{"id":648,"date":"2024-02-08T11:00:33","date_gmt":"2024-02-08T14:00:33","guid":{"rendered":"https:\/\/dj-byc.com\/WP\/?p=648"},"modified":"2024-02-09T17:11:01","modified_gmt":"2024-02-09T20:11:01","slug":"quelles-sont-les-dates-de-lage-dor-en-tango-de-danse","status":"publish","type":"post","link":"https:\/\/dj-byc.com\/WP\/quelles-sont-les-dates-de-lage-dor-en-tango-de-danse\/","title":{"rendered":"Quelles sont les dates de l\u2019\u00e2ge d\u2019or en tango de danse\u2009?"},"content":{"rendered":"<div class='watch-action'><div class='watch-position align-left'><div class='action-like'><a class='lbg-style1 like-648 jlk' href='javascript:void(0)' data-task='like' data-post_id='648' data-nonce='e6e2317e6c' rel='nofollow'><img class='wti-pixel' src='https:\/\/dj-byc.com\/WP\/wp-content\/plugins\/wti-like-post\/images\/pixel.gif' title='comme' \/><span class='lc-648 lc'>+1<\/span><\/a><\/div><\/div> <div class='status-648 status align-left'><\/div><\/div><div class='wti-clear'><\/div>\n<h2 class=\"wp-block-heading has-text-align-right\">What are the dates of the golden age of dance tango?<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"188\" height=\"188\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2023\/12\/France.png\" alt=\"\" class=\"wp-image-220\" style=\"width:30px\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2023\/12\/France.png 188w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2023\/12\/France-150x150.png 150w\" sizes=\"(max-width: 188px) 100vw, 188px\" \/><\/figure><\/div>\n\n\n<p><em>Pour un DJ, l\u2019\u00e2ge d\u2019or, c\u2019est principalement l\u2019\u00e9poque ou le tango de danse \u00e9tait \u00e0 la mode. Mais pour qu\u2019un \u00e2ge d\u2019or arrive, il faut diff\u00e9rents \u00e9l\u00e9ments pr\u00e9curseurs et pour qu\u2019il se termine, il faut que l\u2019\u00e9lan s\u2019\u00e9puise. Nous allons voir l\u2019\u00e9volution de ce ph\u00e9nom\u00e8ne.<\/em><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"188\" height=\"188\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Royaume-Uni.png\" alt=\"\" class=\"wp-image-289\" style=\"width:30px\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Royaume-Uni.png 188w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Royaume-Uni-150x150.png 150w\" sizes=\"(max-width: 188px) 100vw, 188px\" \/><\/figure><\/div>\n\n\n<p><em>For a DJ, the golden age is mainly the time when dance tango was in fashion. But for a golden age to come, there must be different precursors, and for it to end, the momentum must be exhausted. We will see how this phenomenon evolves.<\/em><\/p>\n<\/div>\n<\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Disque-tango-en-or-03.jpeg\" alt=\"\" class=\"wp-image-649\" style=\"width:100px\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Disque-tango-en-or-03.jpeg 1024w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Disque-tango-en-or-03-300x300.jpeg 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Disque-tango-en-or-03-150x150.jpeg 150w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Disque-tango-en-or-03-768x768.jpeg 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Disque-tango-en-or-03-610x610.jpeg 610w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Disque-tango-en-or-03-600x600.jpeg 600w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Disque-tango-en-or-03-624x624.jpeg 624w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">L&#8217;\u00e2ge d&#8217;or du tango<\/figcaption><\/figure><\/div>\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-2 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2>Le prototango, le tango d\u2019avant le tango<\/h2>\n\n\n\n<p><span lang=\"EN-US\" style=\"font-size: revert;\"><a href=\"https:\/\/dj-byc.com\/agenda\/les-styles-du-tango\/index.html\"><span lang=\"FR\">Dans l\u2019article sur les styles du tango<\/span><\/a>, vous trouverez des traces de l\u2019histoire musicale, mais la musique n\u2019est qu\u2019un des aspects. Pour que l\u2019\u00e2ge d\u2019or se manifeste, il faut \u00e9galement que la pratique de cette culture sorte des cercles restreints o\u00f9 elle est n\u00e9e.<br><\/span>L\u2019Europe et particuli\u00e8rement la France ont jou\u00e9 un r\u00f4le certain dans cette naissance. L\u2019exposition universelle de 1900 a \u00e9t\u00e9 l\u2019occasion pour de nombreux Argentins argent\u00e9s, de faire de Paris, leur point de chute, ou de plaisir.<br>Un certain nombre d\u2019entre eux qui avaient go\u00fbt\u00e9 aux charmes du tango \u00e0 la fin du 19<sup>e<\/sup>&nbsp;si\u00e8cle l\u2019ont encourag\u00e9 \u00e0 Paris. Un des exemples les plus connus est celui de <span lang=\"EN-US\"><a href=\"https:\/\/javierbarreiro.wordpress.com\/2018\/09\/03\/benigno-macias-en-la-introduccion-del-tango-en-europa\/\"><span lang=\"FR\">Benino Macias<\/span><\/a><\/span>, auquel on attribue le lancement de la furie du tango \u00e0 Paris. Que ce soit cette histoire ou d\u2019autres, il est certain que d\u00e8s 1911, le tango \u00e9tait entr\u00e9 dans les m\u0153urs \u00e0 Paris. On pouvait le danser tous les jours dans plusieurs lieux, ce qui a attir\u00e9 les orchestres argentins, m\u00eame s\u2019ils devaient se produire d\u00e9guis\u00e9s en gauchos, car les orchestres \u00e9trangers n\u2019\u00e9taient autoris\u00e9s qu\u2019\u00e0 la condition d\u2019\u00eatre \u00ab<span style=\"font-family: 'Arial',sans-serif; mso-ansi-language: FR;\">\u2009<\/span>folkloriques<span style=\"font-family: 'Arial',sans-serif; mso-ansi-language: FR;\">\u2009<\/span>\u00bb. Le costume \u00e9tait r\u00e9serv\u00e9 aux orchestres europ\u00e9ens.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Prototango, the tango before the tango<\/h2>\n\n\n\n<p><a href=\"https:\/\/dj-byc.com\/agenda\/les-styles-du-tango\/index.html\">In the article on tango styles<\/a>, you will find traces of musical history, but music is only one aspect. In order for the golden age to manifest itself, the practice of this culture must also come out of the restricted circles in which it was born.<\/p>\n\n\n\n<p>Europe and particularly France played a certain role in this birth. The Universal Exhibition of 1900 was an opportunity for many silver-loving Argentinians to make Paris their place of stay, or of pleasure. A number of them who had tasted the charms of tango at the end of the 19th century encouraged him in Paris. One of the best-known examples is that of <a href=\"https:\/\/javierbarreiro.wordpress.com\/2018\/09\/03\/benigno-macias-en-la-introduccion-del-tango-en-europa\/\">Benino Macias<\/a>, who is credited with launching the Tango Fury in Paris. Whether it is this story or others, it is certain that by 1911, tango had become part of the customs in Paris. It could be danced every day in several venues, which attracted Argentine orchestras, even if they had to perform disguised as gauchos, as foreign orchestras were only allowed on the condition that they were &#8220;folkloric&#8221;. The costume was reserved for European bands.<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"670\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Pourquoi-Pas-4-octobre-1929-.png\" alt=\"\" class=\"wp-image-650\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Pourquoi-Pas-4-octobre-1929-.png 1000w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Pourquoi-Pas-4-octobre-1929--300x201.png 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Pourquoi-Pas-4-octobre-1929--768x515.png 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Pourquoi-Pas-4-octobre-1929--610x409.png 610w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Pourquoi-Pas-4-octobre-1929--624x418.png 624w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Pourquoi Pas, revue wallonne de Louis Dumont-Wilden, George Garnir et L\u00e9on Souguenet (les \u00ab\u2009trois moustiquaires\u2009\u00bb) du 4 octobre 1929.<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-3 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<blockquote class=\"wp-block-quote has-small-font-size\">\n<p><strong>La naissance du tango<\/strong>  <\/p>\n\n\n\n<p class=\"has-small-font-size\"><em>Le chansonnier Fursv affirme, dans ses m\u00e9moires, avoir assist\u00e9, vers 1900, \u00e0 la naissance du tango, l\u2019Abbaye Albert\u2009\u00bb, \u00e0 Montmartre.<\/em><br><em>\u2014&nbsp;Parmi les Argentins qui venaient l\u00e0, conte-t-i1, il y avait un certain Benino Macias, formidablement riche, tr\u00e8s nostalgique.<\/em><br><em>\u00bb Un soir, ayant pay\u00e9 l\u2019orchestre pour le seconder dans son projet, il se mit \u00e0 danser, pour la galerie, une sorte de pas lent, et tra\u00een\u00e9, coup\u00e9 de repos rythm\u00e9s, et accompagn\u00e9 par une m\u00e9lodie en mineur, d\u2019une infinie m\u00e9lancolie.<\/em><br><em>~ Ce fut, sur le moment, de l\u2019\u00e9tonnement, mieux, de la stupeur.<\/em><br><em>\u00bb Mais on applaudit Benino Macias, qui dansait avec une certaine Loulou Christy, fort jolie.<\/em><br><em>\u00bb Huit jours apr\u00e8s, il y avait vingt couples qui faisaient comme eux.\u00bb C\u2019est ainsi que le tango a fait sa toute premi\u00e8re apparition \u00e0 Paris.\u2009\u00bb<\/em><\/p>\n<cite>Pourquoi Pas, revue wallonne de Louis Dumont-Wilden, George Garnir et L\u00e9on Souguenet (les \u00ab\u2009trois moustiquaires\u2009\u00bb) du 4 octobre 1929.<\/cite><\/blockquote>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<blockquote class=\"wp-block-quote has-small-font-size\">\n<p><strong><em>The birth of tango<\/em><\/strong><strong><em><\/em><\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><em>In his memoirs, the chansonnier Fursv claims to have witnessed, around 1900, the birth of the tango, the &#8220;Abbaye Albert&#8221; in Montmartre.<\/em><br><em>&#8220;Among the Argentinians who came there,&#8221; he said, &#8220;was a certain Benino Macias, tremendously rich, very nostalgic.<\/em><br><em>One evening, having paid the orchestra to assist him in his project, he began to dance, for the gallery, a sort of slow, drawn-out step, interrupted by rhythmic rests, and accompanied by a melody in minor, of infinite melancholy.<\/em><br><em>~ It was, at the time, astonishment, or rather, amazement.<\/em><br><em>But we applaud Benino Macias, who danced with a certain Loulou Christy, who was very pretty.<\/em><br><em>Eight days later, there were twenty couples doing the same.This is how tango made its very first appearance in Paris.\u2009\u00bb<\/em><\/p>\n<cite>Pourquoi Pas, Walloon magazine by Louis Dumont-Wilden, George Garnir and L\u00e9on Souguenet (the &#8220;three mosquito nets&#8221;) of 4 October 1929.<\/cite><\/blockquote>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-4 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-small-font-size\">Lorsque ces orchestres sont retourn\u00e9s en Argentine, aur\u00e9ol\u00e9s de leurs succ\u00e8s europ\u00e9ens, cela a aid\u00e9 \u00e0 sortir le tango de ses lieux mal fam\u00e9s en Argentine.<br><em>Dans l\u2019article \u00ab\u2009<a href=\"http:\/\/www.histoire-tango.fr\/histoire%20danse%20tango\/tango%20une%20enquete.htm\">Une enqu\u00eate sur le tango<\/a>\u2009\u00bb, vous trouverez des \u00e9l\u00e9ments int\u00e9ressants si vous vous int\u00e9ressez \u00e0 la question des d\u00e9buts du tango en France. Vous pouvez aussi consulter le <a href=\"https:\/\/milongaophelia.wordpress.com\/2015\/01\/06\/le-tango-a-paris-entre-1920-et-1955\/\">site milongaophelia<\/a>, riche en documents iconographiques.&nbsp;<\/em><br>Donc, pour la France, l\u2019\u00e2ge d\u2019or se situe dans les ann\u00e9es&nbsp;1910-1935. Cependant, ce tango s\u2019y est fig\u00e9 dans le temps et s\u2019est ab\u00e2tardi pour devenir le tango musette qui est une lointaine r\u00e9miniscence du tango de style canyengue. Il convient donc de retraverser l\u2019Atlantique pour d\u00e9couvrir le v\u00e9ritable \u00e2ge d\u2019or.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-left has-small-font-size\">When these orchestras returned to Argentina, basking in the glory of their European successes, it helped to bring tango out of its disreputable places in Argentina.<br><em>In the article &#8220;<\/em><a href=\"http:\/\/www.histoire-tango.fr\/histoire%20danse%20tango\/tango%20une%20enquete.htm\"><em>A survey on tango<\/em><\/a><em>\u2009&#8221;, you will find interesting elements if you are interested in the question of the beginnings of tango in France. You can also consult the <\/em><a href=\"https:\/\/milongaophelia.wordpress.com\/2015\/01\/06\/le-tango-a-paris-entre-1920-et-1955\/\"><em>milongaophelia website<\/em><\/a><em>, rich in iconographic documents.&nbsp; <\/em><br>So, for France, the golden age is in the years 1910-1935. However, this tango has been frozen in time and has bastardized to become the tango musette which is a distant reminiscence of the tango of the Canyengue style. It is therefore appropriate to cross the Atlantic again to discover the true golden age.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Les premiers orchestres dor\u00e9s<\/h2>\n\n\n\n<p>Pas de musique sans orchestre. <br>Le ph\u00e9nom\u00e8ne tango se d\u00e9veloppe donc \u00e0 Buenos Aires et dans sa jumelle rioplatense.<br>De nombreux orchestres se cr\u00e9ent, se renforcent et pour accompagner cette vague, les enregistrements se multiplient. Malheureusement, les techniques rudimentaires de l\u2019\u00e9poque obligent \u00e0 jouer d\u2019une fa\u00e7on martiale, de crier plus que de chanter et la musique qui en r\u00e9sulte a du mal \u00e0 sortir du bruit du disque pour donner de l\u2019\u00e9motion.<br>On peut consid\u00e9rer que ces premiers enregistrements ne rendent pas justice \u00e0 ce que jouaient r\u00e9ellement les orchestres devant le public. On se reportera \u00e0 <a href=\"https:\/\/dj-byc.com\/les-progres-de-lenregistrement-de-la-musique-de-tango\/index.html\">l\u2019article sur les progr\u00e8s de l\u2019enregistrement<\/a> pour en savoir plus.<br>Ce n\u2019est qu\u2019en 1926 que la qualit\u00e9 des enregistrements rend enfin justice aux prestations des orchestres. Ce biais fait que l\u2019on peut n\u00e9gliger le ph\u00e9nom\u00e8ne tango ant\u00e9rieur et que par cons\u00e9quent, on peut \u00ab\u2009louper\u2009\u00bb la d\u00e9tection d\u2019un \u00e2ge d\u2019or, faute d\u2019enregistrements de qualit\u00e9.<br>Cependant, lorsque la qualit\u00e9 devient satisfaisante, la musique est pour sa part assez diff\u00e9rente de celle qui sera d\u00e9ploy\u00e9e dans les d\u00e9cennies suivantes. Des orchestres anciens, comme ceux de Carabelli, Fresedo, Canaro font de fort belles choses, mais l\u2019arriv\u00e9e d\u2019une nouvelle vague va r\u00e9volutionner la musique.<br>Les orchestres deviennent plus virtuoses \u00e0 force de pratiquer tous les jours et de se concurrencer dans une vive \u00e9mulation.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">The First Golden Orchestras<\/h2>\n\n\n\n<p>There is no music without an orchestra. The tango phenomenon is therefore developing in Buenos Aires and its Rioplatensian twin.<br>Many orchestras were created, strengthened, and to accompany this wave, recordings multiplied. Unfortunately, the rudimentary techniques of the time forced you to play in a martial way, to shout more than to sing and the resulting music had difficulty getting out of the noise of the record to give emotion.<br>It can be argued that these early recordings do not do justice to what the orchestras actually played in front of the audience. Refer to&nbsp; the <a href=\"https:\/\/dj-byc.com\/les-progres-de-lenregistrement-de-la-musique-de-tango\/index.html\">article on the progress of registration<\/a> for more information.<br>It was not until 1926 that the quality of the recordings finally did justice to the orchestras&#8217; performances. This bias means that the previous tango phenomenon can be neglected and that consequently, the detection of a golden age can be &#8220;missed&#8221; due to a lack of quality recordings.<br>However, when the quality becomes satisfactory, the music is quite different from the one that will be deployed in the following decades. Old orchestras, such as those of Carabelli, Fresedo, Canaro did very beautiful things, but the arrival of a new wave revolutionized music. Orchestras become more virtuoso by dint of practicing every day and competing with each other in lively emulation.<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"416\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Annonces-Tango-Diag.png\" alt=\"\" class=\"wp-image-581\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Annonces-Tango-Diag.png 800w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Annonces-Tango-Diag-300x156.png 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Annonces-Tango-Diag-768x399.png 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Annonces-Tango-Diag-610x317.png 610w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/01\/Annonces-Tango-Diag-624x324.png 624w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">El Mundo du dimanche 1er&nbsp;octobre de 1944.<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-6 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Les quatre piliers<\/h2>\n\n\n\n<p>Le premier orchestre \u00e0 d\u00e9coller est sans conteste celui de Juan D\u2019Arienzo, gr\u00e2ce \u00e0 l\u2019apport providentiel de Rodolfo Biagi (arrangeur et pianiste) \u00e0 partir de d\u00e9cembre 1935. Le d\u00e9part rapide de Biagi de l\u2019orchestre en 1938 ne rompt pas le nouveau style de l\u2019orchestre de D\u2019Arienzo qui \u00e9voluera dans cette direction jusqu\u2019\u00e0 la mort de son directeur en 1976.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">The Four Pillars<\/h2>\n\n\n\n<p>The first orchestra to take off was undoubtedly that of Juan D&#8217;Arienzo, thanks to the providential contribution of Rodolfo Biagi (arranger and pianist) from December 1935. Biagi&#8217;s rapid departure from the orchestra in 1938 did not break the new style of D&#8217;Arienzo&#8217;s orchestra, which would evolve in this direction until the death of its conductor in 1976.<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/22-Gran-Hotel-Victoria-Hotel-Victoria-1935-07-02.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Juan d&#8217;Arienzo &#8211; Gran Hotel Victoria (Hotel Victoria) 1935-07-02, avant Biagi.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/04-El-flete-1936-04-03-sin-artefacto-RED.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Juan d&#8217;Arienzo &#8211; El flete 1936-04-03, apr\u00e8s Biagi. On entend les ding ding du piano de Biagi.<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Peu apr\u00e8s, Carlos Di&nbsp;Sarli qui \u00e9tait \u00e0 la t\u00eate d\u2019un sexteto jusqu\u2019au d\u00e9but des ann\u00e9es&nbsp;30 se lance avec un orchestre qui prend sa dimension dans les d\u00e9cades des ann\u00e9es&nbsp;40 et 50.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Shortly afterwards, Carlos Di Sarli, who was at the head of a sextet until the early 1930s, launched himself with an orchestra that took on its dimension in the 1940s and 1950s.<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/26-T.B.C.-TBC-1928-11-26.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Carlos Di Sarli (Sexteto) &#8211; T.B.C. 1928-11-26<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/3-56-El-amanecer-1942-06-23.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Carlos Di Sarli &#8211; El amanecer 1942-06-23<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/03-El-amanecer-1951-09-26.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Carlos Di Sarli &#8211; El amanecer 1951-09-26 &#8211; La version de 1954-08-31 aurait \u00e9galement pu \u00eatre prise comme example.<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-8 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Troilo arrive au d\u00e9but des ann\u00e9es&nbsp;40, suivi de pr\u00e8s par Pugliese.<\/p>\n\n\n\n<p>L\u2019\u00e2ge d\u2019or peut \u00eatre d\u00e9fini comme la p\u00e9riode d\u2019activit\u00e9 maximale de ces quatre orchestres. Celle o\u00f9 l\u2019on pouvait danser chaque semaine avec des orchestres \u00e9poustouflants.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Troilo arrived in the early 1940s, closely followed by Pugliese.<\/p>\n\n\n\n<p>The Golden Age can be defined as the period of maximum activity of these four orchestras. The one where you could dance every week with breathtaking orchestras.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-9 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">La fin de l\u2019\u00e2ge d\u2019or<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">The End of the Golden Age<\/h2>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"783\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Rock-et-Tango-dor-01-mysti.jpg\" alt=\"\" class=\"wp-image-665\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Rock-et-Tango-dor-01-mysti.jpg 1024w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Rock-et-Tango-dor-01-mysti-300x229.jpg 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Rock-et-Tango-dor-01-mysti-768x587.jpg 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Rock-et-Tango-dor-01-mysti-610x466.jpg 610w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Rock-et-Tango-dor-01-mysti-624x477.jpg 624w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Le rock et d&#8217;autres musiques vont changer les habitudes des danseurs et amorcer le d\u00e9clin du tango.<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-10 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Les ann\u00e9es&nbsp;40 voient les quatre piliers dans leur p\u00e9riode de gloire. Dans les ann\u00e9es&nbsp;50, ils continuent leur \u00e9volution, mais en parall\u00e8le, l\u2019arriv\u00e9e de nouveaux go\u00fbts chez les danseurs, notamment le rock, fait que la pratique commence \u00e0 baisser est que les orchestres se tournent vers des formes plus concertantes.<br>Troilo et Pugliese produisent dans leurs derni\u00e8res ann\u00e9es des titres novateurs et nostalgiques, \u00e0 la recherche d\u2019un second souffle, plus orient\u00e9 vers le concert que la danse.<br>Carlos Di&nbsp;Sarli, peut-\u00eatre plus dans l\u2019air du temps qui demandait une musique plus romantique a continu\u00e9 dans son style jusqu\u2019\u00e0 la fin des ann\u00e9es&nbsp;50, sans sacrifier \u00e0 la danse.<br>Quant \u00e0 d\u2019Arienzo, son style \u00e9nergique en a fait une b\u00eate de sc\u00e8ne qui lui permettait d\u2019animer des concerts euphorisants jusqu\u2019\u00e0 sa mort en 1976. Ses musiciens (sous la direction de Carlos Lazzari, bandon\u00e9iste et arrangeur de D\u2019Arienzo) puis de nombreux orchestres contemporains perp\u00e9tuent ce style festif et \u00e9nergique jusqu\u2019\u00e0 nos jours qui continuent d\u2019enchanter les danseurs, comme les auditeurs.<br>Cependant, il est certain que le rock et d\u2019autres modes ayant \u00e9loign\u00e9 les danseurs du tango, il est difficile de faire continuer l\u2019\u00e2ge d\u2019or apr\u00e8s les ann\u00e9es&nbsp;50.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>The 1940s saw the four pillars in their heyday. In the 1950s, they continued to evolve, but at the same time, the arrival of new tastes among dancers, especially rock, meant that the practice began to decline and that orchestras turned to more concertante forms.<br>In their last years, Troilo and Pugliese produced innovative and nostalgic tracks that were more oriented towards concert than dance in search of a second wind.<br>Carlos Di Sarli, perhaps more in tune with the times who demanded more romantic music, continued in his style until the end of the 50s, without sacrificing dance.<br>As for d&#8217;Arienzo, his energetic style made him a beast of the stage, allowing him to host euphoric concerts until his death in 1976. Its musicians (under the direction of Carlos Lazzari, D&#8217;Arienzo&#8217;s bandoneist and arranger) and many contemporary orchestras perpetuate this festive and energetic style to this day, which continues to enchant dancers and listeners alike. However, rock and other fashions have certainly kept dancers away from tango, making it difficult to continue the golden age after the 1950s.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-11 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Le lancement du disque, ou la seconde mort du tango de danse<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">The launch of the LP, or the second death of dance tango<\/h2>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/echo-et-reverberation-04-16-9.png\" alt=\"\" class=\"wp-image-667\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/echo-et-reverberation-04-16-9.png 1024w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/echo-et-reverberation-04-16-9-300x169.png 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/echo-et-reverberation-04-16-9-768x432.png 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/echo-et-reverberation-04-16-9-610x343.png 610w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/echo-et-reverberation-04-16-9-624x351.png 624w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Le disque LP et la st\u00e9r\u00e9ophonie ont chang\u00e9 la musique de tango.<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-12 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Un autre ph\u00e9nom\u00e8ne se d\u00e9veloppe dans les ann\u00e9es&nbsp;50, le microsillon et en 1958, le son st\u00e9r\u00e9o. Cette invention avec l\u2019augmentation de la qualit\u00e9 de la musique, la plus grande dur\u00e9e de musique par disque (environ 8&nbsp;fois plus par disque), fait que l\u2019on peut poss\u00e9der beaucoup plus de musique sans que cela devienne trop envahissant, d\u2019autant plus que les disques microsillons sont plus l\u00e9gers et fins que les anciens 78&nbsp;tours en shellac.<br><strong>Le son st\u00e9r\u00e9o<\/strong> a rapidement form\u00e9 les oreilles des auditeurs, rel\u00e9guant les anciens enregistrements au rayon des antiquit\u00e9s. Pour essayer de contrer ce mouvement et \u00ab\u2009moderniser\u2009\u00bb leur fond ancien, les \u00e9diteurs de musique ont r\u00e9\u00e9dit\u00e9 les tangos des ann\u00e9es&nbsp;30 et 40 en vinyle (microsillon) en rajoutant de la r\u00e9verb\u00e9ration. Cela donne une impression d\u2019espace et permet de faire du \u00ab\u2009st\u00e9r\u00e9o like\u2009\u00bb \u00e0 peu de frais. Aujourd\u2019hui ces vinyles sont tr\u00e8s mal vus, car la r\u00e9verb\u00e9ration nuit au message sonore.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Another phenomenon developed in the 1950s, the LP, and in 1958, stereo sound. This invention with the increase in the quality of music, and the longer duration of music per record (about 8 times more per record), means that one can own much more music without it becoming too intrusive, especially since LP records are lighter and thinner than the old shellac 78s. <br><strong>The stereo sound<\/strong> quickly trained listeners&#8217; ears, relegating old recordings to the antique shelf. To try to counter this movement and &#8220;modernize&#8221; their old background, music publishers have reissued tangos from the 30s and 40s on vinyl (LP) by adding reverb. This gives the impression of space and allows you to &#8220;stereo like&#8221; at little cost. Today, these vinyls are very frowned upon, because the reverb detracts from the sound message.<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Avec et sans reverb\u00e9ration\" width=\"625\" height=\"352\" src=\"https:\/\/www.youtube.com\/embed\/YbKg2ztXRjo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">La valse de Juan D&#8217;Arienzo &#8211; No llores madre de 1936-07-03 a \u00e9t\u00e9 diffus\u00e9e dans un premier temps sur disque shellac. Lors de la r\u00e9\u00e9dition en microsillon (LP), pour lui donner un air de &#8220;st\u00e9r\u00e9o&#8221;, les ing\u00e9nieurs du son ont rajout\u00e9 de la r\u00e9verb\u00e9ration, ce qui a pollu\u00e9 la musique originale.<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-13 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Ces deux donn\u00e9es expliquent aussi le d\u00e9clin des orchestres de bal. En effet, il devenait possible de jouer de la musique de tango pendant une demi-heure, sans aucune manipulation et sans avoir \u00e0 payer un orchestre.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>These two factors also explain the decline of ballroom bands. Indeed, it became possible to play tango music for half an hour, without any manipulation and without having to pay for an orchestra.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-14 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Le petit \u00e2ge d\u2019or, le moyen \u00e2ge d\u2019or et le grand \u00e2ge d\u2019or<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">The Little Golden Age, the Golden Age and the Great Golden Age<\/h2>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"921\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Frise-chronologique-03-BYC2.jpg\" alt=\"\" class=\"wp-image-672\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Frise-chronologique-03-BYC2.jpg 1024w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Frise-chronologique-03-BYC2-300x270.jpg 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Frise-chronologique-03-BYC2-768x691.jpg 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Frise-chronologique-03-BYC2-610x549.jpg 610w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Frise-chronologique-03-BYC2-624x561.jpg 624w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">L&#8217;\u00e2ge d&#8217;or du tango. Illustration libre, ne pas y chercher une v\u00e9rit\u00e9 historique&#8230; \/ The golden age of tango. Free illustration, do not look for historical truth\u2026<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-15 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Une d\u00e9finition tr\u00e8s stricte de l\u2019\u00e2ge d\u2019or est parfois donn\u00e9e et qui est born\u00e9e par la p\u00e9riode o\u00f9 les 4&nbsp;piliers jouaient, donc de 1943 (arriv\u00e9e sur le march\u00e9 du disque de Pugliese), jusqu\u2019\u00e0 l\u2019arriv\u00e9e du microsillon, aux alentours de 1955.<br>Comme on aime bien arrondir, on d\u00e9finit cette p\u00e9riode comme courant de 1940 \u00e0 1955.<br>Cependant, cela enl\u00e8ve les merveilleux enregistrements de D\u2019Arienzo de la seconde moiti\u00e9 des ann\u00e9es&nbsp;30. Il est donc plus courant de d\u00e9finir un \u00ab\u2009moyen \u00e2ge d\u2019or\u2009\u00bb de 1935 \u00e0 1955. Les comptes sont ronds, vingt ans tout juste. En Europe, la nostalgie et la familiarit\u00e9 avec le tango musette et italien, font que la vieille garde est \u00e9galement appr\u00e9ci\u00e9e. Cela permet d\u2019inclure des orchestres qui ont beaucoup de succ\u00e8s dans les \u00ab\u2009encuentros milongueros\u2009\u00bb, comme Canaro, Donato, Carabelli ou Fresedo. Toujours pour favoriser les comptes justes, on \u00e9tend parfois l\u2019\u00e2ge d\u2019or de 1930 \u00e0 1955.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>A very strict definition of the golden age is sometimes given which is limited by the period when the 4 pillars were playing, i.e. from 1943 (arrival on the market of the Pugliese record), until the arrival of the LP, around 1955.<br>Since we like to round up, we define this period as current from 1940 to 1955.<br>However, this takes away from the wonderful D&#8217;Arienzo recordings from the second half of the 1930s. It is therefore more common to define a &#8220;golden middle&#8221; from 1935 to 1955. The accounts are round, just twenty years. In Europe, nostalgia and familiarity with musette and Italian tango mean that the old guard is also appreciated. This makes it possible to include orchestras that are very successful in the &#8220;encuentros milongueros&#8221;, such as Canaro, Donato, Carabelli, or Fresedo. Also in order to promote fair accounts, the golden age is sometimes extended from 1930 to 1955.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-16 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Le support de l&#8217;\u00e2ge d&#8217;or<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">The support of the Golden Age<\/h2>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"450\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/En-Tu-corazon-Vals-Arienzo-78-tours-.png\" alt=\"\" class=\"wp-image-675\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/En-Tu-corazon-Vals-Arienzo-78-tours-.png 800w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/En-Tu-corazon-Vals-Arienzo-78-tours--300x169.png 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/En-Tu-corazon-Vals-Arienzo-78-tours--768x432.png 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/En-Tu-corazon-Vals-Arienzo-78-tours--610x343.png 610w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/En-Tu-corazon-Vals-Arienzo-78-tours--624x351.png 624w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Un disque 78 tours en shellac. Ici, une valse de D&#8217;Arienzo, En tu coraz\u00f3n. \/ A 78 rpm shellac record. Here, a waltz from D&#8217;Arienzo, En tu coraz\u00f3n.<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-17 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>C\u2019est le r\u00e9pertoire qu\u2019utilisent les DJ les plus \u00ab\u2009traditionnels\u2009\u00bb.<br>Signalons que dans ce mouvement \u00ab\u2009traditionnel\u2009\u00bb certains DJ revendiquent la diffusion en milonga \u00e0 partir de disques vinyle, un support anachronique. Mais les modes ont-elles \u00e0 se justifier\u2009? Quelques DJ utilisent des disques shellac par souci de v\u00e9rit\u00e9 historique. Mais l\u00e0, c\u2019est jouer avec le patrimoine et cette pratique me semble non recommandable, car nuisible avec notre h\u00e9ritage, sans aucune valeur ajout\u00e9e en termes de musique. Les v\u00e9ritables collectionneurs respectent ces tr\u00e9sors et ne les exposent pas \u00e0 la ruine.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>This is the repertoire used by the most &#8220;traditional&#8221; DJs.<br>It should be noted that in this &#8220;traditional&#8221; movement, some DJs claim to broadcast in milonga from vinyl records, an anachronistic medium. But do fashions have to be justified? Some DJs use shellac records for the sake of historical truth. But in this case, it&#8217;s playing with heritage and this practice seems to me to be recommendable, because it is harmful to our heritage, without any added value in terms of music. True collectors respect these treasures and do not expose them to ruin.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-18 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Vers un nouvel \u00e2ge d\u2019or\u2009?<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Towards a new golden age?<\/h2>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Disque-tango-en-or-01.jpeg\" alt=\"\" class=\"wp-image-679\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Disque-tango-en-or-01.jpeg 1024w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Disque-tango-en-or-01-300x300.jpeg 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Disque-tango-en-or-01-150x150.jpeg 150w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Disque-tango-en-or-01-768x768.jpeg 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Disque-tango-en-or-01-610x610.jpeg 610w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Disque-tango-en-or-01-600x600.jpeg 600w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/Disque-tango-en-or-01-624x624.jpeg 624w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Vers un nouvel \u00e2ge d&#8217;or du tango ? \/ Towards a new golden age? <\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-19 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Le tango est n\u00e9 et est ressuscit\u00e9 \u00e0 diff\u00e9rentes reprises, sous des aspects l\u00e9g\u00e8rement diff\u00e9rents \u00e0 chaque fois.<br>Peut-\u00eatre sommes-nous \u00e0 l\u2019aube d\u2019un nouvel \u00e2ge d\u2019or du tango de danse\u2009? Les avions n\u2019ont jamais transport\u00e9 autant de tangueros \u00e0 Buenos Aires. En Europe, il n\u2019y a pas une ville de quelque importance sans une communaut\u00e9 tanguera.<br>Cette communaut\u00e9 est internationale. Il est possible de danser avec des partenaires venus du monde entier et de s\u2019entendre d\u00e8s la premi\u00e8re tanda commune. C\u2019est un des miracles du tango. Cependant, ce patrimoine est fragile, comme les disques shellac. Il convient de le pr\u00e9server et de ne pas le d\u00e9naturer en s\u2019\u00e9loignant de ce qui fait la particularit\u00e9 de la danse.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Tango was born and resurrected on different occasions, in slightly different aspects each time.<br>Maybe we are at the dawn of a new golden age of dance tango? Planes have never carried so many tangueros to Buenos Aires. In Europe, there is not a city of any importance without a tanguera community.<br>This community is international. It is possible to dance with partners from all over the world and to hear each other from the first tanda together. This is one of the miracles of tango. However, this heritage is fragile, like shellac records. It should be preserved and not distorted by distancing oneself from what makes dance so special.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-20 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">\u00c9pilogue<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Epilogue<\/h2>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"450\" src=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/rockn-roll-en-or-02-.png\" alt=\"\" class=\"wp-image-680\" srcset=\"https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/rockn-roll-en-or-02-.png 800w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/rockn-roll-en-or-02--300x169.png 300w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/rockn-roll-en-or-02--768x432.png 768w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/rockn-roll-en-or-02--610x343.png 610w, https:\/\/dj-byc.com\/WP\/wp-content\/uploads\/2024\/02\/rockn-roll-en-or-02--624x351.png 624w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Difficile d&#8217;imaginer ce que sera le tango dans un si\u00e8cle. Esp\u00e9rons qu&#8217;il sera dans un nouvel \u00e2ge d&#8217;or. \/ It&#8217;s hard to imagine what tango will be like in a century. Hopefully it will be in a new golden age.<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-21 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Un DJ actuel a le choix de quasiment un si\u00e8cle de musique pour animer ses milongas. Il convient cependant qu\u2019il ne s\u00e9pare pas les danseurs de ce qui est le plus pr\u00e9cieux, le tango de l\u2019\u00e2ge d\u2019or. Il devra donc veiller \u00e0 toujours donner \u00e0 \u00e9couter et danser cette r\u00e9f\u00e9rence, les grands tangos de bals des ann\u00e9es&nbsp;35-55, ou 30-55, ou 40-55.<br>Charge aux danseurs et \u00e0 leurs professeurs, de comprendre ce qui fait du tango une danse si particuli\u00e8re et pourquoi il est important de la relier \u00e0 une musique parfaite pour lui. Pour terminer, je souhaite rappeler que le tango de danse n\u2019est qu\u2019une partie de la culture tango et que je n\u2019ai parl\u00e9 d\u2019\u00e2ge d\u2019or que pour le DJ. Des amateurs de tango \u00e0 \u00e9couter pourraient placer leur \u00e2ge d\u2019or dans les ann\u00e9es Piazzolla. En effet, celui-ci cr\u00e9e son octeto en 1955 et ses propositions musicales d\u00e9buteront le clivage entre tradition et modernit\u00e9. On pourrait donc parler d\u2019un \u00e2ge d\u2019or du tango d\u2019\u00e9coute de 1955 \u00e0 1990\u2026<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>A today DJ has the choice of almost a century of music to liven up his milongas. However, he should not separate the dancers from what is most precious, the tango of the golden age. He will therefore have to make sure that he always gives to listen to and dance to this reference, the great balls of the years 35-55, or 30-55, or 40-55.<br>It is up to the dancers and their teachers to understand what makes tango such a special dance and why it is important to connect it to music that is perfect for them. To conclude, I would like to remind you that dance tango is only one part of the tango culture and that I have only spoken of a golden age for the DJ. Tango lovers to listen to could place their golden age in the Piazzolla years. Indeed, he created his octeto in 1955 and his musical proposals began the divide between tradition and modernity. We could therefore speak of a golden age of listening tango from 1955 to 1990&#8230;<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>+1 What are the dates of the golden age of dance tango? Pour un DJ, l\u2019\u00e2ge d\u2019or, c\u2019est principalement l\u2019\u00e9poque ou le tango de danse \u00e9tait \u00e0 la mode. Mais pour qu\u2019un \u00e2ge d\u2019or arrive, il faut diff\u00e9rents \u00e9l\u00e9ments pr\u00e9curseurs et pour qu\u2019il se termine, il faut que l\u2019\u00e9lan s\u2019\u00e9puise. 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