Pacheco Huergo) Letra: Virgilio San Clemente<\/h2>\n\n\n\n<p><em>Plus de 200&nbsp;tangos ont dans leur titre le mot \u00ab<\/em><em>\u2009<\/em><em>Adios<\/em><em>\u2009<\/em><em>\u00bb. <\/em><em>C\u2019est donc un th\u00e8me fort du tango, mais la composition \u00e9crite par Maruja Pacheco Huergo est de loin la plus c\u00e9l\u00e8bre. <\/em><em>Je vous propose, la version qui est consid\u00e9r\u00e9e comme la plus belle, celle de Donato avec Lagos qui f\u00eate aujourd\u2019hui ses 86&nbsp;ans.<\/em><\/p>\n\n\n\n<figure data-wp-context=\"{ &quot;core&quot;:\n\t\t\t\t{ &quot;image&quot;:\n\t\t\t\t\t{   &quot;imageLoaded&quot;: false,\n\t\t\t\t\t\t&quot;initialized&quot;: false,\n\t\t\t\t\t\t&quot;lightboxEnabled&quot;: false,\n\t\t\t\t\t\t&quot;hideAnimationEnabled&quot;: false,\n\t\t\t\t\t\t&quot;preloadInitialized&quot;: false,\n\t\t\t\t\t\t&quot;lightboxAnimation&quot;: &quot;zoom&quot;,\n\t\t\t\t\t\t&quot;imageUploadedSrc&quot;: &quot;https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Edgardo-Lita-y-Horacio.jpg&quot;,\n\t\t\t\t\t\t&quot;imageCurrentSrc&quot;: &quot;&quot;,\n\t\t\t\t\t\t&quot;targetWidth&quot;: &quot;1200&quot;,\n\t\t\t\t\t\t&quot;targetHeight&quot;: &quot;766&quot;,\n\t\t\t\t\t\t&quot;scaleAttr&quot;: &quot;&quot;,\n\t\t\t\t\t\t&quot;dialogLabel&quot;: &quot;Image agrandie&quot;\n\t\t\t\t\t}\n\t\t\t\t}\n\t\t\t}\" data-wp-interactive class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"654\" data-wp-effect--setStylesOnResize=\"effects.core.image.setStylesOnResize\" data-wp-effect=\"effects.core.image.setButtonStyles\" data-wp-init=\"effects.core.image.initOriginImage\" data-wp-on--click=\"actions.core.image.showLightbox\" data-wp-on--load=\"actions.core.image.handleLoad\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Edgardo-Lita-y-Horacio-1024x654.jpg\" alt=\"\" class=\"wp-image-2551\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Edgardo-Lita-y-Horacio-1024x654.jpg 1024w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Edgardo-Lita-y-Horacio-624x398.jpg 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Edgardo-Lita-y-Horacio-300x192.jpg 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Edgardo-Lita-y-Horacio-768x490.jpg 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Edgardo-Lita-y-Horacio.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Agrandir l\u2018image\"\n\t\t\tdata-wp-on--click=\"actions.core.image.showLightbox\"\n\t\t\tdata-wp-style--right=\"context.core.image.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"context.core.image.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Au centre Edgardo Donato et \u00e0 droite Horacio Lagos que regarde avec attention, Lita Morales.<\/figcaption>        <div data-wp-body=\"\" class=\"wp-lightbox-overlay zoom\"\n            data-wp-bind--role=\"selectors.core.image.roleAttribute\"\n            data-wp-bind--aria-label=\"selectors.core.image.dialogLabel\"\n            data-wp-class--initialized=\"context.core.image.initialized\"\n            data-wp-class--active=\"context.core.image.lightboxEnabled\"\n            data-wp-class--hideAnimationEnabled=\"context.core.image.hideAnimationEnabled\"\n            data-wp-bind--aria-modal=\"selectors.core.image.ariaModal\"\n            data-wp-effect=\"effects.core.image.initLightbox\"\n            data-wp-on--keydown=\"actions.core.image.handleKeydown\"\n            data-wp-on--touchstart=\"actions.core.image.handleTouchStart\"\n            data-wp-on--touchmove=\"actions.core.image.handleTouchMove\"\n            data-wp-on--touchend=\"actions.core.image.handleTouchEnd\"\n            data-wp-on--click=\"actions.core.image.hideLightbox\"\n            tabindex=\"-1\"\n            >\n                <button type=\"button\" aria-label=\"Fermer\" style=\"fill: #000\" class=\"close-button\" data-wp-on--click=\"actions.core.image.hideLightbox\">\n                    <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" width=\"20\" height=\"20\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M13 11.8l6.1-6.3-1-1-6.1 6.2-6.1-6.2-1 1 6.1 6.3-6.5 6.7 1 1 6.5-6.6 6.5 6.6 1-1z\"><\/path><\/svg>\n                <\/button>\n                <div class=\"lightbox-image-container\">\n<figure class=\"wp-block-image size-large responsive-image\"><img decoding=\"async\" data-wp-bind--src=\"context.core.image.imageCurrentSrc\" data-wp-style--object-fit=\"selectors.core.image.lightboxObjectFit\" src=\"\" alt=\"\" class=\"wp-image-2551\"\/><figcaption class=\"wp-element-caption\">Au centre Edgardo Donato et \u00e0 droite Horacio Lagos que regarde avec attention, Lita Morales.<\/figcaption><\/figure>\n<\/div>\n                <div class=\"lightbox-image-container\">\n<figure class=\"wp-block-image size-large enlarged-image\"><img decoding=\"async\" data-wp-bind--src=\"selectors.core.image.enlargedImgSrc\" data-wp-style--object-fit=\"selectors.core.image.lightboxObjectFit\" src=\"\" alt=\"\" class=\"wp-image-2551\"\/><figcaption class=\"wp-element-caption\">Au centre Edgardo Donato et \u00e0 droite Horacio Lagos que regarde avec attention, Lita Morales.<\/figcaption><\/figure>\n<\/div>\n                <div class=\"scrim\" style=\"background-color: #fff\" aria-hidden=\"true\"><\/div>\n        <\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Il y a adi\u00f3s et adi\u00f3s<\/h2>\n\n\n\n<p>Il y a environ 200\u00a0tangos avec <strong>adi\u00f3s<\/strong> dans le titre dont on a au moins un enregistrement et il faut rajouter une dizaine de valses et m\u00eame une milonga.<br>Cependant, tous les adi\u00f3s ne sont pas similaires.<br>Contrairement au fran\u00e7ais, <strong>adi\u00f3s<\/strong> n\u2019a pas la connotation d\u00e9finitive de l\u2019<strong>adieu<\/strong>. En fran\u00e7ais, on dit surtout Adieu quand on ne compte plus se revoir, ou seulement en pr\u00e9sence de Dieu (\u00c0 Dieu), apr\u00e8s la r\u00e9surrection.<br>Pour les Argentins, ce n\u2019est pas le cas. C\u2019est un synonyme complet d\u2019<strong>au revoir<\/strong> et il s\u2019emploie donc de la m\u00eame fa\u00e7on. Un Argentin qui vous dit adieu a l\u2019intention de vous revoir, il vous recommande juste \u00ab\u2009\u00e0 Dieu\u2009\u00bb, c\u2019est-\u00e0-dire qu\u2019il vous souhaite d\u2019aller bien pendant le temps de la s\u00e9paration.<br>Cependant, en Argentine \u00e9galement, le terme adi\u00f3s a une signification d\u00e9finitive. On l\u2019utilise \u00e9galement pour quitter un d\u00e9funt, tout comme en France.<br>Dans le petit monde du tango, il est fr\u00e9quent que l\u2019on honore un d\u00e9funt en lui faisant un adieu musical. Parmi les titres c\u00e9l\u00e8bres dans ce sens, on a <strong><em>A Magaldi<\/em><\/strong>, cette valse d\u2019adieu \u00e0 <strong><em>Agust\u00edn Magaldi<\/em><\/strong>, compos\u00e9e par Carlos Dante et Pedro Noda et dont les paroles sont de Juan Bernardo Tiggi. On conna\u00eet les merveilleuses versions chant\u00e9es justement par Carlos Dante, notamment celle de 1947, 9\u00a0ans apr\u00e8s la mort d\u2019Agust\u00edn qui lui-m\u00eame avait chant\u00e9 pour la mort de Gardel peu d\u2019ann\u00e9es auparavant. Nous en reparlerons le 21\u00a0octobre\u2026<\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\"><em>Note\u00a0: El adi\u00f3s, porte un S \u00e0 la fin, car c\u2019est \u00ab\u2009\u00c0 Dieu\u2009\u00bb (adieu), Dieu se dit \u00ab\u2009Di\u00f3s\u2009\u00bb en espagnol, ce n\u2019est pas un S du pluriel. Comme DJ, combien de fois ai-je entendu nommer ce titre \u00ab\u2009El adio\u2009\u00bb\u2026<\/em><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Maruja Pacheco Huergo<\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure data-wp-context=\"{ &quot;core&quot;:\n\t\t\t\t{ &quot;image&quot;:\n\t\t\t\t\t{   &quot;imageLoaded&quot;: false,\n\t\t\t\t\t\t&quot;initialized&quot;: false,\n\t\t\t\t\t\t&quot;lightboxEnabled&quot;: false,\n\t\t\t\t\t\t&quot;hideAnimationEnabled&quot;: false,\n\t\t\t\t\t\t&quot;preloadInitialized&quot;: false,\n\t\t\t\t\t\t&quot;lightboxAnimation&quot;: &quot;zoom&quot;,\n\t\t\t\t\t\t&quot;imageUploadedSrc&quot;: &quot;https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Maruja-Pacheco-Huergo.png&quot;,\n\t\t\t\t\t\t&quot;imageCurrentSrc&quot;: &quot;&quot;,\n\t\t\t\t\t\t&quot;targetWidth&quot;: &quot;613&quot;,\n\t\t\t\t\t\t&quot;targetHeight&quot;: &quot;1021&quot;,\n\t\t\t\t\t\t&quot;scaleAttr&quot;: &quot;&quot;,\n\t\t\t\t\t\t&quot;dialogLabel&quot;: &quot;Image agrandie&quot;\n\t\t\t\t\t}\n\t\t\t\t}\n\t\t\t}\" data-wp-interactive class=\"aligncenter size-full is-resized wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"613\" height=\"1021\" data-wp-effect--setStylesOnResize=\"effects.core.image.setStylesOnResize\" data-wp-effect=\"effects.core.image.setButtonStyles\" data-wp-init=\"effects.core.image.initOriginImage\" data-wp-on--click=\"actions.core.image.showLightbox\" data-wp-on--load=\"actions.core.image.handleLoad\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Maruja-Pacheco-Huergo.png\" alt=\"\" class=\"wp-image-2555\" style=\"width:199px;height:auto\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Maruja-Pacheco-Huergo.png 613w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Maruja-Pacheco-Huergo-180x300.png 180w\" sizes=\"(max-width: 613px) 100vw, 613px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Agrandir l\u2018image\"\n\t\t\tdata-wp-on--click=\"actions.core.image.showLightbox\"\n\t\t\tdata-wp-style--right=\"context.core.image.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"context.core.image.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Maruja (Mar\u00eda Esther) Pacheco Huergo (3 avril 1916 &#8211; 2 septembre 1983)<\/figcaption>        <div data-wp-body=\"\" class=\"wp-lightbox-overlay zoom\"\n            data-wp-bind--role=\"selectors.core.image.roleAttribute\"\n            data-wp-bind--aria-label=\"selectors.core.image.dialogLabel\"\n            data-wp-class--initialized=\"context.core.image.initialized\"\n            data-wp-class--active=\"context.core.image.lightboxEnabled\"\n            data-wp-class--hideAnimationEnabled=\"context.core.image.hideAnimationEnabled\"\n            data-wp-bind--aria-modal=\"selectors.core.image.ariaModal\"\n            data-wp-effect=\"effects.core.image.initLightbox\"\n            data-wp-on--keydown=\"actions.core.image.handleKeydown\"\n            data-wp-on--touchstart=\"actions.core.image.handleTouchStart\"\n            data-wp-on--touchmove=\"actions.core.image.handleTouchMove\"\n            data-wp-on--touchend=\"actions.core.image.handleTouchEnd\"\n            data-wp-on--click=\"actions.core.image.hideLightbox\"\n            tabindex=\"-1\"\n            >\n                <button type=\"button\" aria-label=\"Fermer\" style=\"fill: #000\" class=\"close-button\" data-wp-on--click=\"actions.core.image.hideLightbox\">\n                    <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" width=\"20\" height=\"20\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M13 11.8l6.1-6.3-1-1-6.1 6.2-6.1-6.2-1 1 6.1 6.3-6.5 6.7 1 1 6.5-6.6 6.5 6.6 1-1z\"><\/path><\/svg>\n                <\/button>\n                <div class=\"lightbox-image-container\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized responsive-image\"><img decoding=\"async\" data-wp-bind--src=\"context.core.image.imageCurrentSrc\" data-wp-style--object-fit=\"selectors.core.image.lightboxObjectFit\" src=\"\" alt=\"\" class=\"wp-image-2555\" style=\"width:199px;height:auto\"\/><figcaption class=\"wp-element-caption\">Maruja (Mar\u00eda Esther) Pacheco Huergo (3 avril 1916 &#8211; 2 septembre 1983)<\/figcaption><\/figure><\/div><\/div>\n                <div class=\"lightbox-image-container\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized enlarged-image\"><img decoding=\"async\" data-wp-bind--src=\"selectors.core.image.enlargedImgSrc\" data-wp-style--object-fit=\"selectors.core.image.lightboxObjectFit\" src=\"\" alt=\"\" class=\"wp-image-2555\" style=\"width:199px;height:auto\"\/><figcaption class=\"wp-element-caption\">Maruja (Mar\u00eda Esther) Pacheco Huergo (3 avril 1916 &#8211; 2 septembre 1983)<\/figcaption><\/figure><\/div><\/div>\n                <div class=\"scrim\" style=\"background-color: #fff\" aria-hidden=\"true\"><\/div>\n        <\/div><\/figure><\/div>\n\n\n<p>Maruja (Mar\u00eda Esther) Pacheco Huergo (3\u00a0avril 1916 &#8211; 2\u00a0septembre 1983) \u00e9tait pianiste, compositrice et paroli\u00e8re, mais \u00e9galement auteure (notamment de po\u00e8mes et sc\u00e9narios), actrice et professeur de musique et de chant.<br>Elle a compos\u00e9 plus de 600\u00a0th\u00e8mes, pas tous des tangos, mais parmi ses cr\u00e9ations dont nous avons une trace enregistr\u00e9e dans notre domaine qu\u2019est le tango, on pourrait citer les titres suivants\u00a0:<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Comme auteure et compositrice&nbsp;:<\/h3>\n\n\n\n<p><strong><em>Sinfon\u00eda de arrabal<\/em><\/strong>, (paroles et musique) c\u00e9l\u00e8bre par le m\u00eame chef d\u2019orchestre que El Adios, notre tango du jour avec le trio enchanteur de <strong><em>Horacio Lagos<\/em><\/strong>, <strong><em>Lita Morales<\/em><\/strong> et <strong><em>Romeo Gavioli<\/em><\/strong>.<br><strong><em>Cuando silba el viento<\/em><\/strong> une habanera dont elle a \u00e9galement \u00e9crit, paroles et musique.<br><strong><em>Lejan\u00eda<\/em><\/strong> (une chanson qu\u2019a chant\u00e9e Corsini), <strong><em>Oro y Azul<\/em><\/strong>, <strong><em>El\u00a0Silencio<\/em><\/strong>, <strong><em>Con sabor a tierra<\/em><\/strong><em>, <strong>Nenucha<\/strong><\/em> et environ 500\u00a0autres titres que vous me pardonnerez de ne pas lister ici, mais ce ne sont pas non plus des tangos<strong>.<\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Comme compositrice<\/h3>\n\n\n\n<p><strong>Canto de ausencia <\/strong>mise en musique d\u2019un texte d\u2019Homero Manzi<br><strong><em>Don Naides<\/em><\/strong> avec des paroles de <strong><em>Venancio Clauso<\/em><\/strong><br><strong><em>Gardenias<\/em><\/strong><em> <\/em>avec des paroles de <strong><em>Manuel Enrique Ferrad\u00e1s Campos <\/em><\/strong>(son mari)<br><strong><em>Milonga del aguatero<\/em><\/strong> et <strong><em>Cancionero porte\u00f1o del siglo XIX<\/em><\/strong> avec des paroles d\u2019<strong><em>Eros Nicola Siri<\/em><\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Comme paroli\u00e8re<\/h3>\n\n\n\n<p>Sur des musiques de <strong><em>Donato<\/em><\/strong>, elle a \u00e9crit les paroles d\u2019<strong><em>Alas rotas<\/em><\/strong>, <strong><em>Para qu\u00e9<\/em><\/strong>, <strong><em>L\u00e1grimas<\/em><\/strong> et <strong><em>Triqui tra<\/em><\/strong>.<br>Ses 600\u00a0compositions lui valent d\u2019\u00eatre inhum\u00e9e au panth\u00e9on SADAIC (soci\u00e9t\u00e9 des auteurs et compositeurs argentins) du cimeti\u00e8re de la Chacarita (Buenos Aires).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Virgilio San Clemente<\/h2>\n\n\n\n<p><strong><em>Virgilio San Clemente<\/em><\/strong> est surtout un po\u00e8te. On lui doit cependant les paroles de <strong><em>El adios<\/em><\/strong>, et de quelques autres titres, comme la jolie valse Viejo jard\u00edn et sans doute Dulce amargura (mais il y a un doute, car il est mentionn\u00e9 tant\u00f4t comme compositeur ou comme parolier). Comme il m\u2019est impossible de d\u00e9partager les deux possibilit\u00e9s, voici o\u00f9 j\u2019en suis de l\u2019investigation\u2026<\/p>\n\n\n\n<figure data-wp-context=\"{ &quot;core&quot;:\n\t\t\t\t{ &quot;image&quot;:\n\t\t\t\t\t{   &quot;imageLoaded&quot;: false,\n\t\t\t\t\t\t&quot;initialized&quot;: false,\n\t\t\t\t\t\t&quot;lightboxEnabled&quot;: false,\n\t\t\t\t\t\t&quot;hideAnimationEnabled&quot;: false,\n\t\t\t\t\t\t&quot;preloadInitialized&quot;: false,\n\t\t\t\t\t\t&quot;lightboxAnimation&quot;: &quot;zoom&quot;,\n\t\t\t\t\t\t&quot;imageUploadedSrc&quot;: &quot;https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Dulce-Amargura-QUIEN.jpg&quot;,\n\t\t\t\t\t\t&quot;imageCurrentSrc&quot;: &quot;&quot;,\n\t\t\t\t\t\t&quot;targetWidth&quot;: &quot;1200&quot;,\n\t\t\t\t\t\t&quot;targetHeight&quot;: &quot;265&quot;,\n\t\t\t\t\t\t&quot;scaleAttr&quot;: &quot;&quot;,\n\t\t\t\t\t\t&quot;dialogLabel&quot;: &quot;Image agrandie&quot;\n\t\t\t\t\t}\n\t\t\t\t}\n\t\t\t}\" data-wp-interactive class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"226\" data-wp-effect--setStylesOnResize=\"effects.core.image.setStylesOnResize\" data-wp-effect=\"effects.core.image.setButtonStyles\" data-wp-init=\"effects.core.image.initOriginImage\" data-wp-on--click=\"actions.core.image.showLightbox\" data-wp-on--load=\"actions.core.image.handleLoad\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Dulce-Amargura-QUIEN-1024x226.jpg\" alt=\"\" class=\"wp-image-2557\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Dulce-Amargura-QUIEN-1024x226.jpg 1024w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Dulce-Amargura-QUIEN-624x138.jpg 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Dulce-Amargura-QUIEN-300x66.jpg 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Dulce-Amargura-QUIEN-768x170.jpg 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Dulce-Amargura-QUIEN.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Agrandir l\u2018image\"\n\t\t\tdata-wp-on--click=\"actions.core.image.showLightbox\"\n\t\t\tdata-wp-style--right=\"context.core.image.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"context.core.image.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Il n\u2019est pas toujours facile de s\u2019y retrouver. Ici, Dulce amargura sur trois disques de Fresedo, Nano Rodrigo et Ignacio Corsini. Sur seulement deux des trois, Virgilio San Clemente est mentionn\u00e9.<\/figcaption>        <div data-wp-body=\"\" class=\"wp-lightbox-overlay zoom\"\n            data-wp-bind--role=\"selectors.core.image.roleAttribute\"\n            data-wp-bind--aria-label=\"selectors.core.image.dialogLabel\"\n            data-wp-class--initialized=\"context.core.image.initialized\"\n            data-wp-class--active=\"context.core.image.lightboxEnabled\"\n            data-wp-class--hideAnimationEnabled=\"context.core.image.hideAnimationEnabled\"\n            data-wp-bind--aria-modal=\"selectors.core.image.ariaModal\"\n            data-wp-effect=\"effects.core.image.initLightbox\"\n            data-wp-on--keydown=\"actions.core.image.handleKeydown\"\n            data-wp-on--touchstart=\"actions.core.image.handleTouchStart\"\n            data-wp-on--touchmove=\"actions.core.image.handleTouchMove\"\n            data-wp-on--touchend=\"actions.core.image.handleTouchEnd\"\n            data-wp-on--click=\"actions.core.image.hideLightbox\"\n            tabindex=\"-1\"\n            >\n                <button type=\"button\" aria-label=\"Fermer\" style=\"fill: #000\" class=\"close-button\" data-wp-on--click=\"actions.core.image.hideLightbox\">\n                    <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" width=\"20\" height=\"20\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M13 11.8l6.1-6.3-1-1-6.1 6.2-6.1-6.2-1 1 6.1 6.3-6.5 6.7 1 1 6.5-6.6 6.5 6.6 1-1z\"><\/path><\/svg>\n                <\/button>\n                <div class=\"lightbox-image-container\">\n<figure class=\"wp-block-image size-large responsive-image\"><img decoding=\"async\" data-wp-bind--src=\"context.core.image.imageCurrentSrc\" data-wp-style--object-fit=\"selectors.core.image.lightboxObjectFit\" src=\"\" alt=\"\" class=\"wp-image-2557\"\/><figcaption class=\"wp-element-caption\">Il n\u2019est pas toujours facile de s\u2019y retrouver. Ici, Dulce amargura sur trois disques de Fresedo, Nano Rodrigo et Ignacio Corsini. Sur seulement deux des trois, Virgilio San Clemente est mentionn\u00e9.<\/figcaption><\/figure>\n<\/div>\n                <div class=\"lightbox-image-container\">\n<figure class=\"wp-block-image size-large enlarged-image\"><img decoding=\"async\" data-wp-bind--src=\"selectors.core.image.enlargedImgSrc\" data-wp-style--object-fit=\"selectors.core.image.lightboxObjectFit\" src=\"\" alt=\"\" class=\"wp-image-2557\"\/><figcaption class=\"wp-element-caption\">Il n\u2019est pas toujours facile de s\u2019y retrouver. Ici, Dulce amargura sur trois disques de Fresedo, Nano Rodrigo et Ignacio Corsini. Sur seulement deux des trois, Virgilio San Clemente est mentionn\u00e9.<\/figcaption><\/figure>\n<\/div>\n                <div class=\"scrim\" style=\"background-color: #fff\" aria-hidden=\"true\"><\/div>\n        <\/div><\/figure>\n\n\n\n<p>Sur le disque de gauche, Fresedo (1938), Virgilio San Clemente est indiqu\u00e9 comme compositeur. Sur celui du milieu, Nano Rodrigo (1940), ce sont Torres et Alperi et sur celui de droite qui est une r\u00e9\u00e9dition en vinyle de l\u2019enregistrement de 1938 de Corsini, il y a bien les trois noms, mais sans distinction de fonction.<br>En r\u00e9sum\u00e9, si Virgilio \u00e9tait po\u00e8te, il a peut-\u00eatre compos\u00e9 un tango et \u00e0 assur\u00e9ment \u00e9crit les paroles d\u2019autres.<br>Torres et Alperi ne sont pas des compositeurs connus, on ne peut pas lever le doute sur la composition de ce titre tant que l\u2019on n\u2019a pas la partition originale que je n\u2019ai pas encore trouv\u00e9e.<br>En attendant, je penche plut\u00f4t du c\u00f4t\u00e9 o\u00f9 San Clemente s\u2019est cantonn\u00e9 aux paroles pour Dulce Amargura. Les deux \u0153uvres sont \u00e9crites de fa\u00e7on comparable, en trois parties et avec des rimes approximatives, mais devinables. Viejo jard\u00edn est diff\u00e9rent, il y a plus de couplets, mais les rimes sont \u00e9galement tr\u00e8s approximatives. Ces indices, tr\u00e8s l\u00e9gers n\u2019invalident pas la possibilit\u00e9 qu\u2019il soit l\u2019auteur des trois textes.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Extrait musical<\/h2>\n\n\n\n<figure data-wp-context=\"{ &quot;core&quot;:\n\t\t\t\t{ &quot;image&quot;:\n\t\t\t\t\t{   &quot;imageLoaded&quot;: false,\n\t\t\t\t\t\t&quot;initialized&quot;: false,\n\t\t\t\t\t\t&quot;lightboxEnabled&quot;: false,\n\t\t\t\t\t\t&quot;hideAnimationEnabled&quot;: false,\n\t\t\t\t\t\t&quot;preloadInitialized&quot;: false,\n\t\t\t\t\t\t&quot;lightboxAnimation&quot;: &quot;zoom&quot;,\n\t\t\t\t\t\t&quot;imageUploadedSrc&quot;: &quot;https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/el_adios.jpg&quot;,\n\t\t\t\t\t\t&quot;imageCurrentSrc&quot;: &quot;&quot;,\n\t\t\t\t\t\t&quot;targetWidth&quot;: &quot;1200&quot;,\n\t\t\t\t\t\t&quot;targetHeight&quot;: &quot;553&quot;,\n\t\t\t\t\t\t&quot;scaleAttr&quot;: &quot;&quot;,\n\t\t\t\t\t\t&quot;dialogLabel&quot;: &quot;Image agrandie&quot;\n\t\t\t\t\t}\n\t\t\t\t}\n\t\t\t}\" data-wp-interactive class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"472\" data-wp-effect--setStylesOnResize=\"effects.core.image.setStylesOnResize\" data-wp-effect=\"effects.core.image.setButtonStyles\" data-wp-init=\"effects.core.image.initOriginImage\" data-wp-on--click=\"actions.core.image.showLightbox\" data-wp-on--load=\"actions.core.image.handleLoad\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/el_adios-1024x472.jpg\" alt=\"\" class=\"wp-image-2554\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/el_adios-1024x472.jpg 1024w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/el_adios-624x288.jpg 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/el_adios-300x138.jpg 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/el_adios-768x354.jpg 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/el_adios.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Agrandir l\u2018image\"\n\t\t\tdata-wp-on--click=\"actions.core.image.showLightbox\"\n\t\t\tdata-wp-style--right=\"context.core.image.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"context.core.image.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">La partition, mentionnant Ignacio Corsini qui a \u00e9trenn\u00e9 le tango.<\/figcaption>        <div data-wp-body=\"\" class=\"wp-lightbox-overlay zoom\"\n            data-wp-bind--role=\"selectors.core.image.roleAttribute\"\n            data-wp-bind--aria-label=\"selectors.core.image.dialogLabel\"\n            data-wp-class--initialized=\"context.core.image.initialized\"\n            data-wp-class--active=\"context.core.image.lightboxEnabled\"\n            data-wp-class--hideAnimationEnabled=\"context.core.image.hideAnimationEnabled\"\n            data-wp-bind--aria-modal=\"selectors.core.image.ariaModal\"\n            data-wp-effect=\"effects.core.image.initLightbox\"\n            data-wp-on--keydown=\"actions.core.image.handleKeydown\"\n            data-wp-on--touchstart=\"actions.core.image.handleTouchStart\"\n            data-wp-on--touchmove=\"actions.core.image.handleTouchMove\"\n            data-wp-on--touchend=\"actions.core.image.handleTouchEnd\"\n            data-wp-on--click=\"actions.core.image.hideLightbox\"\n            tabindex=\"-1\"\n            >\n                <button type=\"button\" aria-label=\"Fermer\" style=\"fill: #000\" class=\"close-button\" data-wp-on--click=\"actions.core.image.hideLightbox\">\n                    <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" width=\"20\" height=\"20\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M13 11.8l6.1-6.3-1-1-6.1 6.2-6.1-6.2-1 1 6.1 6.3-6.5 6.7 1 1 6.5-6.6 6.5 6.6 1-1z\"><\/path><\/svg>\n                <\/button>\n                <div class=\"lightbox-image-container\">\n<figure class=\"wp-block-image size-large responsive-image\"><img decoding=\"async\" data-wp-bind--src=\"context.core.image.imageCurrentSrc\" data-wp-style--object-fit=\"selectors.core.image.lightboxObjectFit\" src=\"\" alt=\"\" class=\"wp-image-2554\"\/><figcaption class=\"wp-element-caption\">La partition, mentionnant Ignacio Corsini qui a \u00e9trenn\u00e9 le tango.<\/figcaption><\/figure>\n<\/div>\n                <div class=\"lightbox-image-container\">\n<figure class=\"wp-block-image size-large enlarged-image\"><img decoding=\"async\" data-wp-bind--src=\"selectors.core.image.enlargedImgSrc\" data-wp-style--object-fit=\"selectors.core.image.lightboxObjectFit\" src=\"\" alt=\"\" class=\"wp-image-2554\"\/><figcaption class=\"wp-element-caption\">La partition, mentionnant Ignacio Corsini qui a \u00e9trenn\u00e9 le tango.<\/figcaption><\/figure>\n<\/div>\n                <div class=\"scrim\" style=\"background-color: #fff\" aria-hidden=\"true\"><\/div>\n        <\/div><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/El-adios-1938-04-02-Orquesta-Edgardo-Donato-con-Horacio-Lagos.mp3\"><\/audio><figcaption class=\"wp-element-caption\">El adi\u00f3s 1938-04-02 \u2014 Orquesta Edgardo Donato con Horacio Lagos. <\/figcaption><\/figure>\n\n\n\n<p>Les cordes sont tr\u00e8s pr\u00e9sentes dans cette version, en legati des violons et en pizzicati. Quelques accents des bandon\u00e9ons. Le piano chante \u00e9galement sa partie \u00e0 tour de r\u00f4le jusqu\u2019\u00e0 \u00e0 1 :42 entre en sc\u00e8ne Lagos qui ne chante que tr\u00e8s bri\u00e8vement, seulement le premier couplet. Il explique le th\u00e8me et laisse la parole aux instruments pour les 55 derni\u00e8res secondes.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Les paroles<\/h2>\n\n\n\n<cite translate=\"no\">\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-blue-color\">En la tarde que en sombras se mor\u00eda,<br>buenamente nos dimos el adi\u00f3s\u2009;<br>mi tristeza profunda no ve\u00edas<br>y al marcharte sonre\u00edamos los dos.<br>Y la desolaci\u00f3n, mir\u00e1ndote <\/mark>al<mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-blue-color\"> partir,<br>quebraba de emoci\u00f3n mi pobre voz\u2026<br>El sue\u00f1o m\u00e1s feliz, mor\u00eda en el adi\u00f3s<br>y el cielo para m\u00ed se obscureci\u00f3.<\/mark><br>En vano el alma<br>con voz velada<br>volc\u00f3 en la noche la pena\u2026<br>S\u00f3lo un silencio<br>profundo y grave<br>lloraba en mi coraz\u00f3n.<\/strong><\/p>\n\n\n\n<p><strong><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff0000\" class=\"has-inline-color\">Sobre el tiempo transcurrido<br>vives siempre en m\u00ed,<br>y estos campos que nos vieron<br>juntos sonre\u00edr<br>me preguntan si el olvido<br>me cur\u00f3 de ti.<br>Y entre los vientos<br>se van mis quejas<br>muriendo en ecos,<br>busc\u00e1ndote\u2026<br>mientras que lejos<br>otros brazos y otros besos<br>te aprisionan y me dicen<br>que ya nunca has de volver.<\/mark><\/strong><\/p>\n\n\n\n<p>Cuando vuelva a lucir la primavera,<br>y los campos se pinten de color,<br>otra vez el dolor y los recuerdos<br>de nostalgias llenar\u00e1n mi coraz\u00f3n.<br>Las aves poblar\u00e1n de trinos el lugar<br>y el cielo volcar\u00e1 su claridad\u2026<br>Pero mi coraz\u00f3n en sombras vivir\u00e1<br>y el ala del dolor te llamar\u00e1.<br>En vano el alma<br>dir\u00e1 a la luna<br>con voz velada la pena\u2026<br>Y habr\u00e1 un silencio<br>profundo y grave<br>llorando en mi coraz\u00f3n.<\/p>\n<cite>Maruja Pacheco Huergo (Mar\u00eda Esther Pacheco Huergo) Letra: Virgilio San Clemente<\/cite><\/blockquote>\n\n\n\n<cite translate=\"yes\">\n\n\n\n<h2 class=\"wp-block-heading\">Traduction libre et indications<\/h2>\n\n\n\n<p>Dans la soir\u00e9e qui se meurt en ombres,<br>Nous nous sommes tout bonnement dit adieu\u2009; <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-blue-color\">(un adieu comme si c\u2019\u00e9tait un au revoir pour elle)<\/mark>.<br>Tu ne voyais pas ma profonde tristesse<br>Et quand tu es partie, nous sourions tous les deux.<br>Et la d\u00e9solation, de te regarder partir,<br>brisa d\u2019\u00e9motion, ma pauvre voix\u2026<br>Le r\u00eave le plus heureux est mort dans l\u2019adieu<br>Et le ciel pour moi s\u2019est obscurci.<br>En vain l\u2019\u00e2me<br>d\u2019une voix voil\u00e9e<br>d\u00e9versa le chagrin dans la nuit\u2026<br>Juste un silence<br>profond et grave<br>pleurait dans mon c\u0153ur.<\/p>\n\n\n\n<p>\u00c0 propos du temps \u00e9coul\u00e9,<br>tu vis toujours en moi,<br>et ces champs qui nous ont vus<br>sourire ensemble<br>me demandent si l\u2019oubli<br>m\u2019a gu\u00e9ri de toi.<br>Et parmi les vents<br>mes plaintes s\u2019en vont<br>mourant en \u00e9chos<br>te cherchant\u2026<br>pendant qu\u2019au loin<br>d\u2019autres bras et d\u2019autres baisers<br>t\u2019emprisonnent et me disent<br>que jamais, tu ne reviendras.<\/p>\n\n\n\n<p>Quand le printemps brillera \u00e0 nouveau,<br>et que les champs se peindront de couleurs,<br>encore une fois, la douleur et les souvenirs<br>rempliront mon c\u0153ur de nostalgie.<br>Les oiseaux peupleront de trilles l\u2019espace<br>et le ciel r\u00e9pandra sa clart\u00e9\u2026<br>Mais mon c\u0153ur vivra dans l\u2019ombre<br>et l\u2019aile de la douleur t\u2019appellera.<br>En vain l\u2019\u00e2me<br>dira \u00e0 la lune<br>d\u2019une voix voil\u00e9e, la douleur\u2026<br>et il y aura un silence<br>profond et grave<br>Pleurant dans mon c\u0153ur.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Autres versions<\/h2>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/El-adios-1938-03-03-Orquesta-Francisco-Canaro-con-Roberto-Maida.mp3\"><\/audio><figcaption class=\"wp-element-caption\">El adi\u00f3s 1938-03-03 \u2014 Orquesta Francisco Canaro con Roberto Maida. <\/figcaption><\/figure>\n\n\n\n<p>Cette version fait jeu \u00e9gal avec celle de Donato. Je sais que certains danseurs pr\u00e9f\u00e8rent celle de Donato, mais pour moi, il est difficile de les d\u00e9partager. Dans un bal, je peux passer indiff\u00e9remment l\u2019une ou l\u2019autre, selon l\u2019ambiance que je veux donner. La version de Canaro marche de fa\u00e7on obstin\u00e9e, avec de jolis passages de violons ondulants et des moments de piano qui ponctuent. Rien de monotone dans cette version, toujours entra\u00eenante.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/El-adios-1938-03-15-Ignacio-Corsini-con-guitarras-de-Pages-Pesoa-Maciel.mp3\"><\/audio><figcaption class=\"wp-element-caption\">El adi\u00f3s 1938-03-15 \u2014 Ignacio Corsini con guitarras de Pag\u00e9s-Pesoa-Maciel. <\/figcaption><\/figure>\n\n\n\n<p>Avec un accompagnement de guitares, Corsini chante l\u2019int\u00e9gralit\u00e9 des paroles. Corsini a enregistr\u00e9 12 jours apr\u00e8s apr\u00e8s Canaro, mais il a \u00e9t\u00e9 le premier \u00e0 jouer le titre, comme en t\u00e9moigne la partition.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/El-adios-1938-Hugo-Del-Carril-con-orquesta.mp3\"><\/audio><figcaption class=\"wp-element-caption\">El adi\u00f3s 1938 Hugo Del Carril con orquesta. <\/figcaption><\/figure>\n\n\n\n<p>C\u2019est une version \u00e0 \u00e9couter. La voix d\u2019Hugo Del Carril exprime avec \u00e9motion les sentiments du narrateur. C\u2019est \u00e0 comparer avec l\u2019enregistrement d\u2019Ignacio Corsini de la m\u00eame \u00e9poque. La voix de Del Carril pourrait tenir la comparaison avec les versions de Maida et Lagos. L\u2019orchestre est \u00e9galement agr\u00e9able, on se prend \u00e0 regretter qu\u2019une version de danse ne soit pas venue compl\u00e9ter cet enregistrement.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/El-adios-1938-04-02-Orquesta-Edgardo-Donato-con-Horacio-Lagos.mp3\"><\/audio><figcaption class=\"wp-element-caption\">El adi\u00f3s 1938-04-02 \u2014 Orquesta Edgardo Donato con Horacio Lagos. C&#8217;est le tango du jour.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/El-adios-1954-01-28-Angel-Vargas-con-su-orguesta-dirigida-por-Armando-Lacava.mp3\"><\/audio><figcaption class=\"wp-element-caption\">El adi\u00f3s 1954-01-28\u2009\u2013\u2009\u00c1ngel Vargas con su orguesta dirigida por Armando Lacava. <\/figcaption><\/figure>\n\n\n\n<p>Pour une version de chanteur, cette interpr\u00e9tation de Vargas. Donne la part belle \u00e0 l\u2019orchestre de Lacava. Le th\u00e8me est chant\u00e9 par les instruments avec des variations d\u2019intensit\u00e9s qui donnent de la structure \u00e0 la musique. Apr\u00e8s une minute Vargas commence et chante, une minute environ, laissant les 45 derni\u00e8res \u00e0 l\u2019orchestre, sauf une courte reprise de la seconde partie du refrain en final. Cette version de chanteur est presque un tango de danse.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/El-adios-1963-Orquesta-Osvaldo-Pugliese-con-Jorge-Maciel.mp3\"><\/audio><figcaption class=\"wp-element-caption\">El adi\u00f3s 1963\u2009\u2013\u2009Orquesta Osvaldo Pugliese con Jorge Maciel. <\/figcaption><\/figure>\n\n\n\n<p>Hier, je parlai de Recuerdo. La version de El adi\u00f3s n\u2019est assur\u00e9ment pas un tango con\u00e7u pour la danse. C\u2019est musicalement sublime, m\u00eame si la voix de Maciel peut parfois \u00eatre mod\u00e9r\u00e9ment appr\u00e9ci\u00e9e. Je sais que beaucoup de danseurs se battront pour le danser sur la piste. Alors, je pourrai le passer, mais il y a tant de belles choses de Pugliese parfaites pour la danse que Maciel ne sera pas une de mes priorit\u00e9s, m\u00eame si les danseurs applaudissent souvent (ce qui ne se fait pas \u00e0 Buenos Aires).<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/El-adios-1973-Hugo-Diaz.mp3\"><\/audio><figcaption class=\"wp-element-caption\">El adi\u00f3s 1973 &#8211; Hugo D\u00edaz. <\/figcaption><\/figure>\n\n\n\n<p>C\u2019est la seule version instrumentale de ma s\u00e9lection, mais l\u2019harmonica d\u2019Hugo D\u00edaz est comme une voix. Il commence par un cri d\u00e9chirant et ensuite semble pleurer. La guitare le rejoint mais avec un tampon imparable, qui s\u2019ajuste parfois aux accents les plus tristes de l\u2019harmonica. Du tr\u00e8s grand Hugo D\u00edaz. \u00c0 priori, ce n\u2019est pas pour la danse, mais cette version est tellement \u00e9mouvante qu\u2019elle pourrait participer \u00e0 une belle tanda particuli\u00e8re. Il y a une vingtaine d\u2019ann\u00e9e, une danseuse adorait et lorsque j\u2019animais la milonga, je passais souvent cet artiste quand elle \u00e9tait l\u00e0.<br>Pour terminer, une version de 2010 par le D\u00fao Angelozzi-Cavacini auquel s\u2019est jointe Ivana Fortunati. Cet enregistrement est en hommage \u00e0 Remo Angelozzi r\u00e9cemment d\u00e9c\u00e9d\u00e9. Vous le connaissez sans doute mieux sous son nom d\u2019artiste, Ra\u00fal Angel\u00f3 quand il \u00e9tait, notamment le chanteur de l\u2019orchestre d\u2019Edgardo Donato (en 1953).<\/p>\n\n\n\n<figure data-wp-context=\"{ &quot;core&quot;:\n\t\t\t\t{ &quot;image&quot;:\n\t\t\t\t\t{   &quot;imageLoaded&quot;: false,\n\t\t\t\t\t\t&quot;initialized&quot;: false,\n\t\t\t\t\t\t&quot;lightboxEnabled&quot;: false,\n\t\t\t\t\t\t&quot;hideAnimationEnabled&quot;: false,\n\t\t\t\t\t\t&quot;preloadInitialized&quot;: false,\n\t\t\t\t\t\t&quot;lightboxAnimation&quot;: &quot;zoom&quot;,\n\t\t\t\t\t\t&quot;imageUploadedSrc&quot;: &quot;https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Orquesta-Tipica-de-Luis-Chera-en-1948.jpg&quot;,\n\t\t\t\t\t\t&quot;imageCurrentSrc&quot;: &quot;&quot;,\n\t\t\t\t\t\t&quot;targetWidth&quot;: &quot;1280&quot;,\n\t\t\t\t\t\t&quot;targetHeight&quot;: &quot;787&quot;,\n\t\t\t\t\t\t&quot;scaleAttr&quot;: &quot;&quot;,\n\t\t\t\t\t\t&quot;dialogLabel&quot;: &quot;Image agrandie&quot;\n\t\t\t\t\t}\n\t\t\t\t}\n\t\t\t}\" data-wp-interactive class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"630\" data-wp-effect--setStylesOnResize=\"effects.core.image.setStylesOnResize\" data-wp-effect=\"effects.core.image.setButtonStyles\" data-wp-init=\"effects.core.image.initOriginImage\" data-wp-on--click=\"actions.core.image.showLightbox\" data-wp-on--load=\"actions.core.image.handleLoad\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Orquesta-Tipica-de-Luis-Chera-en-1948-1024x630.jpg\" alt=\"\" class=\"wp-image-2556\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Orquesta-Tipica-de-Luis-Chera-en-1948-1024x630.jpg 1024w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Orquesta-Tipica-de-Luis-Chera-en-1948-624x384.jpg 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Orquesta-Tipica-de-Luis-Chera-en-1948-300x184.jpg 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Orquesta-Tipica-de-Luis-Chera-en-1948-768x472.jpg 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Orquesta-Tipica-de-Luis-Chera-en-1948.jpg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Agrandir l\u2018image\"\n\t\t\tdata-wp-on--click=\"actions.core.image.showLightbox\"\n\t\t\tdata-wp-style--right=\"context.core.image.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"context.core.image.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Orquesta T\u00edpica de Luis Chera en 1948. De gauche \u00e0 droite Luis Martino (je crois que c\u2019est le p\u00e8re du pianiste et chef d\u2019orchestre Miguel Martino), Carlos Cord\u00f3, Luis Prati, Ra\u00fal Angel\u00f3 (Remo Angelozzi) le chanteur, Luis Chera, Ra\u00fal Sarrot, Agust\u00edn Garnro, Justo Ithurralde, Francisco Tortosa et Esteban Ca\u00f1ete. Photo de la collection de Lautaro Kaller.<\/figcaption>        <div data-wp-body=\"\" class=\"wp-lightbox-overlay zoom\"\n            data-wp-bind--role=\"selectors.core.image.roleAttribute\"\n            data-wp-bind--aria-label=\"selectors.core.image.dialogLabel\"\n            data-wp-class--initialized=\"context.core.image.initialized\"\n            data-wp-class--active=\"context.core.image.lightboxEnabled\"\n            data-wp-class--hideAnimationEnabled=\"context.core.image.hideAnimationEnabled\"\n            data-wp-bind--aria-modal=\"selectors.core.image.ariaModal\"\n            data-wp-effect=\"effects.core.image.initLightbox\"\n            data-wp-on--keydown=\"actions.core.image.handleKeydown\"\n            data-wp-on--touchstart=\"actions.core.image.handleTouchStart\"\n            data-wp-on--touchmove=\"actions.core.image.handleTouchMove\"\n            data-wp-on--touchend=\"actions.core.image.handleTouchEnd\"\n            data-wp-on--click=\"actions.core.image.hideLightbox\"\n            tabindex=\"-1\"\n            >\n                <button type=\"button\" aria-label=\"Fermer\" style=\"fill: #000\" class=\"close-button\" data-wp-on--click=\"actions.core.image.hideLightbox\">\n                    <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" width=\"20\" height=\"20\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M13 11.8l6.1-6.3-1-1-6.1 6.2-6.1-6.2-1 1 6.1 6.3-6.5 6.7 1 1 6.5-6.6 6.5 6.6 1-1z\"><\/path><\/svg>\n                <\/button>\n                <div class=\"lightbox-image-container\">\n<figure class=\"wp-block-image size-large responsive-image\"><img decoding=\"async\" data-wp-bind--src=\"context.core.image.imageCurrentSrc\" data-wp-style--object-fit=\"selectors.core.image.lightboxObjectFit\" src=\"\" alt=\"\" class=\"wp-image-2556\"\/><figcaption class=\"wp-element-caption\">Orquesta T\u00edpica de Luis Chera en 1948. De gauche \u00e0 droite Luis Martino (je crois que c\u2019est le p\u00e8re du pianiste et chef d\u2019orchestre Miguel Martino), Carlos Cord\u00f3, Luis Prati, Ra\u00fal Angel\u00f3 (Remo Angelozzi) le chanteur, Luis Chera, Ra\u00fal Sarrot, Agust\u00edn Garnro, Justo Ithurralde, Francisco Tortosa et Esteban Ca\u00f1ete. Photo de la collection de Lautaro Kaller.<\/figcaption><\/figure>\n<\/div>\n                <div class=\"lightbox-image-container\">\n<figure class=\"wp-block-image size-large enlarged-image\"><img decoding=\"async\" data-wp-bind--src=\"selectors.core.image.enlargedImgSrc\" data-wp-style--object-fit=\"selectors.core.image.lightboxObjectFit\" src=\"\" alt=\"\" class=\"wp-image-2556\"\/><figcaption class=\"wp-element-caption\">Orquesta T\u00edpica de Luis Chera en 1948. De gauche \u00e0 droite Luis Martino (je crois que c\u2019est le p\u00e8re du pianiste et chef d\u2019orchestre Miguel Martino), Carlos Cord\u00f3, Luis Prati, Ra\u00fal Angel\u00f3 (Remo Angelozzi) le chanteur, Luis Chera, Ra\u00fal Sarrot, Agust\u00edn Garnro, Justo Ithurralde, Francisco Tortosa et Esteban Ca\u00f1ete. Photo de la collection de Lautaro Kaller.<\/figcaption><\/figure>\n<\/div>\n                <div class=\"scrim\" style=\"background-color: #fff\" aria-hidden=\"true\"><\/div>\n        <\/div><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/El-adios-2010-Duo-Angelozzi-Cavacini-junto-a-Ivana-Fortunati.mp3\"><\/audio><figcaption class=\"wp-element-caption\">El adi\u00f3s 2010 \u2014 D\u00fao Angelozzi-Cavacini junto a Ivana Fortunati. Analia Angelozzi et Ivana Fortunati sont accompagn\u00e9es par Pablo Cavacini et Jose Mor\u00e1n \u00e0 la guitare et par Bocha Luca au bandon\u00e9on.<\/figcaption><\/figure>\n\n\n\n<figure data-wp-context=\"{ &quot;core&quot;:\n\t\t\t\t{ &quot;image&quot;:\n\t\t\t\t\t{   &quot;imageLoaded&quot;: false,\n\t\t\t\t\t\t&quot;initialized&quot;: false,\n\t\t\t\t\t\t&quot;lightboxEnabled&quot;: false,\n\t\t\t\t\t\t&quot;hideAnimationEnabled&quot;: false,\n\t\t\t\t\t\t&quot;preloadInitialized&quot;: false,\n\t\t\t\t\t\t&quot;lightboxAnimation&quot;: &quot;zoom&quot;,\n\t\t\t\t\t\t&quot;imageUploadedSrc&quot;: &quot;https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Raul-Angelo-Aldo-Calderon-Jorge-Sucher-y-Edmundo-Rosario-70s-La-Cueva-del-Tango-colection-Lautaro-Kaller.jpg&quot;,\n\t\t\t\t\t\t&quot;imageCurrentSrc&quot;: &quot;&quot;,\n\t\t\t\t\t\t&quot;targetWidth&quot;: &quot;1254&quot;,\n\t\t\t\t\t\t&quot;targetHeight&quot;: &quot;911&quot;,\n\t\t\t\t\t\t&quot;scaleAttr&quot;: &quot;&quot;,\n\t\t\t\t\t\t&quot;dialogLabel&quot;: &quot;Image agrandie&quot;\n\t\t\t\t\t}\n\t\t\t\t}\n\t\t\t}\" data-wp-interactive class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"744\" data-wp-effect--setStylesOnResize=\"effects.core.image.setStylesOnResize\" data-wp-effect=\"effects.core.image.setButtonStyles\" data-wp-init=\"effects.core.image.initOriginImage\" data-wp-on--click=\"actions.core.image.showLightbox\" data-wp-on--load=\"actions.core.image.handleLoad\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Raul-Angelo-Aldo-Calderon-Jorge-Sucher-y-Edmundo-Rosario-70s-La-Cueva-del-Tango-colection-Lautaro-Kaller-1024x744.jpg\" alt=\"\" class=\"wp-image-2550\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Raul-Angelo-Aldo-Calderon-Jorge-Sucher-y-Edmundo-Rosario-70s-La-Cueva-del-Tango-colection-Lautaro-Kaller-1024x744.jpg 1024w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Raul-Angelo-Aldo-Calderon-Jorge-Sucher-y-Edmundo-Rosario-70s-La-Cueva-del-Tango-colection-Lautaro-Kaller-624x453.jpg 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Raul-Angelo-Aldo-Calderon-Jorge-Sucher-y-Edmundo-Rosario-70s-La-Cueva-del-Tango-colection-Lautaro-Kaller-300x218.jpg 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Raul-Angelo-Aldo-Calderon-Jorge-Sucher-y-Edmundo-Rosario-70s-La-Cueva-del-Tango-colection-Lautaro-Kaller-768x558.jpg 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/Raul-Angelo-Aldo-Calderon-Jorge-Sucher-y-Edmundo-Rosario-70s-La-Cueva-del-Tango-colection-Lautaro-Kaller.jpg 1254w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Agrandir l\u2018image\"\n\t\t\tdata-wp-on--click=\"actions.core.image.showLightbox\"\n\t\t\tdata-wp-style--right=\"context.core.image.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"context.core.image.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Ra\u00fal Angel\u00f3, Aldo Calder\u00f3n, Jorge Sucher y Edmundo Rivero &#8211; Rosario 70s, La Cueva del Tango collection de Lautaro Kaller<\/figcaption>        <div data-wp-body=\"\" class=\"wp-lightbox-overlay zoom\"\n            data-wp-bind--role=\"selectors.core.image.roleAttribute\"\n            data-wp-bind--aria-label=\"selectors.core.image.dialogLabel\"\n            data-wp-class--initialized=\"context.core.image.initialized\"\n            data-wp-class--active=\"context.core.image.lightboxEnabled\"\n            data-wp-class--hideAnimationEnabled=\"context.core.image.hideAnimationEnabled\"\n            data-wp-bind--aria-modal=\"selectors.core.image.ariaModal\"\n            data-wp-effect=\"effects.core.image.initLightbox\"\n            data-wp-on--keydown=\"actions.core.image.handleKeydown\"\n            data-wp-on--touchstart=\"actions.core.image.handleTouchStart\"\n            data-wp-on--touchmove=\"actions.core.image.handleTouchMove\"\n            data-wp-on--touchend=\"actions.core.image.handleTouchEnd\"\n            data-wp-on--click=\"actions.core.image.hideLightbox\"\n            tabindex=\"-1\"\n            >\n                <button type=\"button\" aria-label=\"Fermer\" style=\"fill: #000\" class=\"close-button\" data-wp-on--click=\"actions.core.image.hideLightbox\">\n                    <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" width=\"20\" height=\"20\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M13 11.8l6.1-6.3-1-1-6.1 6.2-6.1-6.2-1 1 6.1 6.3-6.5 6.7 1 1 6.5-6.6 6.5 6.6 1-1z\"><\/path><\/svg>\n                <\/button>\n                <div class=\"lightbox-image-container\">\n<figure class=\"wp-block-image size-large responsive-image\"><img decoding=\"async\" data-wp-bind--src=\"context.core.image.imageCurrentSrc\" data-wp-style--object-fit=\"selectors.core.image.lightboxObjectFit\" src=\"\" alt=\"\" class=\"wp-image-2550\"\/><figcaption class=\"wp-element-caption\">Ra\u00fal Angel\u00f3, Aldo Calder\u00f3n, Jorge Sucher y Edmundo Rivero &#8211; Rosario 70s, La Cueva del Tango collection de Lautaro Kaller<\/figcaption><\/figure>\n<\/div>\n                <div class=\"lightbox-image-container\">\n<figure class=\"wp-block-image size-large enlarged-image\"><img decoding=\"async\" data-wp-bind--src=\"selectors.core.image.enlargedImgSrc\" data-wp-style--object-fit=\"selectors.core.image.lightboxObjectFit\" src=\"\" alt=\"\" class=\"wp-image-2550\"\/><figcaption class=\"wp-element-caption\">Ra\u00fal Angel\u00f3, Aldo Calder\u00f3n, Jorge Sucher y Edmundo Rivero &#8211; Rosario 70s, La Cueva del Tango collection de Lautaro Kaller<\/figcaption><\/figure>\n<\/div>\n                <div class=\"scrim\" style=\"background-color: #fff\" aria-hidden=\"true\"><\/div>\n        <\/div><\/figure>\n\n\n\n<p><strong>Adi\u00f3s queridos amigos, hasta ma\u00f1ana.<\/strong><\/p>\n\n\n\n<figure data-wp-context=\"{ &quot;core&quot;:\n\t\t\t\t{ &quot;image&quot;:\n\t\t\t\t\t{   &quot;imageLoaded&quot;: false,\n\t\t\t\t\t\t&quot;initialized&quot;: false,\n\t\t\t\t\t\t&quot;lightboxEnabled&quot;: false,\n\t\t\t\t\t\t&quot;hideAnimationEnabled&quot;: false,\n\t\t\t\t\t\t&quot;preloadInitialized&quot;: false,\n\t\t\t\t\t\t&quot;lightboxAnimation&quot;: &quot;zoom&quot;,\n\t\t\t\t\t\t&quot;imageUploadedSrc&quot;: &quot;https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/El-adios-03.jpg&quot;,\n\t\t\t\t\t\t&quot;imageCurrentSrc&quot;: &quot;&quot;,\n\t\t\t\t\t\t&quot;targetWidth&quot;: &quot;1200&quot;,\n\t\t\t\t\t\t&quot;targetHeight&quot;: &quot;675&quot;,\n\t\t\t\t\t\t&quot;scaleAttr&quot;: &quot;&quot;,\n\t\t\t\t\t\t&quot;dialogLabel&quot;: &quot;Image agrandie&quot;\n\t\t\t\t\t}\n\t\t\t\t}\n\t\t\t}\" data-wp-interactive class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-wp-effect--setStylesOnResize=\"effects.core.image.setStylesOnResize\" data-wp-effect=\"effects.core.image.setButtonStyles\" data-wp-init=\"effects.core.image.initOriginImage\" data-wp-on--click=\"actions.core.image.showLightbox\" data-wp-on--load=\"actions.core.image.handleLoad\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/El-adios-03-1024x576.jpg\" alt=\"\" class=\"wp-image-2553\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/El-adios-03-1024x576.jpg 1024w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/El-adios-03-624x351.jpg 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/El-adios-03-300x169.jpg 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/El-adios-03-768x432.jpg 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/04\/El-adios-03.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Agrandir l\u2018image\"\n\t\t\tdata-wp-on--click=\"actions.core.image.showLightbox\"\n\t\t\tdata-wp-style--right=\"context.core.image.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"context.core.image.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">El adi\u00f3s.<\/figcaption>        <div data-wp-body=\"\" class=\"wp-lightbox-overlay zoom\"\n            data-wp-bind--role=\"selectors.core.image.roleAttribute\"\n            data-wp-bind--aria-label=\"selectors.core.image.dialogLabel\"\n            data-wp-class--initialized=\"context.core.image.initialized\"\n            data-wp-class--active=\"context.core.image.lightboxEnabled\"\n            data-wp-class--hideAnimationEnabled=\"context.core.image.hideAnimationEnabled\"\n            data-wp-bind--aria-modal=\"selectors.core.image.ariaModal\"\n            data-wp-effect=\"effects.core.image.initLightbox\"\n            data-wp-on--keydown=\"actions.core.image.handleKeydown\"\n            data-wp-on--touchstart=\"actions.core.image.handleTouchStart\"\n            data-wp-on--touchmove=\"actions.core.image.handleTouchMove\"\n            data-wp-on--touchend=\"actions.core.image.handleTouchEnd\"\n            data-wp-on--click=\"actions.core.image.hideLightbox\"\n            tabindex=\"-1\"\n            >\n                <button type=\"button\" aria-label=\"Fermer\" style=\"fill: #000\" class=\"close-button\" data-wp-on--click=\"actions.core.image.hideLightbox\">\n                    <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" width=\"20\" height=\"20\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M13 11.8l6.1-6.3-1-1-6.1 6.2-6.1-6.2-1 1 6.1 6.3-6.5 6.7 1 1 6.5-6.6 6.5 6.6 1-1z\"><\/path><\/svg>\n                <\/button>\n                <div class=\"lightbox-image-container\">\n<figure class=\"wp-block-image size-large responsive-image\"><img decoding=\"async\" data-wp-bind--src=\"context.core.image.imageCurrentSrc\" data-wp-style--object-fit=\"selectors.core.image.lightboxObjectFit\" src=\"\" alt=\"\" class=\"wp-image-2553\"\/><figcaption class=\"wp-element-caption\">El adi\u00f3s.<\/figcaption><\/figure>\n<\/div>\n                <div class=\"lightbox-image-container\">\n<figure class=\"wp-block-image size-large enlarged-image\"><img decoding=\"async\" data-wp-bind--src=\"selectors.core.image.enlargedImgSrc\" data-wp-style--object-fit=\"selectors.core.image.lightboxObjectFit\" src=\"\" alt=\"\" class=\"wp-image-2553\"\/><figcaption class=\"wp-element-caption\">El adi\u00f3s.<\/figcaption><\/figure>\n<\/div>\n                <div class=\"scrim\" style=\"background-color: #fff\" aria-hidden=\"true\"><\/div>\n        <\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Plus de 200\u00a0tangos ont dans leur titre le mot \u00ab\u2009Adios\u2009\u00bb. C\u2019est donc un th\u00e8me fort du tango, mais la composition \u00e9crite par Maruja Pacheco Huergo est de loin la plus c\u00e9l\u00e8bre. Je vous propose, la version qui est consid\u00e9r\u00e9e comme la plus belle, celle de Donato avec Lagos qui f\u00eate aujourd\u2019hui ses 86\u00a0ans.<\/p>\n<div class='heateor_sss_sharing_container heateor_sss_vertical_sharing heateor_sss_bottom_sharing' style='width:28px;left: -10px;top: 100px;-webkit-box-shadow:none;box-shadow:none;' data-heateor-sss-href='https:\/\/dj-byc.com\/WP\/wp-json\/wp\/v2\/posts\/2547?simply_static_page=315654'><div class=\"heateor_sss_sharing_ul\"><a style=\"font-size:32px!important;box-shadow: none;display: inline-block!important;font-size: 16px;padding: 0 4px;vertical-align: middle;display:inline;\" class=\"heateorSssSharingRound\"><span class=\"heateor_sss_square_count\">&nbsp;<\/span><div style=\"width:24px;height:24px;border-radius:999px;margin-bottom:9px !important;\" title=\"Total Shares\" class=\"heateorSssSharing heateorSssTCBackground\"><\/div><\/a><a aria-label=\"Facebook\" class=\"heateor_sss_facebook\" 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