{"id":500,"date":"2024-01-27T14:37:16","date_gmt":"2024-01-27T17:37:16","guid":{"rendered":"https:\/\/dj-byc.com\/WP\/?p=500"},"modified":"2024-02-09T17:21:11","modified_gmt":"2024-02-09T20:21:11","slug":"les-progres-de-lenregistrement-de-la-musique-de-tango","status":"publish","type":"post","link":"https:\/\/dj-byc.com\/WP\/les-progres-de-lenregistrement-de-la-musique-de-tango\/","title":{"rendered":"Les progr\u00e8s de l\u2019enregistrement de la musique de tango"},"content":{"rendered":"<div class='watch-action'><div class='watch-position align-left'><div class='action-like'><a class='lbg-style1 like-500 jlk' href='javascript:void(0)' data-task='like' data-post_id='500' data-nonce='e6e2317e6c' rel='nofollow'><img class='wti-pixel' src='https:\/\/dj-byc.com\/WP\/wp-content\/plugins\/wti-like-post\/images\/pixel.gif' title='comme' \/><span class='lc-500 lc'>0<\/span><\/a><\/div><\/div> <div class='status-500 status align-left'><\/div><\/div><div class='wti-clear'><\/div><div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"450\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Violon_de_Caro-.png\" alt=\"\" class=\"wp-image-505\" style=\"width:250px\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Violon_de_Caro-.png 800w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Violon_de_Caro--300x169.png 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Violon_de_Caro--768x432.png 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Violon_de_Caro--610x343.png 610w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Violon_de_Caro--624x351.png 624w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Julio de Caro jouant de son violon \u00e0 pavillon avec son orchestre.<\/figcaption><\/figure><\/div>\n\n\n<p class=\"has-text-align-right\"><em>Texte publi\u00e9 sur l&#8217;ancien site le\u00a0<a href=\"https:\/\/web.archive.org\/web\/20211020170324\/https:\/\/dj-byc.com\/les-progres-de-lenregistrement\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\"><time datetime=\"2018-01-17T23:26:00+01:00\">17 janvier 2018<\/time><\/a><\/em><\/p>\n\n\n\n<ul>\n<li><a href=\"https:\/\/web.archive.org\/web\/20211020170324\/https:\/\/dj-byc.com\/los-progresos-de-la-grabacion-de-tango\/\">Los progresos de la grabaci\u00f3n de tango<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/web.archive.org\/web\/20211020170324\/https:\/\/www.dj-byc.com\/the-progress-of-recording\/\" target=\"_blank\" rel=\"noreferrer noopener\">The progress of recording\u2026<\/a><\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Sur la qualit\u00e9 des enregistrements anciens\u2026<\/h2>\n\n\n\n<p><strong>Dans les milongas, on ne diffuse que des enregistrements post\u00e9rieurs \u00e0 1926. Savez-vous pourquoi ?<\/strong><\/p>\n\n\n\n<ol>\n<li>La vieja guardia n\u2019est pas toujours int\u00e9ressante \u00e0 danser.<\/li>\n\n\n\n<li>Les orchestres ne jouaient pas vraiment du tango avant 1926.<\/li>\n\n\n\n<li>La qualit\u00e9 des enregistrements ant\u00e9rieurs n\u2019est pas assez bonne.<\/li>\n<\/ol>\n\n\n\n<p>La premi\u00e8re raison n\u2019est pas exacte. Si \u00e0 Buenos Aires la Vieja guardia est tr\u00e8s peu diffus\u00e9e, c\u2019est loin d\u2019\u00eatre le cas en Europe. Disons que ces enregistrements sont souvent un peu pauvres et moyens \u00e0 danser, mais ils sont diffusables quand ils ont \u00e9t\u00e9 enregistr\u00e9s apr\u00e8s 1926\u2026<\/p>\n\n\n\n<p>La seconde n\u2019est pas exacte non plus. La combinaison entre les diff\u00e9rents rythmes originaux, candombe, chansons de payador, habanera, canyengue et autres avait d\u00e9j\u00e0 donn\u00e9 naissance \u00e0 de v\u00e9ritables tango (2X4 notamment). Certains morceaux assez lents ont \u00e9t\u00e9 ensuite acc\u00e9l\u00e9r\u00e9s et sont devenus des milongas, d\u2019autres ont gard\u00e9 le caract\u00e8re du tango. Donc, ce n\u2019est pas la seconde raison.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">L\u2019enregistrement acoustique<\/h2>\n\n\n\n<p class=\"has-small-font-size\">Et oui, c\u2019est la troisi\u00e8me solution la bonne. Les premiers enregistrements \u00e9taient effectu\u00e9 en \u00e9mettant du son dans un pavillon collecteur, afin de concentrer les vibrations sonores vers une aiguille qui gravait un sillon dans un mat\u00e9riau ductile (comme la cire).<br><a href=\"https:\/\/dj-byc.com\/WP\/le-plus-ancien-enregistrement-connu\/\" target=\"_blank\" rel=\"noopener\" title=\"Le plus ancien enregistrement connu\"><em>Voir l&#8217;article sur le premier enregistrement sonore pour des informations plus d\u00e9taill\u00e9es&#8230;<\/em><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"929\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Phonophe-Edison-.png\" alt=\"\" class=\"wp-image-501\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Phonophe-Edison-.png 960w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Phonophe-Edison--300x290.png 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Phonophe-Edison--768x743.png 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Phonophe-Edison--610x590.png 610w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Phonophe-Edison--624x604.png 624w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><figcaption class=\"wp-element-caption\">Phonographe Edison 1877. Il enregistrait sur un cylindre d\u2019\u00e9tain. Il servait aussi \u00e0 la reproduction.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"668\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Phonographe_cylindre_Pathe_Le_Coquet_1903-1024x668.png\" alt=\"\" class=\"wp-image-502\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Phonographe_cylindre_Pathe_Le_Coquet_1903-1024x668.png 1024w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Phonographe_cylindre_Pathe_Le_Coquet_1903-300x196.png 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Phonographe_cylindre_Pathe_Le_Coquet_1903-768x501.png 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Phonographe_cylindre_Pathe_Le_Coquet_1903-610x398.png 610w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Phonographe_cylindre_Pathe_Le_Coquet_1903-624x407.png 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Phonographe_cylindre_Pathe_Le_Coquet_1903.png 1083w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Phonographe \u00e0 cylindre Path\u00e9 Le Coquet, 1903 (Collection Charles Cros)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"757\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Frances_Densmore_recording_Mountain_Chief.png\" alt=\"\" class=\"wp-image-503\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Frances_Densmore_recording_Mountain_Chief.png 790w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Frances_Densmore_recording_Mountain_Chief-300x287.png 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Frances_Densmore_recording_Mountain_Chief-768x736.png 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Frances_Densmore_recording_Mountain_Chief-610x585.png 610w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Frances_Densmore_recording_Mountain_Chief-624x598.png 624w\" sizes=\"(max-width: 790px) 100vw, 790px\" \/><figcaption class=\"wp-element-caption\">Enregistrement d&#8217;un chef am\u00e9rindien Pied Noir par Frances Densmore en 1916<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"607\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Orchestre-accoustique-.png\" alt=\"\" class=\"wp-image-504\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Orchestre-accoustique-.png 800w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Orchestre-accoustique--300x228.png 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Orchestre-accoustique--768x583.png 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Orchestre-accoustique--610x463.png 610w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Orchestre-accoustique--624x473.png 624w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Orchestre enregistrant en acoustique. Remarquez le grand pavillon pointant vers l\u2019enregistreur et comment les musiciens sont \u00ab&nbsp;empil\u00e9s&nbsp;\u00bb pour \u00eatre en face du pavillon. Le violoniste au premier plan \u00e0 un violon \u00e0 pavillon qui permet de donner un son plus fort et plus directionnel.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"450\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Violon_de_Caro-.png\" alt=\"\" class=\"wp-image-505\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Violon_de_Caro-.png 800w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Violon_de_Caro--300x169.png 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Violon_de_Caro--768x432.png 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Violon_de_Caro--610x343.png 610w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Violon_de_Caro--624x351.png 624w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Julio de Caro jouant de son violon \u00e0 pavillon avec son orchestre.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"594\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Orchestre-accoustique2-.png\" alt=\"\" class=\"wp-image-506\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Orchestre-accoustique2-.png 800w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Orchestre-accoustique2--300x223.png 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Orchestre-accoustique2--768x570.png 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Orchestre-accoustique2--610x453.png 610w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Orchestre-accoustique2--624x463.png 624w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Orchestre enregistrant en acoustique. Dans la cabine, l\u2019enregistreur sur disque de cire.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Enregistrement acoustique extrait de \u00ab El \u00faltimo payador \u00bb de Homero Manzi et Ralph Pappier (1950)\" width=\"625\" height=\"469\" src=\"https:\/\/www.youtube.com\/embed\/WYQuWDlx6ZA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Dans cet extrait on peut voir une reconstitution des condition d&#8217;enregistrement d&#8217;avant 1926.<br>\u00ab El \u00faltimo payador \u00bb de Homero Manzi et Ralph Pappier 1950 (sc\u00e9nario d\u2019Homero Manzi). Hugo del Carril joue le r\u00f4le du payador Jos\u00e9 Bettinotti, enregistrant \u00ab Pobre mi madre querida \u00bb un des succ\u00e8s de Bettinotti.<\/figcaption><\/figure>\n\n\n\n<p>Dans le film d&#8217;Homero Manzi, le son est bien s\u00fbr celui de 1950, pas celui de 1912 que l&#8217;on peut entendre ici :<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Jose-Betinoti-Pobre-mi-madre-querida-1912-c.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Jos\u00e9 Bettinotti. Pobre mi madre quarida, Circa 1912<\/figcaption><\/figure>\n\n\n\n<p>En 1925, l\u2019enregistrement \u00e9lectrique va rapidement mettre au rebut ce type d\u2019\u00e9quipement\u2026 En Argentine, il faudra attendre 1926 pour trouver les premiers enregistrements \u00e9lectriques, les \u00e9diteurs cherchant \u00e0 \u00e9couler leur vieux stock\u2026<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">L\u2019enregistrement \u00e9lectrique<\/h2>\n\n\n\n<p>En 1906, l\u2019invention du microphone a un peu am\u00e9lior\u00e9 le dispositif, mais ce n\u2019est qu\u2019en 1925 que l\u2019enregistrement \u00e9lectrique a vu le jour de fa\u00e7on industrielle.<\/p>\n\n\n\n<p>Le microphone est associ\u00e9 \u00e0 un amplificateur qui permet de graver avec une grande pr\u00e9cision les masters (disques qui serviront apr\u00e8s moulage au pressage des disques diffus\u00e9s).<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"574\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Orchestre_Victor-Salon-electrique-Charbon.png\" alt=\"\" class=\"wp-image-507\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Orchestre_Victor-Salon-electrique-Charbon.png 800w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Orchestre_Victor-Salon-electrique-Charbon-300x215.png 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Orchestre_Victor-Salon-electrique-Charbon-768x551.png 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Orchestre_Victor-Salon-electrique-Charbon-610x438.png 610w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Orchestre_Victor-Salon-electrique-Charbon-624x448.png 624w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Orchestre Victor jouant devant un microphone \u00e0 charbon<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"657\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Controle_gravure_Electricite-4-1-1.png\" alt=\"\" class=\"wp-image-524\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Controle_gravure_Electricite-4-1-1.png 800w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Controle_gravure_Electricite-4-1-1-300x246.png 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Controle_gravure_Electricite-4-1-1-768x631.png 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Controle_gravure_Electricite-4-1-1-610x501.png 610w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Controle_gravure_Electricite-4-1-1-624x512.png 624w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">En coulisse, l\u2019ing\u00e9nieur du son surveille la gravure du master\u2026<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Les microphones, l&#8217;\u00e2me de l&#8217;enregistrement \u00e9lectrique<\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"482\" height=\"723\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Microphone_Charbon_1925.png\" alt=\"\" class=\"wp-image-509\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Microphone_Charbon_1925.png 482w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Microphone_Charbon_1925-200x300.png 200w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Microphone_Charbon_1925-400x600.png 400w\" sizes=\"(max-width: 482px) 100vw, 482px\" \/><figcaption class=\"wp-element-caption\">Microphone \u00e0 charbon Voxia de 1925. Il est utilis\u00e9 pour les premiers enregistrements \u00e9lectriques (1926 pour le tango) et jusqu&#8217;\u00e0 la fin des ann\u00e9es 20.<\/figcaption><\/figure><\/div>\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1000\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Western_Electric_47A_Conden.png\" alt=\"\" class=\"wp-image-510\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Western_Electric_47A_Conden.png 1024w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Western_Electric_47A_Conden-300x293.png 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Western_Electric_47A_Conden-768x750.png 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Western_Electric_47A_Conden-610x596.png 610w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Western_Electric_47A_Conden-624x609.png 624w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Microphone \u00e0 condensateur Western Electric 47A, utilis\u00e9 de 1928 \u00e0 1935 environ.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"958\" height=\"1024\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/RCA_44-A_Velocity_Microphone-958x1024.png\" alt=\"\" class=\"wp-image-511\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/RCA_44-A_Velocity_Microphone-958x1024.png 958w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/RCA_44-A_Velocity_Microphone-281x300.png 281w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/RCA_44-A_Velocity_Microphone-768x821.png 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/RCA_44-A_Velocity_Microphone-610x652.png 610w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/RCA_44-A_Velocity_Microphone-624x667.png 624w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/RCA_44-A_Velocity_Microphone.png 1235w\" sizes=\"(max-width: 958px) 100vw, 958px\" \/><figcaption class=\"wp-element-caption\">Microphone \u00e0 ruban RCA 44 A (Brevet RCA de 1931). Il est utilis\u00e9 de 1935 \u00e0 1949 environ. C&#8217;est le microphone de l&#8217;\u00e2ge d&#8217;or du tango.<\/figcaption><\/figure>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Neumann-_u47.png\" alt=\"\" class=\"wp-image-512\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Neumann-_u47.png 600w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Neumann-_u47-300x300.png 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Neumann-_u47-150x150.png 150w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\">U47 de Georg Neumann GmbH. De 1947 \u00e0 nos jour, ce microphone \u00e9lectrostatique (&#8220;the Telly&#8221; \u00e9tait le f\u00e9tiche de Frank Sinatra).<\/figcaption><\/figure><\/div>\n\n\n<h2 class=\"wp-block-heading\">\u00c9coutons la diff\u00e9rence entre acoustique et \u00e9lectrique<\/h2>\n\n\n\n<p>L\u2019orchestre de Francisco Canaro a enregistr\u00e9 \u00e0 deux reprises le tango Caricias. Une fois en 1924, avec un syst\u00e8me d\u2019enregistrement acoustique et une fois en 1927, avec un syst\u00e8me \u00e9lectronique.<\/p>\n\n\n\n<p>Il est tr\u00e8s int\u00e9ressant de voir comment la qualit\u00e9 a \u00e9t\u00e9 am\u00e9lior\u00e9e en l\u2019espace de quelques mois\u2026<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Enregistrement acoustique vs \u00e9lectrique\" width=\"625\" height=\"352\" src=\"https:\/\/www.youtube.com\/embed\/k53H3_XHGmI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">\u00c9coutez la diff\u00e9rence de qualit\u00e9 entre l&#8217;enregistrement acoustique et l&#8217;enregistrement \u00e9lectrique.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Voil\u00e0 donc pourquoi on n&#8217;\u00e9coute g\u00e9n\u00e9ralement pas de tangos enregistr\u00e9s avant 1926 dans les milongas<\/h2>\n\n\n\n<p>Pour vous en convaincre, \u00e9coutez ces deux extraits du m\u00eame th\u00e8me avec des interpr\u00e9tations tr\u00e8s diff\u00e9rentes et une qualit\u00e9 technique fort dissemblable. <\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/El-criollo-falsificado-el-Portenito-1906-1-.mp3\"><\/audio><figcaption class=\"wp-element-caption\">D\u00e9but de : El criollo falsificado (el Porte\u00f1ito) 1906 &#8211; Alfredo Gobbi y Flora &#8211; Vous voyez-vous danser l\u00e0-dessus ?<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/1-15-El-Portenito-1928-09-26-Tipica-Victor.mp3\"><\/audio><figcaption class=\"wp-element-caption\">D\u00e9but de : El Porte\u00f1ito 1928-09-26. T\u00edpica Victor (direction Carabelli). Ce titre est tout \u00e0 fait passable en milonga. La qualit\u00e9 d&#8217;ex\u00e9cution et technique est tr\u00e8s satisfaisante. \u00c9videmment, ce style canyengue n&#8217;est pas le plus raffin\u00e9, mais de temps \u00e0 autre, dans une milonga, c&#8217;est sympa. <\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/1-11-El-portenito-1943-03-23-Agostino-Vargas-.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Fin de : El Porte\u00f1ito 1943-03-23. Angel d&#8217;Agostino y Angel Vargas. On notera comme le rythme s&#8217;est \u00e9galement acc\u00e9l\u00e9r\u00e9, passant du canyengue \u00e0 la milonga. La qualit\u00e9 sonore est excellente, m\u00eame si celle de la T\u00edpica Victor de 1928 n&#8217;a pas \u00e0 rougir. <\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>0 Texte publi\u00e9 sur l&#8217;ancien site le\u00a017 janvier 2018 Sur la qualit\u00e9 des enregistrements anciens\u2026 Dans les milongas, on ne diffuse que des enregistrements post\u00e9rieurs \u00e0 1926. Savez-vous pourquoi ? La premi\u00e8re raison n\u2019est pas exacte. Si \u00e0 Buenos Aires la Vieja guardia est tr\u00e8s peu diffus\u00e9e, c\u2019est loin d\u2019\u00eatre le cas en Europe. 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